Why I could never be a Modern Fiction Novel Heroine(back to humour for Bad Girl. Tis the season for frivolity, after all)

Let’s call her Tiffany.  Nah, too twee.  How about Jen.  Meet our fiction heroine, Jen.  She’s a modern girl. Has her own condo. Drives a car. Lives in the city. Has a meaningful job.  All in all, a typical    

modern heroine of a fiction novel.

Sounds reasonable, but I couldn’t be her.  I’m all for ‘suspension of disbelief’ in fantasy, but my world requires more human elements.  To wit:

THINGS THAT BUG ME ABOUT MODERN FICTIONAL HEROINES

1.  They look great all the time.

By this I mean: she gets up in the morning, perfect coiffed.  (Not quaffed. Except maybe in my loopy Goddaughter books.)  She dons clothes for her work day.  Maybe goes for a jog.  And spends absolutely no time in front of the mirror swabbing on makeup or doing her hair.  Did you ever notice fiction novel heroines look great in the morning without doing anything?  They may have a shit-load of angst about their personal lives, but apparently, they have Barbie doll hair.

As of immediately, name of heroine is changed to Barbie.

2.  They never eat.

Oh, they got out to dinner a lot.  You may even hear them order food.  But when it comes, do they ever eat it?  No! Barbie is far too busy arguing with her dinner companion, and then getting upset.

So many books, so many meals where our intrepid plucky heroine says, “oh my, I’m so upset, I couldn’t eat a thing.”

What is it with these feeble women who can’t eat?  Who the hell are they?  What do they exist on? 

When I’m upset, I eat, dammit.  Gotta fuel up for the famine that’s going to come sometime in the next 400 years.

If I hear another TSTL (too stupid to live) heroine say she’s too upset to eat, I’m going to shove the virtual dinner in her vapid virtual face and watch her choke to death.  Oh.  But then someone would have to rescue her.

EAT THE DAMN MEAL.

3.  They never go to the bathroom.

Twenty-four hours a day, we’re with this dame.  Does she ever go to the loo?  I mean, for other than a quick swipe of lipstick and a gabfest with friends?

Do none of these women have periods?

Do they not have to offload some by-products?  EVER?

Oh right.  Barbie is always too upset to eat a thing.  Therefore, nothing to offload. What was I thinking?

4.  They run into the haunted house.

“Oh, a haunted house!” says our plucky heroine. (Note use of the word ‘plucky’ to demonstrate she’s not a chicken <sic>)  “I’ll just pop in there and see what the fuss is all about, shall I?”

WHOMP

(Plucky heroines taste good with ketchup, in my parodies.)

Listen up, modern day heroines! Do NOT be so stupid as to walk into an abandoned place where you know someone was murdered, or even stupider, confront the murderer, all by your little selves! 

Let it be known: when I am pretty sure I know who the killer is, I do NOT confront him all on my own in an isolated location.  Instead, I pretty much run like hell in the opposite direction.  ‘Cause experience has taught me (apparently, I do this a lot) that if someone has killed once, they won’t hesitate to bop my bean.  Even Barbie with half a brain can figure out it ain’t a smart move. 

Modern day heroines, rise up! Rebel against these tired tropes!  Fight back against the lazy mucks who make you appear as dumb as dough.

GO ON STRIKE AGAINST YOUR AUTHORS!  Or alternatively, strike your authors.

I’ll leave now.

Author disclosure:  Just so you know, Gina Gallo of The Goddaughter series loves her food.  You’ll see her eat it.  She sneaks off to the bathroom (offstage, so don’t freak.)  She looks like shit in the morning. Just like me.  Even Rowena of my fantasy books goes to the outhouse and enjoys her meals.  (Not at the same time.)

HAPPY HOLIDAYS EVERYONE!

The Best of Brittain

by Josh Pachter

One spring day when I was in the ninth grade, my English teacher — Mary Ryan — handed me a copy of the June 1966 issue of Ellery Queen’s Mystery Magazine and told me she thought I might find it interesting. She was right, and her thoughtful gift wound up changing my life.

That first EQMM basically dropped into my hands, like manna from Heaven. The next month, though — and every month thereafter until I graduated from high school and went off to college — I had to pedal my bike up Old Jerusalem Road in Levittown, New York, to the candy store a mile away to buy a copy of the new issue (along with the latest Mad, of course) from their magazine rack.

My second issue, dated July 1967, contained a delightful story called “The Woman Who Read Rex Stout,” by someone named William Brittain. It was the fourth entry in a series that had begun the previous year, with Brittain’s “The Man Who Read John Dickson Carr” and “The Man Who Read Ellery Queen” appearing back to back in the December ’65 issue.  (The third “Man Who Read” story, intriguingly titled “The Man Who Didn’t Read,” came out in May ’66, just before I became a regular reader.)

A fifth story, “The Boy Who Read Agatha Christie,” was published in December ’66, and the next year Brittain created a new series character, Leonard Strang, science teacher at Aldershot High School. Mr. Strang featured in three 1967 stories, and a fourth case for the science teacher and a sixth “Man Who Read” story came out in 1968.

