True Lies

I've been thinking lately about what I do for fun (and a little bit of profit). I like to make stuff up. I routinely write about people and events, conflicts and conundrums, and barely a word of it is true. My stories are mostly cut from the whole cloth of my imagination.

And that said, people read what I write and believe every word.

Bless them. Note: Believe is a fluid term.

I'm no exception. Every writer of FICTION is granted this privilege. And it's a privilege we work with carefully, because if we stretch our fiction too much, too far, or too absurdly, it'll break. The reader will snort with derision and hurl our writing across the room at the wall; or worse, into the publishing house's rejection receptacle.

When people pick up a work of fiction, 99% of them will read and accept it, happily allowing for its inherent falseness; and as long as the writer plays more-or-less by the rules (of whatever field, genre he/she is writing in), everything will be fine.

But, of course, there is that 1% of folk who will pick up a book and actually believe the whole thing is a true story, i.e., not made up.

My percentages are also fiction, but based on a reasonable assumption. People really do send death threats to actors who play nasty villains on TV and in movies. And to pluck an excellent example from history; people really did cry when (PLOT SPOILER!) Little Nell died at the end of of Charles Dickens' The Old Curiosity Shop. In fact, it's been said that readers in New York stormed the docks (in 1841) when the ship arrived bearing the last installment, shouting to the sailors, "Is Little Nell alive?"

Alive?

"Little Nell" perhaps better demonstrates the power of a good story, rather than complete acceptance of a work of fiction in blind faith. But, you know, there really are people out there who totally, utterly, unquestioningly, believe there's a school in Scotland called Hogwarts. Right now, I have at least one friend who's saying, What the hell are you talking about, Stephen?!? You know who you are.

Liking a good story is why we will happily suspend our disbelief. We are consciously aware it's made up, but we allow for that. In fact, the more we like a story, the greater is our ability to suspend our disbelief, regardless of how ludicrous the story might be.

(I am very tempted to segue into politics at this point, but I will not.)

Liking a good story is part of human nature. We've been liking a good story since man could talk and could string enough sentences together to say something interesting. And let's face it, there wasn't much else to do of an evening in prehistoric times, when sitting around the fire, after having swallowed the last mouthful of woolly mammoth. There was nowhere to plug in the TV, to start with, and the wi-fi was lousy.


There is something innate in the human mind that can easily latch onto, like, and believe in a good set of characters and reasonable plot. Were there not, books, plays, movies, and so on, would not be a thing. We'd still be sitting around the fire. Counting the stars.

Speaking as a writer, there's something nice about being able to send made-up ideas into the heads of other people. To make them see things that don't exist. To make them feel. And to keep doing that, possibly forever, or until the stars burn out. Think about it, every time someone picks up one of Dickens' books, the ideas of a man who's been dead for nearly 150 years come through clearly into the reader's head. Natürliche, you need to be someone as good as Dickens to achieve that kind of longevity.

Stephen King, in his book On Writing, talked about this. From memory, I think he referred to it as a form of telepathy—transmitting ideas from the writer's mind into that of the reader's, with, some times, years apart between the writing and the reading.

Nice.

Anyway, back to the next chapter, and making up more stuff.


Thanks to @nubikini for the photo!

www.StephenRoss.net

The Writer Cop

The Writer Cop
by O'Neil De Noux

I do not write non-fiction often. The current issue of the Southern States Police Benevolent Association, BLUE REVIEW (Issue 12) has my article THE WRITER COP. Thought I would share a portion of it here.

THE WRITER COP

There are advantages and disadvantages of being a cop-turned-writer

Advantages

We know the life. We know how a police officer thinks, how a cop talks, what a cop will do and we write from there. We are eye-witnesses who must learn how to write good fiction to get the stories out there. So, we start a little ahead but until we learn how to write, all we have are anecdotes.

Disadvantages
It is hard for us to cut corners in our fiction, just as in real life. We have to solve the crimes as real cops do and sometimes it isn't interesting. That's why learning to be a good fiction writer is paramount. We have to know how to add excitement to mundane procedures. The dean of our field, Joseph Wambaugh, taught us this lesson we should never forget.

Another disadvantage is publishing's perception of police officers in fiction. Some agents and editors think television cops are real, that cops beat up prisoners all the time, violate people's rights, shoot everyone they can. Real cops like that end up in a penitentiary. Then again, a good story outranks reality. We are writing fiction, so when I read about a cop who is over the top, well that's fiction. It's just a little harder for us to write that way. We need to learn how to do this effectively. My recurring character John Raven Beau is larger than life and has shot far too many people in my fiction. It took a while, but I learned.

We cop writers must remember the basics

A Good Plot is the backbone of the police story
A well-plotted scenario will allow the writer to create memorable characters, unforgettable scenes, uniquely described settings; so long as the writer does not forget normal police procedures. Deviation from the norm removes credibility from your story. Strive for believability.

Keep it Action Oriented
Although real police investigations include long, sometimes grueling days of unending canvasses, surveillances, and dead-end leads, you should be selective in what you present the reader in order to keep your story moving forward. Short scenes featuring crisp dialogue can streamline the most mundane parts of an investigation. Leave out the boring parts.

Create well-rounded characters
As in almost all fiction, character is the heart of the story. Although the hero of the police procedural is usually a police officer, they are real people existing in a familiar world. What happens to them can be extraordinary.

Create a distinctive setting
The setting is the skeleton your story is built around. It is more than just the description of a place or time period. It is the feeling of the place and time. Give the reader a distinct, well-rounded setting stressing sensory details – the sharp smell of gunpowder, the coppery taste of blood, the tacky feel of rubber grips on a weapon when the hero's hand are sweaty.

Accurate language adds credibility
Through dialogue, you have an excellent opportunity to create emotion, from scintillating nails-on-a-blackboard passes uttered by creepy villians to hard-nosed talk between overworked detectives. Use what you know. You know how a cop talks.

Be Realistic
Make sure of your facts. We all know revolvers do not have safeties nor can a silencer be effective with a revolver or any open-breech weapon. Detectives take notes. How many times have you seen a movie or read a book showing detectives taking notes? Not many. I've been a detective most of my career. I never shot anyone but I killed a lot of pens. A pen is a detective's most useful took and mightiest weapon. Every killer on death row began his or her long trek through the criminal justice system with a detective taking notes at a crime scene.

