23 June 2023

Some Favorite Novels


Since posting a list of some of my favorite short stories back on June 2nd, my mind clicked to some of my favorite novels. Many of these books inspired me to write fiction. These are favorite novels, not a best novel list.

In no special order:

The Catcher in the Rye by J. D. Salinger

The Case of Charles Dexter Ward by H.P. Lovecraft

Slaughterhouse-Five by Kurt Vonnegut

The Light in the Forest by Conrad Richter

Nineteen Eighty-four by George Orwell

Goodbye Mickey Mouse by Len Deighton

The Maltese Falcon by Dashiell Hammett



The Hobbit by J.R.R. Tolkien

One Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn

The Lord of the Flies by William Golding


The Day of the Jackal by Frederick Forsyth

Lucia, Lucia by Adriana Trigiani

The Shoemaker's Wife by Adriana Trigiani


The Frozen Hours
 by Jeff Shaara

Pronto by Elmore Leonard

The Nightingale by Kristin Hannah

Fin Gall by James L. Nelson

New York by Edward Rutherfurd

Lonesome Dove by Larry McMurtry

The Shrinking Man by Richard Matheson

River Girl by Charles Williams

The Martian Chronicles by Ray Bradbury


Black Cross by Greg Iles

A Soldier of the Great War by Mark Helprin

White Fang by Jack London

The Cocktail Waitress by James M. Cain

Night and the City by Cornell Woolrich

The Old Man and the Sea by Ernest Hemingway


Standing in the Rainbow by Fannie Flagg

The Maddest Idea by James L. Nelson

The Great Gatsby by F. Scott Fitzgerald


A Bullet for Cinderella by John D. MacDonald

Kazan by James Oliver Curwood

Dune by Frank Herbert


The Heydrich Deception
 by Daniel Savage Gray

Ramage by Dudley Pope

His Majesty's Dragon by Naomi Novik

The Snow Goose by Paul Gallico (novella)

Tourist Season by Carl Hiassen

From Here to Eternity by James Jones


The Killing Circle by Chris Wiltz

Fortune's Fugitive by Linda Crockett Gray

The War of the Worlds by H. G. Wells


The Wolves of Memory 
by George Alec Effinger

When Gravity Fails by George Alec Effinger

The Bolitho Novels of Alexander Kent

The Ramage Novels of Dudley Pope

Non-Fiction Novels:

In Cold Blood by Trume Capote

The Devil in the White City by Erik Larson

Trilogies:

The Foundation Trilogy by Isaac Asimov

    Foundation, Foundation and Empire, Second Foundation 

The Century Trilogy by Ken Follett

     Fall of Giants, Winter of the World, Edge of Eternity

I have to stop or I'll go on and on.

That's all for now –




www.oneildenoux.com 

22 June 2023

Schrödinger’s Teenager


As we wind down the 2022-2023 school year, I am reminded all over again how, when it comes to humanity, plus ça change, plus c’est la même chose. And in recognition that some things, indeed both do and do not change, I am reposting one of my favorites from end-of-school-years-past.

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So, about my day gig.

I teach ancient history to eighth graders.


And like I tell them all the time, when I say, "Ancient history," I'm not talking about the 1990s.

For thirteen/fourteen year-olds, mired hopelessly in the present by a relentless combination of societal trends and biochemistry, there's not much discernible difference between the two eras.


It's a great job. But even great jobs have their stressors.


Like being assigned chaperone duty during the end-of-the-year dance.


Maybe you're familiar with what currently passes for "popular music" among fourteen year-olds these days. I gotta say, I don't much care for it. Then again, I'm fifty-one. And I can't imagine that most fifty-one year-olds in 1979 much cared for the stuff that I was listening to then.


And it's not as if I'm saying *I* had great taste in music as a fourteen year-old. If I were trying to make myself look good I'd try to sell you some line about how I only listened to jazz if it was Billie Holiday or Miles Davis, and thought the Police were smokin' and of course I bought Dire Straits' immortal "Makin' Movies" album, as well Zeppelin's "In Through The Out Door" when they both came out that year.


Well. No.


In 1979 I owned a Village People vinyl album ("Go West," with "YMCA" on it), and a number of Elvis Presley albums and 8-track tapes. I also listened to my dad's Eagles albums quite a bit. An uncle bought Supertramp's "Breakfast in America" for me, and I was hooked on a neighbor's copy of "Freedom at Point Zero" by Jefferson Starship, but really only because of the slammin' guitar solo Craig Chaquico played on its only hit single: "Jane." And I listened to a lot of yacht rock on the radio. I didn't know it was "yacht rock" back then. Would it have mattered?


But bear in mind we didn't have streaming music back then. And my allowance I spent mostly on comic books.


Ah, youth.


Anyway, my point is that someone my age back then may very well have cringed hard and long and as deeply if forced to listen to what *I* was listening to at eardrum-bursting decibels, and for the better part of two hours.


That was me on the second-to-the-last-day of school a week or so back.


Two hours.


Two hours of rapper after rapper (if it's not Eminem, Tupac, or the Beastie Boys, I must confess it all sounds the same to me) alternating with "singing" by Rihanna, Katy Perry, Taylor Swift, etc.