Mr. Strang’s fourth adventure was in the December 1968 EQMM, and that was a very special issue for me, since it also included my own first-ever published piece of fiction, “E.Q. Griffen Earns His Name,” written when I was sixteen years old and published shortly after my seventeenth birthday, when I was a high-school senior.

Since I was now officially a “professional” author, I was eligible for membership in the Mystery Writers of America. I joined, and — though I was too young to drink the cocktails — began taking the Long Island Rail Road into Manhattan for the MWA’s monthly cocktail parties in its offices in the shabby old Hotel Seville. The membership — all at least a couple of decades older than me — treated me with amused tolerance, and I became friendly with an assortment of people who, over the previous couple of years, had become my heroes: Dorothy Salisbury Davis, Hilary Waugh, Lawrence Treat, Robert Bloch, Hans Holzer, Chris Steinbrenner (who tended the bar and could be counted on to slip me a couple of those cocktails I wasn’t old enough to drink), and others.

Four married couples — in each of which it was the husband who was the crime writer — took me under their wings and made me feel as if I was truly a member of a warm extended family: Ed and Pat Hoch, Stan and Marilyn Cohen, John and Barbara Lutz … and Bill and Ginny Brittain.

Bill wound up writing a total of eleven “Man Who Read” stories and thirty-two featuring Leonard Strang, all published in the pages of EQMM between 1965 and 1983. Between ’64 and ’77, he also penned twenty-nine standalones, eight (including a pair credited to “James Knox”) to Queen’s, twenty to Alfred Hitchcock’s Mystery Magazine (which ran his first-ever story, ironically titled “Joshua,” in its October ’64 issue, fourteen months before Bill cracked EQMM), and a single tale, his last published short story, “The Ferret Man,” to Antares.


After that, Bill decided to try his hand at writing books for younger readers, beginning with All the Money in the World in 1979 and ending with The Wizards and the Monster in 1994; bookended between those two were an even dozen others, including the Newbury Honor winner The Wish Giver in 1983.

Meanwhile, I went to college and grad school, taught for a year and a half at what was then Slippery Rock State College (now Slippery Rock University) in — I’m not making this up — Slippery Rock, Pennsylvania, and in 1976 I moved overseas, first to The Netherlands and eventually to Germany.

Bill and Ginny and I exchanged transatlantic snail mail for several years, but eventually lost touch.

And, to my regret, I never picked up the thread of our friendship after returning to the US in 1991. By then, Bill — himself a teacher, though he taught English at the junior-high level, not science to high-schoolers like Mr. Strang — had retired, and he and Ginny settled in Asheville, North Carolina, where they lived until his death on December 16, 2011, his eighty-first birthday. Not long after he passed on, Ginny returned to upstate New York to be close to their daughter, Sue Brittain Gawley.
 
Two years ago, in 2016, Dale Andrews and I decided to co-edit The Misadventures of Ellery Queen, a book I’d originally proposed to Frederic Dannay — who was half of the Ellery Queen writing team — in the early ‘70s. The book (which was published by Wildside Press earlier this year, and which you can order in hard cover, paperback, or for Kindle apps and readers here) consists of three sections: Pastiches (which are serious recreations of the Ellery Queen characters), Parodies (which poke fun at EQ, turning him into such bizarre incarnations of himself as Celery Keen and Elroy Quinn), and Potpourri (which includes stories inspired by Ellery the author, Ellery the editor, and Ellery the character).

One piece I knew had to be included in the Potpourri section was my old friend Bill Brittain’s “The Man Who Read Ellery Queen.” So I did some sleuthing of my own, and came up with a phone number for Ginny, who doesn’t use email. I called her, and we talked for an hour, our first conversation in decades. We had a wonderful talk, and she was happy to grant Dale and I permission to use Bill’s story in our book.

So happy, in fact, that I asked her how she’d feel about a possible collection of only Bill’s stories. That idea rocketed her straight up to Cloud Nine, and as soon as we got off the phone I emailed Doug Greene and Jeff Marks, the publishers at Crippen & Landru, to suggest a book I wanted to call The Man Who Read Mr. Strang: The Collected Short Fiction of William Brittain.

Within an hour, I had enthusiastic yesses from both of them, and I got to work.

A volume containing all eleven “Man Who Read” stories and all thirty-two of the Mr. Strangs would have been prohibitively expensive to produce, so we ultimately agreed to include all of the “Man Who Read” tales and seven of the Mr. Strangs (three from the ‘60s and two each from the ‘70s and early ‘80s).

Janet Hutchings, Jackie Sherbow, and Deanna McLafferty of EQMM graciously scanned and emailed me most of the stories, and Charles Ardai, Jon Breen, Mike Nevins, Bill Pronzini, and Arthur Vidro provided the rest of them. I typed them up and edited them lightly and wrote an introduction, Sue Gawley wrote a nostalgic afterword, and at Robert Lopresti’s suggestion I researched and compiled a comprehensive checklist of all of Bill’s publications for the back of the book.