A definite resolution helps
Don't cheat the reader out of an ending to your story. Police cases end, usually with an arrest and trial, sometimes with a shootout. This is a natural, climactic event. Even cases that are suspended or closed without a solution have a climactic moment, when the investigators face the nightmare of someone getting away with murder. In your resolution, you should remember something is usually affirmed. Good triumphs over evil, or at least goes the distance.

www.oneildenoux.com

More on the Benefits of Journaling

by Brian Thornton

I have written before here and much more recently (and tangentially) here, about the benefits to be had from journaling about your writing. I continue to believe in the potency of journaling. Now, more than ever.

Journaling can take a multitude of forms: it can be simply making notes about what you're working on. It can be drafting scenes outside of your plot-line. It can be free-writing.

Journaling has served me incredibly well over the years. Any number of dry spells have been broken by a daily session with the writing journal. And what's more, working daily on your journal can have the added benefit of "priming the pump" for other writing.

When I'm journaling as part of my daily word-count goals, I find I get more and better writing on my main project done, in addition to getting ideas for other, future writing projects. Those get written down, too.

Every piece of fiction I've ever written has come about all or in part because of my commitment to this process. Imagine my surprise when it began to pay dividends in a completely different facet of my writing process.

My editing.

Now, I am no freelancer. I don't do copy-edits. I won't give you a quote. And I'm definitely not for hire.

I don't do any of that kind of editing work. When I edit professionally, it's part of collecting and producing an anthology of thematically linked work.

I've been talking here ad nauseum about the twin themed anthologies I've been working on recently. They're a collection of crime fiction stories inspired by the music of Steely Dan. They are the third and fourth such anthologies I've curated over the course of my career.

This time around I've been working on them concurrently with an unrelated writing project which is due to my publisher later this year. So I've been journaling in addition to all of the editing I've been doing.

And while said journaling has produced terrific results on my other fiction project, I was amazed at how it helped with my productivity on the editing side as well.

For me editing is usually an intensive, exhausting process. It takes a lot out of me to get through a piece, in part because I want to give my best to any project I take on.

And unlike so many of the freelancers and other industry editors I know and count among my friends, it is not a natural fit for me. I know people who can copy edit for hours upon hours, and then go work on their own stuff. Boy, not me. I'm usually pretty fried after a few pages.

Well, that is to say, I was.

But no more. I've found that journaling about what I'm editing has helped me bounce back quicker, focus better, be loads more productive.

Now, when I'm going about my day and working out in the back of my mind plot problems from my own work, I find that because of the work I've done journaling about my editing, what's working with the story, what doesn't, it's keeping that in my head, and giving me ideas about how to fix the things in need of fixing, expand the things in need of expansion, and, of course, cut the things in need of cutting!

I know that we number many editors amongst our readers here at Sleuthsayers. What say you in the peanut gallery? I realize that freelancers need to write up reports and offer feedback to their clients. Does your editing process resemble this? If not, please feel free to share your process with us in the comments.

And on that note:

See you in two weeks!

Smile! Your Story Has Been Rejected!

by Robert Lopresti

Here they are, folks.  The top ten reasons you should be grateful your latest short story was rejected.

10.  Unless you asked the editor out on a date, nobody rejected you. They rejected some pages with words on them. For example, Ellery Queen Mystery Magazine rejected the first seventy-six stories I sent them, but that didn't stop them from buying the seventy-seventh, when I finally got the words on the pages that they wanted.

9. You have a new opportunity to look at the story, checking for flaws, typos, or new aspects.

8.  You have had a valuable reminder of the fact that rejection does not kill you.

7.  You have a new opportunity to examine available markets.    Of my seventy-plus published stories, fifteen eventually appeared in paying markets that did not exist when I first started submitting that story.

6. You just learned something about that market/editor.

5. Your skin just grew a millimeter thicker.

4.  Your story is closer to finding its proper home.   My stories have received some sort of honor ten times.   Eight of those were for stories that had been rejected by at least one market.

3.  Be proud that you are submitting.  As they say in basketball, you miss 100% of the shots you don't take.

2.  Be proud that you are finishing what you write.  That puts you light-years ahead of millions of wannabes.

1. Be proud that you are writing.  That's what you're doing it for, right?  Because if the goal is wealth, try buying lottery tickets instead.

And a Bonus Reason, for those who sell most of what they write: If your success rate is very high, maybe you need to experiment more, or try more ambitious markets.  Then you can have the satisfaction of failing sometimes, like the rest of us.

Other reasons?  Put 'em in the comments.

I Am Not a Crook – Or: A friend will help you move. A really good friend will help you move a body.

They say write what you know, but we can’t always write what we know because that would severely limit what we could write. I don’t think George Lucas or Robert Heinlein ever went to outer space before they wrote about it. And most of us here are crime writers or readers, but how many crime writers have actually lived a life of crime? Aside from speeding or maybe smoking a joint or a little underage drinking, not exactly heinous felonies. How many of us have committed those?

I’m no goody two-shoes (does anyone say that anymore?) but I also haven’t lived a life on the lam from a criminal past. As RT mentioned recently, I may have had homicidal fantasies, but I only carry them out on the page. I did, however, get a ticket for jaywalking once.

As I’ve mentioned before, I like to watch the Murder Channel, the Discovery ID Channel, 24/7 Murder, Mayhem and Betrayal. And one of the things that strikes me in many of the cases they cover is how, not only the main bad guy can so easily kill—and often someone they had once loved,—but how easy it is for them to find friends who will help them carry out their deeds before, during or after the fact. Someone to join you in the fun of murder, or join you afterwards to help you dispose of the body, lie to the cops, etc. Think about your circle of friends. Is there anyone you could turn to to help you kill someone or bury the body afterwards? I know I travel in certain circles, but I don’t think anyone I know would be willing to do that…except maybe the guy I wrote about last time, Brian McDevitt. But since I never tested him on it I can’t say for sure. But you know what they say, a friend will help you move. A really good friend will help you move a body. I’m not sure I have any really good friends… But so far I haven’t needed one. I guess I’ll find out if the time comes 😉.

And though I may not have murdered anyone, my life of crime began at a very early age. When I was around eight, I’m guessing, I stole a couple pieces of candy from a market. Once we got outside my dad noticed them in my hand and made me take them back. It was humiliating but it taught me a lesson—crime does not pay.

When I was in my late 20s, I was approached by a couple—no not for that. They wanted me to marry a friend of theirs from Lebanon so she could become a citizen. They would pay me and at the time I could have used the money, badly. I told them I’d think about it. But I didn’t really need to. I knew I wouldn’t—couldn’t—do it…because it was both wrong and illegal. Nonetheless, I went home and got back to them a day or two later with my negative response. They weren’t happy, but I could live with myself.