Thank God we got some relief in the form of the occasional Bruno Mars song. Bruno, he brings it.

And through it all, the kids were out there on the floor. Mostly girls, and mostly dancing with each other.


 One group of these kids in particular caught my attention. Three girls, all fourteen, all of whom I knew. All wearing what '80s pop-rock band Mr. Mister once referred to as the "Uniform of Youth."


Of course, the uniform continues to change, just as youth itself does.


But in embracing that change, does youth itself actually change? Bear with me while I quote someone a whole lot smarter than I on the matter:


"Kids today love luxury. They have terrible manners, contempt for authority; they show disrespect for elders and love to gab instead of getting off their butts and moving around."


The guy quoted (in translation) was Socrates, quoted by his pupil Plato, 2,400 years ago. 


And some things never change. 


Getting back to the three girls mentioned above, their "uniform of youth" was the one au courant in malls and school courtyards across the length and breadth of this country: too-tight jeans, short-sleeved or sleeveless t-shirts, tennis-shoes. They looked a whole lot like so many other girls their age, out there shaking it in ways that mothers the world over would not approve of.


In other words, they looked like thousands, hell, millions of American girls out there running around today, listening to watered down pablum foisted on them by a rapacious, corporate-bottom-line-dominated music industry as "good music", for which they pay entirely too much of their loving parents' money, and to which they will constantly shake way too much of what Nature gave them–even under the vigilant eyes of long-suffering school staff members.


Yep, American girls. From the soles of their sneakers to the hijabs covering their hair.


Oh, right. Did I mention that these girls were Muslims? Well, they are. One from Afghanistan. One from Turkmenistan, and one from Sudan. At least two of them are political refugees.


You see, I teach in one of the most diverse school districts in the nation. One of the main reasons for this ethnic diversity is that there is a refugee center in my district. The center helps acclimate newcomers to the United States and then assists in resettling them; some in my district, some across the country.


So in this campaign season, when I hear some orange-skinned buffoon talking trash about Muslims, stirring up some of my fellow Americans with talk of the dangerous "foreign" *other*, it rarely squares with the reality I've witnessed first-hand getting to know Muslim families and the children they have sent to my school to get an education: something the kids tend to take for granted (because, you know, they're kids, and hey, kids don't change). Something for which their parents have sacrificed in ways that I, a native-born American descendant of a myriad of immigrant families, can scarcely imagine.


(And it ought to go without saying that this truth holds for the countless *Latino* families I've known over the years as well.)


I'm not saying they're saints. I'm saying they're people. And they're here out of choice. Whether we like that or whether we don't, they're raising their kids *here*. And guess what? These kids get more American every day. Regardless of where their birth certificate says they're from.


Just something to think about.


Oh, come on. You didn't think this piece was gonna be just me grousing about kids having lousy taste in music, did ya?


(And they do, but that's really beside the point.) 


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See you in two weeks!

21 June 2023

This Film Rolls


 

 I'd like to tell you about a movie I saw recently, one which I suspect you have never heard of.

A funny thing about movies: Some of the best ones don't become immediate hits in part because the studio can't figure out how to market them.  And I'm not really blaming the studio. (Not for that, anyway. I'm happy to blame for a lot of other things.)

Consider three of my favorite flicks: Galaxy Quest, The Princess Bride, and A Christmas Story.  If you have seen them, ask yourself how to sum them up in one sentence (the so-called "logline") in a way that makes them sound irresistable or even appealing.  Well, a grandfather reads a sick child an old novel about a girl who falls in love with a farmboy, and there's a giant, and a Spanish swordsman, and Rodents of Unusual Size...

Eventually each of those movies became a cult classic, because of word of mouth.

I doubt if the  movie I'm about to describe is destined for cult status, but it is one that is hard to summarize in a helpful way.  Please don't reject it immediately when I describe it. One thing is for certain: the title doesn't help.

Kills on Wheels (2016) is a Hungarian movie (with subtitles) written and directed by Attila Till. The protagonist is Zoli, a young man who suffers from a birth defect which will kill him unless he has an operation.  He is tired of thinking about that and only wants to create graphic novels.  “Why am I always the cripple?  It’s someone else’s turn now.”

His roommate, Barba, suffers from a serious palsy condition.

Into their life comes Janos, who was a fireman until an on-the-job accident made him a paraplegic.  To say he is not adjusting well is a gross understatement.

Assassin and Boss

But now Janos is making serious money as a hit man for a Yugoslavian crime boss.  You may be saying: A disabled assassin? That's hard to believe.

And that's exactly what Janos' victims die thinking.

By this point you may be thinking this is a dumb exploitation flick: Supercrip shoots 'em up!  It isn't. There is a heck of a lot more going on than it may appear.  

The acting is very good but I especially want to take note of two actors who come to the field in unusual ways.  Zoltan Fenyvesi plays Zoli.  This is his first acting gig, after the director discovered him through his Instagram account, wheelchairguy.  And Dusan Vitanovics plays the sinister crime lord.  The actor's day job?  He's a neurosurgeon.

I saw the film on Kanopy.  I recommend it.