In June of this year, I took my brand-new Kia Sportage out for its first road trip and drove from my home in Northern Virginia up to Rochester, New York, to have dinner with my old friend Patricia Hoch. The Hochs and the Brittains had been friends in Rochester before either Ed or Bill began to publish and had remained close for many years after both writing careers began, but they, too, had lost touch after the Brittains moved to North Carolina. So the next day I took Pat to Buffalo to have a splendiferous Italian lunch with Ginny and Sue., and this was the first time Pat and Ginny had seen each other in thirty years.

The original plan was for my book of Bill’s stories to come out in September, and I was eager to hand-deliver copies to Ginny and Sue. The book wound up delayed by a couple of months, though — due to no fault of the fabulous folks at Crippen & Landru! — and, by the time it finally came out last month, now titled The Man Who Read Mysteries: The Short Fiction of William Brittain, it was Thanksgiving weekend and I couldn’t get away. If you’d like a copy, you can order it directly from C&L here; I’ve arranged that whatever income I would normally receive for having edited the book will go directly to Ginny, so I hope you’ll buy lots of copies! It is now also available on Amazon.

I’ll go up to Buffalo and Rochester again in the spring, to share more time with Ginny and Sue and Pat and schmooze about the old days when I was a punk teenager just getting started in this crazy business and Ed and Pat and Bill and Ginny were much kinder to me than I could possibly have deserved. I’m looking forward to that.

Meanwhile, Dale and I are working on The Further Misadventures of Ellery Queen, and Doug and Jeff tell me that, if The Man Who Read Mysteries sells as well as they think it will — according to Doug, Bill is “one of the authors most requested by Crippen & Landru readers throughout its 25-year history” — they’d like me to do a second volume, including the rest of the Mr. Strangs.

I can’t wait!

And Be A Villain

When it comes to mysteries, my favorites are really those where I love the detective, from Miss Marple to Maigret to Inspector Brunetti to the collective of New Tricks.  But the villains matter, too.

And my favorite villain of all time is Count Fosco in Wilkie Collins' The Woman in White: Fat, witty, with the head of Napoleon and a taste for sugar-water and cigarettes, he can tame anything:

"Mind that dog, sir," said the groom; "he flies at everybody!" "He does that, my friend," replied the Count quietly, "because everybody is afraid of him. Let us see if he flies at me." And he laid his plump, yellow-white fingers... upon the formidable brute's head, and looked him straight in the eyes. "You big dogs are all cowards," he said, addressing the animal contemptuously, with his face and the dog's within an inch of each other. "You would kill a poor cat, you infernal coward. You would fly at a starving beggar, you infernal coward. Anything that you can surprise unawares—anything that is afraid of your big body, and your wicked white teeth, and your slobbering, bloodthirsty mouth, is the thing you like to fly at. You could throttle me at this moment, you mean, miserable bully, and you daren't so much as look me in the face, because I'm not afraid of you. Will you think better of it, and try your teeth in my fat neck? Bah! not you!" He turned away, laughing at the astonishment of the men in the yard, and the dog crept back meekly to his kennel.

His conversation is brilliant, deviant, erudite, misleading, and his decisions are never the expected ones. This is not the serial killer, the mastermind, the thug, the common criminal, or anything else you have ever heard of. Count Fosco is unique.

But that's not what I want to talk about. Not this time. I want to talk about surprising villains, surprising because of brilliance, because of sheer surprise, because of who they are.

!!!!WARNING - MAJOR SPOILER ALERTS AHEAD!!!!

And I'll start off with the one that stunned me the most - one of the few who took me totally by surprise - is Angela Lansbury in the original The Manchurian Candidate. Brilliant portrayal, and I didn't know that she'd played villains before. When I saw it for the first time, I hadn't yet seen Gaslight on TCM, and she wasn't yet Jessica Fletcher, but she'd done Bedknobs and Broomsticks, and played the heroine of The Lady Vanishes, so I assumed she was always pretty nice. Boy, was I wrong. She was just always pretty great.

Sheer brilliance is one thing. Another is... Well, have you ever watched the Thin Man series with William Powell and Myrna Loy? The first is a classic, but the chief virtue of the rest is the chemistry and playfulness between Powell and Loy. But After the Thin Man has the most unexpected villain in movie history, simply because

- SPOILER ALERT!!!! -

it's played by Jimmy Stewart. Yes. America's male sweetheart was a murderer. To be honest, he really didn't know how to play it. He was only 26, and I figure they were experimenting, and the script wasn't that good. And granted, back in 1936, people wouldn't have been surprised to see Jimmy Stewart as the killer, because he hadn't had decades to solidify his stardom as the good guy. But watch it now, and... wow!

And the director of After the Thin Man was no Alfred Hitchcock, who did indeed know how to use Jimmy Stewart's wholesome reputation, drawl, and All-American good looks to up the ante of playing men who aren't above a little voyeurism or stalking (Rear Window), or downright obsession, possession, kidnapping and assault (Vertigo). And still remain a hero. But then I've always felt that Alfred Hitchcock was trying to live through Stewart in both roles.