But I did commit a crime while down in San Diego. A buddy of mine and I wanted to go to Belmont Park, a small seaside amusement park. We didn’t want to pay, so we hopped a fence on the back side, climbing over barbed wire, and jumped into the park. Nobody caught us. Not exactly in the category of mass murderer, but still illegal.

McDonald’s Incident 1: Also, in San Diego, but another time, another person—my brother this time. We went to McDonald’s. They gave him too much change. A twenty instead of a five. I made him return it. Not a crime, of course, but it ties in with the next point:

McDonald’s Incident 2: Up in LA this time. They short-changed me. I pointed it out. They made me feel like a liar, a thief and criminal. They made me wait while they closed that register and rectified. They found they were wrong and I was right. They gave me my change but never apologized. This happened shortly after the first McDonald’s incident, so I felt like a sap for being honest that time. But I’d probably do it again.

Rear-ender: I was on my way to teach a class. Occasionally I taught one-night screenwriting seminars. I was sitting at a red light and I see this huge Ford pickup barreling down on me. I tried to pull over, but couldn’t in time. He clipped me, sent me through a lamppost and destroyed my car (see pix). I was lucky to get out alive. Luckily I wasn’t hurt more. And all I wanted from his insurance company—and everyone knew and admitted that he was 100% in the wrong—was to have my medical paid, real replacement value for my car, not the bluebook value—I proved to them that these cars were going for more than Bluebook. And for them to pay for my rental car. His insurance company lied to me over and over. They also tried to screw me more ways than one. I had tried being honest and straight with them. But I realized the error of my ways: not getting a lawyer and finally got one. And I’m sure that whatever settlement we got was more than what I would have settled for initially…because I am an honest person and didn’t want to screw them. But they wanted to screw me…so I screwed back, legally.

I probably shouldn’t say this, but since it’s from my wilder and younger days, and I don’t do it anymore: I used to carry a very sharp knife with me. And when people would block me in a parking place one way or another, well, let’s just say they had a hard time driving home…after I slashed their tires. I never felt bad about it. It shouldn’t take me ten minutes to crawl into my car or work my way out of a parking place. It was sort of instant justice.

I may have done some other things, heated arguments and sometimes fights, but nothing major. Never stole (except for the candy when I was a kid), murdered, burgled, robbed. But I write about people who do. And, of course, I did pull a gun on the cops that time...and lived to tell about it… But for that story you’ll have to check out my website: https://pauldmarks.com/he-pulled-a-gun-on-the-lapd-and-lived-to-tell-about-it/ 

So………..do you know anyone who would be willing to help you move the body?

~.~.~

And now for the usual BSP:

Colman Keane interviewed me for his blog, Col's Criminal Library. Check it out:

http://col2910.blogspot.com/2019/02/questions-and-answers-with-paul-d-marks.html

Please join me on Facebook: www.facebook.com/paul.d.marks and check out my website www.PaulDMarks.com

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Not Fade Away

Yesterday was the sixtieth anniversary of the plane crash that killed Buddy Holly, J. P. Richardson ("The Big Bopper") and Richard Valenzuela ("Ritchie Valens").

Valens, 17, had three hits, the biggest being "La Bamba." In the 60s, dozens of Midwest bands covered his "Come On, Let's Go." The McCoys had a local hit with it. Their lead singer and guitar player Rick Zehringer, AKA Rick Derringer, went on to do session work for Steely Dan and Bonnie Tyler and play behind both Edgar Winter and his brother Johnny.

Richardson's only hit of note was "Chantilly Lace," but he also wrote "Running Bear," a posthumous #1 for Johnny Preston, and "White Lightning," the first chart-topper for country giant George Jones.

Not so with Charles Hardin Holley. A year or two ago, another guitar player I know said, "I could never get the fuss over Buddy Holly." Four other players around the table chewed up one side of her and down the other in less time than it takes to say "Peggy Sue."

Holley (Or, professionally, Holly) was the Real Deal, only 22 when he died, younger than Mozart or Schubert. I still have a six-LP box set of his stuff released around 1980 (Much of it has never appeared on CD; I've considered burning it to CD myself), and it contains a staggering 122 tracks, NOT his complete output! A few are demos or interviews, and a few songs show up in different arrangements, but think about it for a minute. When the Beatles made their first recordings for EMI, John Lennon, 23, was the oldest member of the band and they performed mostly covers.

The youngest of four children, Holly heard his family play guitar, piano, banjo, mandolin, and who knows what else. They all sang, some professionally, and he heard country, jazz, blues, western swing and gospel music regularly. The kid was a walking melting pot and won a prize for performing on his toy violin...at age five. He was performing regularly before he could shave.

As Buddy Holly and the Crickets or with solo billing, he wrote or co-wrote a slew of rock standards: "Peggy Sue," "That'll Be the Day," "Heartbeat," "Oh Boy," "Rave On," "Everyday," "You're So Square," "Words of Love," "Not Fade Away," "It's So Easy," "Well, All Right," and several others. His combo of second guitar, bass and drums invented the rock band template. As John Mellencamp once said, "Listen to the Beatles early records. Take off the vocals and the sound is Buddy Holly."

Holly's style incorporated chords and simple riffs off those chord shapes to build solos that were melodic and rocked like a jeep on a mountain road. They were simple, logical and perfect. He's as vital to the development of rock 'n' roll guitar as Chuck Berry, who was ten years older. I perform lots of blues and folk and sixties rock, but I also play Holly songs because every time I look at a new one, I learn something. I've even used two of his titles for stories (Both currently looking for publishers).

His influence on the British Invasion? The Crickets inspired The Beatles, who covered "Words of Love" on an early LP with George Harrison doing a note-for-note copy of the original. Who can blame him? It's a great riff, and I copy it, too.

Graham Nash formed a band called The Hollies. Oddly, although they covered dozens of rock standards by Chuck Berry, Roy Orbison, various R & B acts and other British bands, I can't find a single Buddy Holly Song on their records. But you can hear Holly's influence in those shimmering harmonies.

The Hollies: Graham Nash on Right

The Rolling Stones covered many American R & B And blues acts, and their first single was actually written by John Lennon and Paul McCartney. But the "A" side of their first American single was Holly's "Not Fade Away," and it benefits from the punchier production, possibly because of somewhat better recording technology than Holly's studio had in 1957.

Linda Ronstadt covered "It's So Easy" and "That'll Be the Day." Blind Faith, the short-lived experiment with Eric Clapton and Steve Winwood, recorded "Well, All Right."

Holly booked that fatal plane to move his band to the next gig because their tour bus kept breaking down on snowy roads in the Midwestern winter. When Valens and Richardson found out about the plane, they begged Holly's band mates to give up their seats. Second guitarist Tommy Allsop "lost" a coin toss and surrendered his seat to Valens. Richardson took the seat intended for a lucky bass player who went on to carve out his own legendary country career: Waylon Jennings.

Sixty years ago yesterday. If things turned out differently, Holly could still be alive at 82, a year and a half younger than Elvis and four years older than John Lennon. He probably wouldn't be doing oldies shows, but he'd see what he started with his '58 sunburst Fender Stratocaster.

Good stuff never gets old.

SleuthSayers versus Porch Pirates

My friend Thrush orders so much stuff on-line, Amazon built a warehouse near his residence. Last year a couple of deliveries went missing, odd computer parts of use only to him. Records showed they were placed at the door, but he didn’t receive them. That tends to defeat the goal of internet shopping of not leaving the house.

After this occurrence, I encountered the term ‘porch pirates’. It turns out some people make a habit of spotting deliveries, sometimes stalking FedEx and UPS trucks, to snatch parcels from the stoop before the owner can retrieve them.

Reports have surfaced of deliverymen too lazy or timid to dash through the rain or snow or sleet or hail or gloom of night for a delivery and simply recorded packages as delivered. Fortunately such skulduggery is rare. Snatch and grab is much more common.

Authorities seldom involve themselves in porch thievery. It’s pretty much up to the homeowner to police parcels. A number of surveillance cameras have caught the unwashed ungodly in the act of larceny and posted the results on YouTube. Sometimes customers get their goods back, sometimes they don’t.

Mark Rober’s Glitter Bomb

Glitter Bomb in Action

Catching Crooks with Science, Science, Science…

NASA design engineer Mark Rober suffered the loss of a purloined package. When police refused help, he took matters into his own hands.

“It’s not rocket science,” he thought. And then, “Wait… Maybe it is.”

He built what has become known as the glitter bomb. The video explains better than I. Non-geeks might want to skip a couple of minutes past the two minute spot, but then we see the machine in action.

Apparently the public can now buy numerous, dumbed-down copycat versions of the original glorious glitter grenade. Jaireme Barrow’s company sells another device, a 12-gauge shotgun blank that explodes when stolen. Consider patronizing inventors for your porch pirates entertainment.

SleuthSayers to the Rescue

But wait, I thought. What if SleuthSayers built their own lanai larcenist Crime Stopper? What if we readers and writers cooked up a sadistic surprise for blatant banditos? In particular, why not a corpse, a bloodied, battered, putrefying remains of a body? Left amongst the severed parts might lie a note, maybe ransom, maybe threatening.

Not a real corpse, of course, but a facsimile masterpiece to gut those grabbers of goods. Surely our audience could come up with a masterpiece of vile verisimilitude to make a vandal vomit. (My alliteration runs amuck today.)

So I’m thinking Eve could bring her varied knowledge and experience to bear as project leader. Rob and David provide research and guidance. Mary and Melodie’s hospital trauma experience might aid artists. Fran brings us cosmetician knowledge, the know-how to make up a corpse. Surely Paul knows Hollywood makeup experts. Who are the artists among us? Janice for sure, maybe Michael or Lawrence? We need slightly mad writers to pen a frightening ransom note, surely Steve, Stephen and Barb. Brian’s exposure to the world of teens could prove helpful in choice of packaging– Xbox or iPad, none of that fuddy-duddy Dell stuff. I picture RT and O’Neil procuring a skeleton, not a real one but a classroom model smuggled out of Quantico. We’d rely upon John’s computer skills to man the 3D printer, stamping out faux phalanges and fingers, tarsals and teeth. What about our readers?

Flesh texture strikes me as a problem, although gross enough remains might deter curious pokes and probes. Say we want to apply tissue and rancid adipose upon a 3D-printed or purchased skull. Would a slab of jowl bacon be kosher? Or is there a plastic or polymer clay that firms a little but doesn’t become hard? Or would silicon work? Enquiring minds want to know.

What about eyes? The inner strata of decomposing onions or leek bulbs in eye sockets scare me thinking about it. What about rotting brain matter? Would dyed rice pudding or tapioca work? I never liked that stuff anyway, that icky larvae textures. Ugh. Who are the disturbed chemists among us? Enquiring minds so want to know.

Let’s say O’Neil and RT settle upon packaging from an Aibo, Sony’s expensive robot dog. The team packs the diabolical creation in the box. We apply fake labels, set it out on the stoop under the watchful eye of hidden, internet cameras, and it’s good to go.

And then… and then…

Nefarious package jackers arrive. The gluttonous, greedy gomers glom the heavy box, knowing Aibo’s a $1700 toy. They wrestle it to their get-away van. Jostling activates John’s cameras and GPS. O’Neil and RT track the package to a suspected neighborhood crack house where they find two men and a woman on their butts, flattened against the walls, shrieking in terror.

Authorities commit the traumatized thieves to the hospital’s mental health ward for observation. USPS and Amazon report a 13% reduction in package theft. SleuthSayers head for the nearest bar.

Who’s in?

A Hysterical History of Horror

We must avoid the consequences undergone by my friend Robbie. Robbie Pallard worked for Disney as a designer when Terror on Church Street opened a downtown Orlando attraction, a block-long haunted two-storey mansion on steroids. This house of horror’s ghoulish attics and cellars bulged with cruelty and crime. A ghostly graveyard covered the results from its mad scientist labs.

ToCS picked Robbie to design their sets, mostly scenes from infamous horror movies. He tapped me to build their web site and a couple of props.

Their choice of Robbie wasn’t accidental– his reputation preceded him. He was once commissioned to decorate and stage a vignette for an upcoming Halloween party at a fancy, upscale house.

Sometime after completion, a visitor comes to the door. Getting no response from the doorbell, the nosy nelly peeks through windows. Moments later, the hysterical busybody phones police, screaming.

SWAT bursts in. They encounter a gut-turning scene… a tortured body hanging from the staircase. Underneath, a chainsaw rests on plastic sheeting. Cops race to track down the owners; the owners race to track down Robbie. He explains, owners explain, disbelief ensues, hilarity does not. Cops eventually go home. Busybody and news trucks go home disappointed no murder occurred.

The Demise of Terror

Terror on Church Street suffered a sad demise. Once the site of McCrory's 10¢ Store at 135 South Orange Avenue, the colorful and popular attraction provided employment for numerous students, vendors, and goths who could work in their natural habiliments without drawing personal criticism.