    
(All photos from IMDB)

I think it always catches you by surprise when an actor who's always played the hero suddenly turns into a villain.  I'll never forget seeing Henry Fonda in Once Upon a Time in the West, chowing down on Claudia Cardinale with gusto, while discussing how much he'll regret killing her.  And you could tell by the gleam in his eyes that he was having fun. The story is that Sergio Leone convinced Fonda to play stone cold killer Frank by telling him: "Picture this: the camera shows a gunman from the waist down pulling his gun and shooting a running child. The camera tilts up to the gunman's face and...it's Henry Fonda."

Henry Fonda in "Once Upon a Time in the West" - photo on IMDB

It works.

I think a lot of actors who have always been stuck playing good guys really enjoy a chance to be a villain.  Charlton Heston certainly had the time of his life playing Cardinal Richelieu in The Three Musketeers and The Four Musketeers (1973).  "One of my best parts" he said in this interview on YouTube:

With Faye Dunaway, playing Milady - IMDB

BTW, doing some research, I found a blog post by a man named Graham Daseler in which he said, "Charlton Heston was not a protean performer, like Marlon Brando or Paul Newman, playing someone new in every film: to see one Heston performance is, more or less, to see them all. He didn’t play romance especially well. Humour seemed to be completely beyond him (a deficit that, oddly enough, made him perfect for the role of Cardinal Richelieu in Richard Lester’s campy adaptation of The Three Musketeers)."  (read the whole HERE)  I tend to agree.  He always played everything straight, and in the two Musketeer movies, he had some of the best lines:

"I love you, my son. Even when you fail."
"I have no enemies.  France has enemies."  (Mr. Heston's own contribution to the script, from historical records.)
D'Artagnan: "By my order and for the good of the state, the bearer has done what has been done."
Richelieu: "Hm. One should be careful what one writes... and to whom one gives it. I must bear those rules in mind."

That last one - well, there's words of wisdom for us all, right?

And, as an early Christmas stocking stuffer, The Two Ronnies Christmas Special 1987 Full!  With special guest star, Charlton Heston (around 35:00):

Fever Dream

Courtesy Western Washington University Libraries

by Robert Lopresti

Before we get started: I have an essay up at Trace Evidence, the Alfred Hitchcock's Mystery Magazine blog, discussing "A Bad Day For Algebra Tests," my story in the current issue of AHMM.   Now, on to our regularly scheduled piece...

It happened like this.

I was reading a nonfiction book and enjoying it very much.  And then one day, it happened to be a Sunday, a little switch in my brain flipped and a voice asked:  Can I get a crime story out of this?

The more I thought about it the more it seemed like the answer was: Yes. Maybe a whole bunch of them.

On Monday I pondered characters, names, premises, and the shreds of a plot.  Pretty soon I had all the basics except one.  I wanted this to be a fair-play mystery, and that required a clue.

I hate clues.  They are the bane of my writerly existence.  I have several stories that will never be finished because I literally could not get a clue.

On Tuesday I figured out a clue.

Wednesday I had to make a trip to Seattle, two hours away.  (If you must know I had been invited to lecture at the University of Washington about my own nonfiction book.  There, you dragged it out of me.)

My wife drove.  She prefers to do the driving on long trips because she suspects that when I'm driving part of my mind is busy dreaming up characters, names, premises, plots, and clues.  She isn't wrong.

So I was free to open my Surface and start to work on my story.  The tentative title is "Law of the Jungle," which is all I'll say until it's published.  (Notice how he said "until" like it was a sure thing.  That's confidence, folks.  Or bravado.)

As I have said here many times I am a slow writer.  This is exacerbated by the fact that I have to rewrite and rewrite to translate my work into English from the original Gibberati.  Because of this I always try to write first draft as fast as I can.  It doesn't need to be perfect because quite likely not a single sentence will remain untouched through the final edit.

But there is another reason.  I will never be as in touch with the original inspiration for the story as in those first few days.  I want to get the whole story done before the fever wears off and I am back to my normal self.

And this time I succeeded.  I finished the draft on Monday, still hot with my idea.  6,300 words in five days. For me, that's light speed.

I know there are months of work ahead.  One scene needs to be set in a different location.  A character needs a new name.  Some information needs to be better hidden.

But I can see the road ahead.  In six months or a year this story will be flying off in search of a good home. And it will be a better tale because I wrote the first draft at a fever pitch.

One more thing to add: In retirement I have decided to try to learn to play the guitar.  My first lesson came just about the same time as the idea for this story.  Now every time I start plunking out a few chords I find myself thinking about my characters.  Has something like that ever happened to you?

Do You Want Cheese with That Whine?

We’ve all heard successful novelists mention the grind of hours-long book signings and months-long book tours, and many of us secretly (or not so secretly) wish to experience them for ourselves, but it isn’t just time-consuming public appearances that eat into our writing time.

Michael Bracken (left) at Bouchercon 2018.

Being a writer involves much more than actually writing, especially for moderately productive short-story writers. The more productive we are, the more ancillary tasks chew up our writing time. This is something I wish I had known when I began writing, and one of the things no one ever thinks to mention to beginning writers.

Research. Each completed story requires market research to determine the best market or markets for the story.

Format. Though a few of us older writers and editors pretend there is, there is no longer a standard manuscript format, and some manuscripts have to be reformatted before each submission.