Robbie Pallard in action

The attraction grew too popular for its own good. The building was a historical site, registered and protected by the local Historical Society. Unfortunately it sat on a very valuable square of land in one of America’s most popular cities. The shame that happened next made the nightly news.

In violation of the state’s Sunshine Law, the mayor and cronies met after hours in a closed door session. In an after-hours coup, they authorized demolition of the building. Wrecking ball cranes and bulldozers that had been standing by, were already moving into the city. Through the night, they flattened the building to rubble. By dawn, nothing was left of the building but shattered bricks. The Historical Society was furious a protected building had been destroyed in a nighttime fait accompli.

The mayor justified leveling the structure without due procedure by characterizing it as an imminent danger to the public, requiring immediate action. That morning, Code Enforcement was laughing, noting ToCS was one of the most inspected buildings downtown, regularly visited by building department officials and almost daily by fire inspectors.

The Historical Society wrung its hands; the destruction was complete. Within days, construction began on a $20-million tower. Political machinations constituted the real terror on Church Street.

Southernisms

For all of us, there are certain things we don't like to read in stories and novels, and things we don't like to see or hear in movies. One of those, for me, is southern dialogue that just doesn't sound right. Part of it's the accent, which is almost never believable (unless spoken by Billy Bob Thornton, who sounds exactly like my next-door neighbor)--and part of it's the writing.

Here are some examples of the way people speak in my area, which is pretty much the middle of the Deep South. I'm not saying this holds true for, say, San Antonio or Virginia Beach or Boca Raton--but it's true for Mississippi, and if you write a story or novel or screenplay set in these parts, well, here's the skinny:



- A large stream is a creek. We don't say crick, even though Hollywood thinks we do.

- A carbonated beverage is not a soda or a soft drink or a pop. It's a Coke. Even if it's really a Pepsi or a Sprite. ("Let's go get a Coke.")

- Most people, especially old folks, don't press buttons or push buttons, they mash buttons. ("Mash zero to get the operator.")

- The noon meal is dinner, not lunch. The evening meal is supper. This rule, like some of the others, gets diluted a bit the closer you get to a city.

- You don't run in sneakers, or even in running shoes or jogging shoes. They're tennis shoes.

- When you pray together before a meal, you "say the blessing."

- If you're fixin' to do something, you're getting ready to do it. ("I'm fixin' to go to town.")

- A fellow is not a fell-o. He's a fella. Also, yellow is yella and an arrow's an arra and a window's a winda.

- Garden beans that grow close to the ground (rather than on poles) are bunch beans, not bush beans, no matter what the label says. And pole beans are pole beans.

- Vegetable gardens aren't called vegetable gardens. They're just gardens.

- Flower gardens aren't called flower gardens, or gardens. They're just flowers.

- You don't say or write "Ms." with a lady's first name. It's Miss Mary, never Ms. Mary, even if she's married and has ten kids. It's a familiarity, like Miss Ellie in Dallas.

- When you say you'll be there "directly," it means you'll be there soon.

- "Don't be ugly," doesn't mean what it sounds like. It means "Be nice."

- "Once in a blue moon" means almost never.

- "Bless your heart" is used in a lot of ways, mostly to soften an insult. ("Bless his heart, he probably couldn't find his butt with both hands and a map.")

- You don't chuck something out the window. You chunk it out.

- "Hey" is used more than hello or hi or any other greeting, even when relayed: "Say hey to your mama for me."

- When you hug someone, you "hug her neck." This can also be a relayed greeting: "Hug her neck for me."

- When someone passes out, usually from the heat, he "done fell out." There's even a shortened version: "I heard Miss Sally DFOed."

- If you clear a field of briars and bushes and underbrush, you bush-hog it. You don't brush-hog it. This comes from the name of the rotary mower you use to do it.

- If something's really good it makes you want to "slap ya mama." (I have no idea where that came from.)

- Pajamas are pa-JOMMas (rhymes with Bahamas), not pa-JAMMas.

- "Carry me" means "take me" or "transport me." ("Can you carry me to work tomorrow?")

- Pecans are pronounced pa-CONNs, not PEE-canns. Though in some parts of the south (the Carolinas, maybe?) this doesn't hold true.

- Dogs are dawgs, not dahhgs; on is own, not ahhn; route is rowt, not root; either is EE-ther, not EYE-ther; oil is AW-ul (two syllables), not AW-ee-ul (three syllables); and school is SKOOL (one syllable), not SKOO-wul (two syllables). We try to cut back on those unhealthy syllables whenever possible.

- Yankees are folks who live north of the Mason-Dixon--and sometimes folks who live anywhere north of where you live, no matter where you live.

- "Y'all" is always used to address more than one person--never a single person--except in certain parts of the south and in all movies made by Yankees.

- If you look really tired, you've been "rode hard and put up wet."

- Other common southern expressions: slow as molasses, just fine and dandy, happy as a dead hog in the sunshine, gimme some sugar (kiss me), hissy fit, conniption fit, and Little Miss Priss (a young lady acting too big for her britches).

The only other things I can think of are the pronunciations of place names. Biloxi is bi-LUCK-see, not bi-LOCK-see; Grenada (city and county) is gra-NAY-da, not gra-NAH-da; Kosciusko (where I went to high school) is kozzy-ESS-ko, not the Polish koz-SHOOS-ko; Amite is a-MITT, not a-MIGHT; and Yazoo (city, county, and river) is YAZZ-oo, not YOZZ-oo; Pass Christian is Pass kris-chee-ANN, not Pass KRIS-chee-un; Shuqualak is SHOO-ka-lock; and Gautier is go-SHAY. The mispronunciation of these, especially by new TV weathercasters, is a mortal sin, and might get you transferred to Point Barrow, Alaska.

As for places outside my state but still nearby, New Orleans is new-WOLL-uns, not new-or-LEENS; Thibodaux, Louisiana, is TIB-a-doe; Natchitoches, Louisiana, is NACK-a-tosh; Kissimmee, Florida, is ka-SIM-mee, not KISS-a-mee (or gimme some sugar); Nacogdoches, Texas, is nack-a-DOE-chez; Ouachita Mountains in Arkansas is WASH-i-tah; Arab, Alabama, is AY-rab; Dacula, Georgia, is dah-KEW-lah; and Milan, Tennessee, is MY-lin. At least that's the way I've always heard them pronounced.



NOTE 1: Please inform me of any corrections to my above rules of southern speech, because--once again--I know some of them vary depending on where you live. Seriously, though, if you asked the owner of a grocery store here for pee-cans, he'd probably point and say "Down the hall to the left."

NOTE 2: I have my own views about which states make up the south, and in mine, the area's a lot smaller than the one shown here:

A question for those of you from other parts of the country: Do you have pet peeves involving accents and pronunciations and expressions? What are some of your "regionalisms?" Does it bother you when, in the movies, somebody who lives in Minnesota talks like a Georgia hillbilly, or an Indian scout in the 1880s has a Brooklyn accent, or a native of Boston says he's going to park the car instead of pahhk the cah? Let me know.

Meanwhile, I do declare, I'm finally through. We done plowed this field and it's time to rest the mule. Y'all say hey to your families for me and hug their necks. I'll be back directly.

Crime Scene Comix Case 2019-01-001, SleepWalker

Sometimes crime turns funny, especially when dumb criminals are involved. Sometimes creative minds view crime in skewed ways. Today, experience two minutes of mad mayhem.

Meet Shifty, a none-too-bright crook who looks like a Minion in zebra stripes. Although he always wears a mask and prisoner jersey, no member of the public pays him the least attention.

Shifty can be found in the Future Thought channel of YouTube– please visit. Here's an example of Shifty in, er, action.

 

 

 

 

© www.FutureThought.tv

 

How's that for Crime Time cinema? Hope you enjoyed the show.

What We're Best at Being Bad At

Ah, the nuances of our various United States.  And, thanks to the Internet, we have more memes and statistics and sites than ever before to show everyone what we're good - and bad - and very VERY bad at.

According to the Reader's Digest, South Dakota is Best at Retirement — Everyone’s golden years are more, well, golden in South Dakota, where a combination of low taxes and happy residents makes it the best state for retirement according to Bankrate. And we're Worst at Child Mortality Rate — Unfortunately, the younger generation in the Mount Rushmore state isn’t faring so well. With 47 teen and child deaths per 100,000 people every year, it’s leading the nation in child mortality.  So - give birth somewhere else, but come here to retire.  Interesting...

How does this compare to other states I've lived in?

Well, California is Best at diversity, and Worst at quality of life. I'm surprised at that, because I remember California as wonderful - and I don't think it was all youth and hormones...

But it beats North Carolina (where I went to graduate school for a while at Chapel Hill), which is Best at Millenial Living but Worst at STDs. Please folks - start using condoms!

Georgia is Best at onions - specifically Vidalia, and I can attest to their sweetness.  It's Worst at flu prevention.

Tennessee is Best at Fast Wi-Fi - apparently the state's internet is 50 times speedier than the national average, and God only knows how they got that - and Worst at childhood obesity rates.

But let's move on to crime.  What's the most famous unsolved crime in every state?  (see MSN to look up your state.)

In South Dakota, it's the murders of 30-year-old LaDonna Mathis and her two sons, aged 4 and 2, shot dead on September 8, 1981, in Mount Vernon in Davison County, South Dakota. The father, John Mathis, was shot in the arm, but survived. He said a masked man had carried out the attack, but investigators considered him the prime suspect. He was acquitted a year later when a jury found him not guilty, mainly because the prosecution had no witnesses, no murder weapon and little physical evidence.  "As I look back, I would have recognized that at that time there was a myth, a myth that parents could not harm their children, No. 1," then-Attorney General Mark Meierhenry said. "No 2., that sometimes myth overwhelms reason. Because it's what we all want to believe."

NOTE:  The Argus Leader has a whole different set of top five unsolved mysteries - look them up HERE.

BTW, there are lots of gruesome stories on this website, but the weirdest one is from Vermont:
Between 1920 and 1950, as many as 10 people mysteriously disappeared in a patch of woods surrounding Glastenbury Mountain in southwestern Vermont. Native Americans consider Glastenbury Mountain “cursed” and used it strictly for burying their dead. They believed the land to be cursed because all four winds met in that spot. There is also mention in native American folklore of an enchanted stone which is said to swallow anything that steps on it. Some have also reported UFO activity and Bigfoot sightings in the area.  Author Joseph Citro coined the term "Bennington Triangle" in 1992.  Well, sounds like a new movie franchise to me.

John Dillinger

The most notorious crime for each state is almost always entirely different (see Insider) than the "most famous unsolved" one, with the exceptions of the murder of Jon Benet-Ramsay in Colorado, and the murder of TV star Bob Crane in Scottsdale, AZ in 1978.  But they are indeed all notorious - I'd heard of most of them, including the 1924 murder by Leopold and Loeb of their 14 year old cousin, Bobby Franks, the 1954 Clutter murders which was the source material for Truman Capote's "In Cold Blood", and Jeffrey MacDonald, who was accused and eventually convicted of the 1970 murders of his family at Fort Bragg.  BTW, Mr. MacDonald has consistently declared his innocence (but then so do so many), but has consistently been refuted, denied, etc.  However, in 1997 DNA testing was done on some hair from the crime scene, some of which matched no one in the MacDonald family.  So far this evidence has not been enough to get him a new trial.  That happens more often than you'd think.  

Meanwhile, in South Dakota, it's when John Dillinger robbed the Security National Bank in Sioux Falls on March 6, 1934.  He got $50,000, which would be almost a million dollars today.

Now it's very appropriate that a bank robbery would be our most notorious crime, because when it comes to crime statistics, South Dakota is best known for its larceny.  61% of all our major crimes are monetary, and if you're surprised, you haven't been paying attention to my past blogs on EB-5, Gear Up!, and Maria Butina:  61% larceny and theft, 14% burglary, 14% aggravated assault (combine drinking and winter, and a lot of stuff happens around the bars or at home), 7% motor vehicle theft, and the remaining 4% rape, robbery, and murder/manslaughter.  (MuniNetGuide)

I looked over the charts, and while the numbers do change, the actual proportions of crime look almost the same for all the states. But you feel it a bit more in a state like this.  South Dakota has a current population of around 870,000, which means that each and every South Dakotan will either experience crime, commit crime, or feel the effects of crime upon them or someone they know. You know that whole "Six Degrees of Separation" rap? Here it's Two Degrees. At the most.