Rejection. Each rejection must be recorded to prevent submitting a story to the same publication multiple times, and then it must be filed (as I do) or discarded (as some writers do).

Acceptance. This likely involves some response to let the editor know that, yes, the story is still available and, yes, I’d love to see my story in her publication, and, yes, I’m looking forward to receiving the contract.

Contract. Have you seen some of these things? I’ve received contracts that were longer than the stories for which they were offered, and I read every word before I sign. Sometimes, terms of the contract require negotiation, which requires even more time.

Payment. These days payment doesn’t often happen before publication, but God bless the publications that pay on acceptance. Regardless of when payment is received, it has to be recorded in some form (ledger, spreadsheet, accounting software) and then deposited in the bank.

Copyedit. Many publications let contributors review copyedited manuscripts prior to publication. This is when I realize the editor is a freaking genius or I decide the editor’s third-grade education did not prepare him to edit my work. Either way, copyedits require time to read and time to generate a respectful, professional response explaining exactly why I disagree with some or all of the changes.

Page proof. I know many people refer to these as galleys, but they aren’t. (Most of the people who refer to these as galleys aren’t old enough to have worked with actual galley proofs. If what you’re reading is formatted and presented to you in page form, you’re reading page proofs.) Like copy edits, these take time to read and to generate a response.

Contributor copy. Most publications provide a contributor copy. (Many amateur publications provide a “free copy!” because the publishers don’t know the proper term for what they’re doing and think providing contributor copies is somehow doing contributors a favor.) It takes time to reread my story in published form. It also takes time to record the date of publication and to share the news with supportive family and friends.

Reprint. A story might later be reprinted in a best-of-year anthology, a themed all-reprint anthology, a collection of my own work, or licensed for publication in another language, licensed for other media such as audio, or optioned for movie or television, and each of these reprint and licensing opportunities comes with paperwork and ancillary tasks similar to that listed above for an original sale.

Every step in the process, and maybe even a few steps I’ve overlooked, requires time and takes it from writing time.

And none of this includes optional tasks such as maintaining social media and engaging in blatant (and not so blatant) self-promotion, nor does it include semi-optional tasks like developing and maintaining good relationships with editors and other writers.

A writer who produces only a few stories each year may never realize how much time they spend on ancillary tasks, but even moderately productive short-story writers soon find themselves spending more time on the ancillary tasks than the primary task that creates all this extra work.

When I get overwhelmed with all the ancillary tasks and complain to my wife about how much time I’m working but not writing, Temple brings me back to earth by noting that I’m only complaining because I’m living my dream, and she asks, “Do you want cheese with that whine?”

My story “Remission” appears in Landfall (Level Best Books), “Deliver Us from Evil” appears in issue 2 of Thriller, and “Christmas Wish” appears online at The Saturday Evening Post.

Round and Round He Goes

by Steve Hockensmith

I had one simple goal for 2017: Write and self-publish a new novel in my old “Holmes on the Range” series. And I did it! At the very end of 2018. The book, The Double-A Western Detective Agency, came out a couple weeks ago, a year behind schedule. Hey, better late than never, right?

Now I have one simple goal for 2019: Write a book someone else will publish. Not that I expect anyone to actually publish it in 2019. You know how slowly publishing works. So you can mark your calendars for my publication day launch party...if, that is, you already have your calendars for the super-futuristic-sounding year 2022.

Finishing the book and selling it — that’s my new year’s resolution. Which is kind of like saying your new year’s resolution is to lose 10 pounds and be crowned queen of Venus. The first part is entirely in your control. The second part not so much.

Of course, there are things you can do to improve your chances for both. Watch what you eat. Exercise. Practice breathing carbon dioxide and sulfuric acid. Move to Venus. Find some Venusians. Convince them they need a queen. Perfect your queen wave.

But it doesn’t seem very likely, does it? Even if an old pro were to try it — Queen Elizabeth, say — the odds wouldn’t be in her favor. I mean, I know she’s a tough old broad who’s been through a lot, but even something as straightforward as “Move to Venus” might be beyond her at this point. No offense, Brits!

So yeah, I’ve written and sold books, but I’m not going to assume I can do it again. It’s not the writing I’m worried about, although I’m leaning toward the old Monty Python approach.

What worries me is the queen of Venus part, a.k.a. selling a book. It stirs up that old debate most writers know so well — the one between the artsy angel on one shoulder and the money-grubbing devil on the other.

Art: Follow your heart. Write what you love.

Commerce: Pah! Don’t be a fool! Write what will sell.

Art: You became a writer because of your love for stories. Let that be your guide now. Commit to the idea that excites you the most.

Commerce: You know what idea excites me? “I can pay the mortgage this month.” Thrilling, right? Commit to that, dude.

Art: There’s no guarantee you’ll succeed even if you try to follow the path of least resistance. All writing is a gamble. You might as well roll the dice on something you love.

Commerce: All writing is a gamble, yeah. Which is why you shouldn’t double down on sucker bets. You’ve got to know when to hold them. Know when to fold them. Know when to walk away and know when to run.

Art [bursting into song]: You never count your money when you’re sitting at the table...