It's like when Carl Ericsson, 72 years old and holding a serious grudge, came to Madison, SD one night in 2012, and went literally from door to door, looking for someone on his grudge list who was home.  (Yes, he had a list.)  Fortunately for all but one, the only one home was a very popular retired teacher, Norm Johnson, who Ericsson shot twice in the face.  Johnson died that night.  I knew Johnson - he always was the host of the annual Spelling Bee, and I was one of the AAUW women who judged it.  I also knew him from substitute teaching at the high school when we first moved up to Madison.  I didn't know Carl Ericsson, but I knew his brother (who was also on Carl's grudge list), and all of his brother's family.  And that night the deputy who lived next door to us knocked on my door and asked me to babysit his kids while he went to join the other law enforcement looking for the shooter.  This was before anyone knew who the shooter was, or where he was, or who he was looking for.  The deputy gave me a gun in case the shooter came calling, and I sat there while the kids slept for a few hours.  Safe, but listening for footsteps on the sidewalk, and/or a knock on the door.  Everyone in Madison (population 6,000+) knew either Ericsson, Johnson, or both.  It resonated in a way that you almost never see on TV.

But back to embezzlement.  Besides grifting on the state level, there's also one heck of a lot of small potatoes embezzlement here in South Dakota, much of it fueled by gambling addiction and/or medical bills.  $500 from the local VFW; $1,500 from a doctor's office; $2,500 from a nursing home.  Interestingly, besides the public humiliation, the punishment is more a slap on the wrist:  the main penalty is to pay the money back and do community service; rarely is there any jail time.  Perhaps that's why it's so common...

But every once in a while it gets bigger than video lottery.  Just recently, up in Kingsbury County a family-run grain elevator has gone bankrupt because the family was hedging commodities and lost as much as $15 million of other people's money. Now that's serious gambling. And the farmers who trust them are in a world of hurt.  The farmers hauled their grain to the elevator, waited for prices to go up and the grain to be sold, and then waited, waited, waited for their checks...  Besides the fact that the grain elevator pocketed the money, while grain purchasers have to post bonds to guarantee that they'll pay the grain producers - but this company only had a bond of $400,000.  That's going to resonate for a long time.  Maybe longer than murder.  (KELO-TV)

Anyway, that's all from South Dakota, where we talk like Mayberry, act like Goodfellas, and the crazy just keeps on coming.

 

PS - In a sea-filled flavor of things to come, Madison, SD is taking up shrimp farming!  Tru Shrimp, from Ballaton, MN, has announced plans to build its first commercial shrimp harbor in Madison. "The facility is expected to employ 60, produce 8 million pounds of shrimp annually, and have a $30 million impact on a five-county area."  (Madison Daily Leader)  Because nothing says shrimp harbor like the plains of South Dakota... I see a real story coming here, folks, and I will keep you posted!

PPS - Leigh Lundin's tid-bits from Florida have made me feel that I need to provide aid and comfort to him in regard to a certain Mr. Sardo.  (Leigh's post)  Here in South Dakota, on January 11, 2019, an Ipswich man was convicted for fulfilling his dream of having sex with underage twins - in this case, two calves.  He tried to claim that the laws against bestiality were unconstitutional, but the judge didn't buy it.  (Story Here)

Besty McBestface 2018

I was somewhat surprised to discover that this is my tenth annual list of the best short mysteries of the year, as determined by me.   I will have to do something to celebrate that  in a month or two.  I should remind you that these reviews are taken from the longer weekly summaries I do at Little Big Crimes.

This year was 16% worse than last, insert political joke here, based on my best-of list dropping from 18 to 15.  Writers, was it you or was it me?   Speaking of writers, eleven were men, five women.  (One story had two authors.)  Two authors were British, one Canadian.

The big winner this year was Alfred Hitchcock's Mystery Magazine, with four stories.  Three other sources supplied two each: Akashic Press's Noir Cities series, Mystery Weekly Magazine, and the anthology Deadlines: A Tribute to William E. Wallace.

Three stories are historical, two are funny, and one has fantasy elements.   Six have surprise endings.  Remarkably, five of the authors are making repeat appearances.  All right, let's dig down into the data.

Brookmyre, Chris, "The Last Siege of Bothwell Castle,"  in Bloody Scotland, edited by James Crawford, Pegasus, 2018.

There's a historical reenactment going on at Bothwell Castle in Scotland and the place is crowded with tourists.  Some very bad people take advantage of the confusion, and soon they are taking hostages and making demands.

The cops arrive but the hostages's best chance for rescue might be Sanny and Sid, two young sneak thieves who were scooped up with the tourists.

Brosky, Ken. "The Cold Hunt," Mystery Weekly Magazine, August 2018.

Roxy is a young American biologist, studying tigers in Siberia.  She and her mentor, Dr. Siddig, have been called to investigation what appears to be a killing by a big cat.  The evidence of footprints and corpse show that the tiger had a big meal of the flesh of a local man.  But the evidence does not prove that the man was alive when the tiger arrived.

The villagers are ready to hunt and kill the beast.  Can the scientists prove it is innocent of the killing - if indeed it is?

Day, Russell, "The Icing on the Cake," in Noirville, Fahrenheit Press, 2018.  

Gareth is a gofer for Mr. Driscoll, a British crime boss.  Today his mission is to drive a Jaguar dow to a prison where the car's owner, Harry the Spider Linton, is being released after seven years for robbing a post office.  It turns out that Harry thinks he owes his incarceration to the stupidity of Mr. Driscoll.

Harry's rage is so feverish that it seems like the trip may end prematurely.  Gareth might be in danger.  What will happen if/when Harry arrives at his old mate's mansion, and encounters the man he sees as the cause of his lost years?

Greenaway, R.M. "The Threshold,"  in Vancouver Noir, edited by Sam Wiebe, Akashic Press, 2018.

The publisher gave me a free copy of this book.  

Blaine is a photographer.  Perhaps a bit obsessive about it.  And one morning, just at sunrise, he's out snapping pictures at the Vancouver waterfront and he find a very fresh corpse.  Of course he knows he should call 911, but the lighting is perfect for capturing the corpse, and how long will that last?  Surely it won't hurt if he just changes lenses and takes a couple of artful frames...

And then the body twitches, and things get complicated.

Hallman, Tom, Jr. "Kindness,"  in Mystery Weekly Magazine, April 2018.

Phil's family moved to an inner city neighborhood that is gentrifying.  Great house, nice neighbors.  But then the old man across the street dies and his house is inherited by a jerk who parties all night The jerk is a huge guy who "reminded me of one of those men featured on cable shows taking viewers inside America's roughest prisons."

When this guy takes an unhealthy interest in Phil's teenage daughter things seem really desperate.  But  then Phil meets Deke, a member of a criminal motorcycle gang, and helps him with a problem...  Twice I thought I knew where this story was headed. Twice I was wrong.

Lang, Preston, "Top Ten Vacation Selfies of Youtube Stars," in Deadlines: A Tribute to William E. Wallace, edited by Chris Rhatigan and Ron Earl Phillips,  Shotgun Honey, 2018.

Michael Roth used to be a reporter.  Or maybe we should say he is currently a reporter without a job, struggling to survive as a freelancer, writing Internet clickbait. (See the title of this story.)

He gets a call from somebody named Brack who used to be a hitman.  Would he like to meet and talk about Brack's illustrious career?   He would.  But Brack, as it turns out,  has another, more dangerous offer to make...

Law, Janice, "The Crucial Game,"  in Alfred Hitchcock Mystery Magazine, January-February 2018.

This is the fourth appearance on my annual best-of list by my  friend and fellow SleuthSayer.  No one else has made it to the top of the heap more than three times, so far. 

Since his wife died Frank has been lonely and somewhat obsessed with hockey.  Walking through Manhattan he sees a "little makeshift stand offering sports CDs and DVDS..."  The merchant is "thin, almost gaunt, and very dark so that his large eyes gleamed above the bold cheekbones and the wide, and to Frank's mind, somewhat predatory nose."  Sounds a bit spooky?  How about when he calls out: "I have what you need"? 


Neville, Stuart, "Faith," in Blood Work: Remembering Gary Shulze: Once Upon A Crime, edited by Rick Ollerman, Down and Out Books, 2018.

The day I lost my belief was the same day Mrs. Garrick asked me to help kill her husband.

The narrator is an Irish clergyman, five years a widower. Mrs. Garrick's husband was brutally maimed in a terrorist attack.  Our protagonist tries to comfort her and one thing leads to another.

Classic noir, right?  But Neville has a surprise or two up his sleeve.

Page, Anita,  "Isaac's Daughters," in Malice Domestic Presents: Murder Most Geographical, edited by Verena Rose, Rita Owen, and Shawn Reilly Simmons, Wildside Press, 2018.

This is Anita Page's second appearance on the winner's list.

The narrator is an old woman, relating  how she came to America from Russia at the age of fourteen in 1911.  The reason for the voyage is that her mother has just received a message that "your Isaac has taken up with a whore from Galicia."

They start out on the difficult voyage, and things happen. The family is divided between the father and narrator who you might describe as new-world rationalists, and the mother and sister who are subject to old-world superstitions, believing in demons and lucky charms.  Which side, if either, will win? 

Perks, Micah, "Treasure island,"  in Santa Cruz Noir, edited by Susie Bright, Akashic Press, 2018.

The publisher gave me a free copy of this book.  

Mr. Nowicki is, he tells us, "a seventy-two-two-year-old retired middle school assistant principal who has lived in Grant Park for forty years."  He is furious about what is happening in his neighborhood so he has gone to a website called Good Neighbor!(tm) to report what he sees.

And he has strong opinions about that.  For example he has a problem with his neighbor who is (the internal quotation marks are his): "a 'writer' who 'works' from home.  ('Writer' always takes morning tea on his porch in his pajamas and at five p.m., takes cocktail on porch, still in his pajamas.  You've probably seen him on your way to and from actual work.)"

Pronzini, Bill and Barry N. Malzberg, "Night Walker," in Alfred Hitchcock's Mystery Magazine, March-April 2018.

This is Pronzini's second appearance on my annual Best-of bash.

Henry Boyd's life changed forever when a moment of his own carelessness destroyed his family.  He hoped to be sent to prison but the courts thought otherwise.  He can't face the thought of suicide so now he walks through the night, hoping some criminal will do to him what he lacks the courage to do to himself.  But something else happens.

Richardson, Travis, "Plan Z," in Deadlines: A Tribute to William E. Wallace, edited by Chris Rhatigan and Ron Earl Phillips, Shotgun Honey, 2018.

This is a simple story of three guys who "decide to up their game from B&E and liquor stores."  We don't learn much about them except what positions they played in Little League.

So, not a lot of character development.  What the story has is a wonderful way of unwrapping the adventures of our luckless trio.  Plan A is to rob a check-cashing joint.  They throw that over for Plan B which is to rob an armored car that Uncle Arnie drives.  But Arnie gets fired which leads to Plan C.  When Arnie shows up drunk we move on to Plan D...

Rusch, Kristine Kathryn, "The Wedding Ring,"  in Ellery Queen's Mystery Magazine, March/April 2018.

Rusch is making her third appearance in Best-of Land.

Serena is a classics professor and after a bad breakup she goes to Las Vegas for what she calls her Liberation Vacation.  There she meets the man of her dreams.  Shortly after that they are married.  Shortly after that he disappears, taking her cash, self-confidence, and much more.  One cop says about the crooks: "They're not in it for the money.  They're in it to destroy their marks."

Serena replies.  "They didn't destroy me...  I'm right here. And I'm going to destroy them right back."


Rutter, Eric, "Hateful in the Eyes of God,"  Alfred Hitchcock's Mystery Magazine, July/August 2018.

This is Rutter's second appearance in my best-of lists.

It is London in the 1830s.  John Alcorn is a freelance reporter, a "penny-a-liner."  His specialty is the criminal courts because, then as now, scandal is always popular.  He is in the gallery when Charles Stanbridge is brought into the courtroom.  This fine, outstanding married gentleman has been accused of indecent assault, which is a reduced version of the charge of "the infamous crime,"  alias, homosexuality.  That greater offense could get a man sentenced to exile or even death.

Alcorn offers to sell his story on the case to the defendant rather that to the press, a form of extortion which was perfectly legal.  But when Stanbridge apparently kills himself the reporter feels guilt and tries to learn more about the case.  And so he, and we, find out a good deal about the secret life of what we would call gay men, but what in this era were called sods or Mary Anns.


Thielman, Mark, "The Black Drop of Venus," in Alfred Hitchcock's Mystery Magazine, July/August 2018.

This is Thielman's second appearance here, both for historical mysteries that won the Black Orchid Novella Award.

It is 1769, deep in the South Pacific.  Our narrator is Joseph Banks, chief naturalist on the HMS Endeavour, which has been sent on a scientific investigation to observe the Transit of Venus.  When one of Banks's assistants is found with his throat cut just as they arrive at Tahiti, Banks is ordered to investigate the crime by none other than Captain James Cook.  He is handicapped by his lack of knowledge of navy ways and nautical  vocabulary, but he brings back the facts which allow Cook to cleverly determine the identity of the murderer.