Both [singing]: There’ll be time enough for counting...when the dealing’s done.

[Both laugh, embrace, sigh.]

Art: What were we talking about again?

I guess my angel and devil are easily distracted. Like me. But I like to think they can actually agree on something. And not just Kenny Rogers songs. Maybe there is an idea for a book that’ll satisfy both Art and Commerce — that can be both a passion project and a smart play. Hopefully I’ll find out next year.

Place your bets now, ladies and gentleman....

No Good Deed Goes Unpublished

I detest being lied to, I really do. Worse, I sometimes can’t tell when I’m lied to. Take the following case in which a tenant spun fanciful stories I found all too believable. Eventually, her tales grew so fantastic, they gave even me pause. The fact women could see through her when I couldn’t gave me greater appreciation. It’s undoubtedly the reason female defendants prefer all-male (and very gullible) juries.

Come to think of it, I had a problem with a previous tenant, a stripper who’d wrap males around her little finger. Those problems came to a close when a female deputy, immune to her abundant charms, took her in hand.

Meanwhile back at the ranch, I discovered my internal lie-detector is broken.

Typical Landlord

The Never-Ending (First) Storey

After 22 months, I’ve finally succeeded in an eviction. Almost… the deputy hasn’t yet executed the Writ of Possession, so it’s still possible the tenant may pull off another coup.

Part of it’s my own fault– I was out of state for lengthy periods. The tenant fought vacating the property with everything she had. I’d been contracting kitchen and bathroom renovations– new oak cabinets, new granite counters renters might find hard to damage, and new flooring. This coincided with Hurricane Irma (life in Florida’s defined by hurricanes) when subcontractors proved hard to find.

Peculiarly, replacing cabinets and counters requires four distinct kinds of workmen and ne’er the twain shall meet. Cabinet installers won’t work with wiring, plumbing, or (shudder) cabinet tops. The granite and marble people won’t touch electrical, plumbing, or God forbid, cabinets. Needless to say, electricians and plumbers don’t handle the other stuff either.

The tenant disliked that I was permanently removing the garbage disposal, a practice I began long ago in response to abuse by renters. Mats of hair and buckets of bacon grease don’t work well inside pipes… and disposals. Tenant insisted a garbage grinder, along with air, water, and cable television, constituted an essential human right.

We also underwent a conflict with the dishwasher. I don’t know why, but more than one tenant eschews using dishwashers. The machines need to be used every week or so to keep seals moist and the mechanism working. In this case, the tenant wanted to store dishes in her machine and complained about water pooled around the central pump.

I explained that was normal; she disagreed. She argued it was a health hazard. What might happen, she said, if water should leap out on the floor. I know, I know– weird, huh. I stated I’d much rather she follow the terms of the lease by changing air conditioning filters once a month so our new a/c wouldn’t break down and maybe dump water on the floor.

As the lease was expiring, new cabinets went in, new counters went in, wiring was finished, and new plumbing… never happened. Plumber A reported he tried several times to schedule an appointment and she refused. Plumber B reported he tried several times to schedule an appointment and she refused. WTF? as the blogger wrote.

Typical Tenant Victim

Hook, Line, and Sink

Most strangely, the original kitchen sink and its new faucet went missing. Oh, said the tenant, the cabinet people put it on the curb for trash pickup. WTF? The tenant claimed installers wouldn’t put discarded cabinets on the curb, but they specifically toted out the sink they were supposed to reuse?

We wouldn’t do that, said the cabinet folks. We wouldn’t do that either, said the granite people. Both said the tenant told them not to reuse the sink and faucet.

Belatedly sensing I’d been lied to, I asked the tenant if her boyfriend/caretaker took the sink and faucet for his flea market business. Lo, a miracle happened. Said boyfriend found a matching sink complete with identical faucet on a neighborhood curb and brought it home, too late, of course, to be inset and sealed by the counter workmen.

Trashing in Public

The homeowner’s association complained about junk in the front yard. The cabinet installers said the tenant told them not to put the old cabinets and refuse on the curb. Once again, WTF?

The tenant told me HUD Section 8 called in her friends in Code Enforcement, aka the decorating police. That seemed peculiar since the house recently passed inspection predicated upon finishing the plumbing.

The tenant told me the electric company turned off the power because her electrical cords were sparking, and oh yes, she needed new light bulbs. I explained I kindly replaced bulbs during my visits, but electrical cords, light bulbs, and taking out the trash were the tenant’s responsibility, as explained in the lease. The tenant disagreed.

In fact, the tenant disagreed so much she stopped paying rent. Ma’am, I said, you can’t live here if you don’t pay rent. The tenant disagreed.

The tenant announced because I’ve been such a bad landlord, light bulbs didn’t work, the electrical cord for her television didn’t work, the garbage disposal didn’t work and, thanks to unfinished plumbing, the kitchen sink didn’t work. Oh, and according to her, Code Enforcement was coming after me for all of the above plus piles of trash in the yard.

“You try make me move,” she said. “I own your ass. My friends want me sue you,” she said, “but I tell them you’re a nice man. Bad landlord, but nice man.”

Tenant for months refused to take my calls. Tenant also refused the property manager’s calls. The property manager, a wise woman I trust, told me the tenant had been lying her ass off to me.

I posted 3-day pay or vacate notices and 7-day notices to cure. The latter included an extensive list of property and lease violations, much of it related to her boyfriend/caretaker wrecking the back yard and cutting down trees from a lovely grove to further his lawnmower, appliance, and car engine repair business.

Typical Code Enforcement Officer
Dennis Rader

Tenant complained I’m such a bad landlord, the air conditioner no longer worked. She claimed Section 8 yet again called in Code Enforcement because shower heads went missing. Likewise, electrical switch plates someway disappeared. A tiny corner of linoleum under the cabinets’ kickplate curled ever so minutely, constituting a dastardly dangerous hazard to life and limb. If I took her to court, she said she’d bring Code Enforcement, whom mortals fear more than Lord Voldemort on a bad hair day.

As a landlord, as a male, I’ve learned to be leery. My reasons not to visit an XX chromosome tenant alone are a little different from persnickety Mike Pence’s, but it pays to be cautious. This time I took my friend Geri. After that meeting, she said, “I’m too much of a Southern lady to say she’s lying, but she doesn’t have a Godly relationship with the truth.”

For the first time we learned Section 8 was paying for another apartment in a nice downtown building while the tenant simultaneously hung onto my property with all her devious might.

I’d divined two reasons the tenant refused to move. She’d piled the house full of her treasures from hoarding. The living room housed a half dozen washers and dryers from her boyfriend’s business, suggesting another primary reason for clinging to the property. Where could he house and practice his lawnmower and appliance repair business?

Geri, a teacher, figured out a third and possible principal reason. By keeping my address, the tenant was able to keep her girls in the well-regarded school next door, and not send them to the inner city school that went along with her new apartment. In Florida, enrolling children in schools outside the tax district is considered fraud.

The property manager, calling from a different phone number, made one last stab at getting the tenant out, specifying a cutoff date. The tenant refused but, armed with the our target date, phoned me the morning of.

“Are you really going to court today?”

“This afternoon, yes, I am. You have a final chance to leave quietly.”

Unsurprisingly, she declined, but phoned me minutes before I departed for the courthouse.

“I slipped and fell. The lawyers for the clinic want an initial $50,000 to treat me.”

“What? Where? How did you fall?”

“In the kitchen, that curled piece of linoleum.”

“How could your toe reach it? It’s under the cabinets. Did a seizure cause the fall? Wait… Lawyers for the clinic? Don’t you have Medicare or Medicaid?”

“Yes, but I no use it for this. I need $50,000.”

“Convenient it happens on the day I file the paperwork.”

“Did I say today? I mean recently, since I saw you last.”

“After you were asked to leave?”

“Um, maybe a year ago, yes, that’s it. You know my seizures cause memory problems.”

“Last year after your lease expired and you were supposed to move out?”

“I mean two years ago, yes, two years.”

Instead of filing that day, I made an appointment to see a lawyer. He said dryly, “A surprising number of slip ’n’ falls happen during evictions. If she persists, come back and see me.”

A-Courting We Will Go

Finally, I spent a small pot of money to fund the eviction in court. The clerk of court’s rules lay out four requirements a tenant must follow to contest an eviction.

My tenant did none of them.

Instead, she wrote a 37-page letter to the judge that was shielded from public view (including my own) under a lock called VoR… view on request. That meant I had to execute a number of steps including a notarized affidavit and then wait for the clerk to determine if I was a deserving lad allowed to read it. When I finally found I could peep at it, all I could download was the first page. (The judge later kindly explained the remaining 36 pages were made up of letters and notices from various government agencies.) Curiously, that first page contained yet another version of the slip ’n’ fall, this time in the bathroom on a wet floor caused by a missing shower head.

At the end of page 1, the tenant advanced an innovative argument that the landlord owes her money for taking care of the property for him.

The morning of the hearing, my friend Thrush suggested I drive by the property to photograph the tenant’s trash. To my surprise, a white cargo van and a large trailer sat parked in front, doors open for loading. Another friend snapped photos for me.

With friends and witnesses, Darlene and Geri, I girded loins and set forth to wage righteous battle in the courthouse.

I hardly said a word. I didn’t need to.

The judge was a smart lady, very, very astute. She asked the tenant and her boyfriend/caretaker if they still lived at my rental address.

The tenant said no, she’d moved to a new apartment paid for by Section 8. The judge cocked an eye at me.

I said, “As we speak, Judge, a cargo van and extended trailer are loading goods from the house. I brought photos.”

The tenant hadn’t expected that. Quite unconscious of her previous contention, she proceeded to justify why she still lived at my address, mainly that I was a bad landlord but, she insisted, she didn’t live there.

“Did you give the landlord the keys?” asked the judge.

“No, I changed the locks. He’s a bad landlord. He won’t take our trash to the curb and…”

Time and again, the judge brought her back to the subject at hand. “So you do live there?”

“No, Your Honor, I just stay here so my girls can go to school. I keep it as my residence.” (Geri nailed the student residency issue.) “And Mr Leigh complains about our cutting trees down and he don’t want my boyfriend, I mean caretaker, working no more on cars and lawnmowers and he no fix my light bulbs and plumbing and he took away my disposal and I slip on the wet kitchen floor and I no wear my arm sling in public but I hurt my wrist and no use my Medicare so I call Code Enforcement who say he’s a bad landlord and…”

The tenant had just told yet another version of slip ’n’ fall. I wondered if the judge caught the differences between her testimony and the version she gave the judge in the letter. I need not have worried.

“Stop.” The judge gave the basketball timeout T-signal. “I find you do live there.”

“No, Your Honor, He’s mean to say that. I only…”

“Stop right there. I’m granting the plaintiff a Writ of Possession.”

“How long does that give me before I must move, Your Honor?” asked the tenant.

“Once a deputy executes it, you have 24-hours to depart.” With the upcoming weekend plus assignment to a deputy, the tenant had a few days grace period.

The unhappy tenants departed.

As I packed up, the judge leaned to the clerk and said, “That woman lied from the moment she opened her mouth and never stopped. I hate being lied to.”

Damn, every woman sensed her lying. Score: Women 6, Leigh 0. I’m not a bad landlord, but I am a terrible lie detector.

Oh, wanna buy a house? Sandwiched between two schools, it’s a great rental unit.

A Series Conversation

by John M. Floyd



Today's column is about reading and writing. On the reading side, I've lately found myself reading more novels than short stories, for some reason, and more standalone novels than series installments. Some novel series, though, are close to my heart, and when I discover new ones that I enjoy, I usually buy every book in the series and consume them like a chain-smoker, lighting another from the butt of the one I just finished and forging ahead until I'm done. Sort of like watching those maddeningly addictive Netflix and Amazon Prime series. (I just started on the latest season of Westworld.)


The reading list

Not that it matters, but here are twenty of my absolute favorite novel series:

1. character: John Corey -- author: Nelson DeMille
Plum Island, The Lion's Game, Night Fall, Wild Fire, The Lion, The Panther, etc.

2. Jack Reacher -- Lee Child
Killing Ground, Die Trying, Trip Wire, The Visitor, Echo Burning, Without Fail, Persuader, The Enemy, One Shot, etc.

3. Hap Collins and Leonard Pine -- Joe R. Lansdale
Savage Season, Mucho Mojo, The Two-Bear Mambo, Bad Chili, Rumble Tumble, Captains Outrageous, Vanilla Ride, etc.

4. Gus McCrea and Woodrow Call -- Larry McMurtry
Dead Man's Walk, Comanche Moon, Lonesome Dove, Streets of Laredo

5. Hannibal Lecter -- Thomas Harris
Red Dragon, The Silence of the Lambs, Hannibal, Hannibal Rising

6. Virgil Cole and Everett Hitch -- Robert B. Parker (and successor Robert Knott)
Appaloosa, Resolution, Brimstone, Blue-Eyed Devil, Ironhorse, Bull River, The Bridge, Blackjack, etc.

7. Roland Deschain (the Dark Tower series) -- Stephen King
The Gunslinger, The Drawing of the Three, The Waste Lands, Wizards and Glass, etc.

8. Penn Cage -- Greg Iles
The Quiet Game, Turning Angel, The Devil's Punchbowl, Natchez Burning, The Bone Tree, etc.

9. Arkady Renko -- Martin Cruz Smith
Gorky Park, Polar Star, Red Square, Havana Bay, Wolves Eat Dogs, Stalin's Ghost, etc.

10. Anna Pigeon -- Nevada Barr
Track of the Cat, A Superior Death, Ill Wind, Firestorm, Endangered Species, Blind Descent, etc.

11. Spenser -- Robert B. Parker (and successor Ace Atkins)
The Godwulf Manuscript, God Save the Child, Mortal Stakes, Promised Land, The Judas Goat, etc.

12. Stephanie Plum -- Janet Evanovich
One for the Money, Two for the Dough, Three to Get Deadly, Four to Score, High Five, Hot Six, etc.

13. Myron Bolitar -- Harlan Coben
Deal Breaker, Drop Shot, Fade Away, Back Spin, One False Move, The Final Detail, etc.

14. Jason Bourne -- Robert Ludlum
The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum

15. Jesse Stone -- Robert B. Parker (and successors Michael Brandman and Reed Farrell Coleman)
Night Passage, Trouble in Paradise, Death in Paradise, Stone Cold, Sea Change, High Profile, etc.

16. Lucas Davenport -- John Sandford
Rules of Prey, Shadow Prey, Eyes of Prey, Silent Prey, Winter Prey, Night Prey, Mind Prey, etc.

17. Dave Robicheaux -- James Lee Burke
The Neon Rain, Heaven's Prisoners, Black Cherry Blues, A Morning for Flamingos, A Stained White Radiance, etc.

18. Alex Cross -- James Patterson
Along Came a Spider, Kiss the Girls, Jack and Jill, Cat and Mouse, Pop Goes the Weasel, Roses Are Red, etc.

19. Katniss Everdeen -- Susanne Collins
The Hunger Games, Catching Fire, Mockingjay

20. Travis McGee -- John D. MacDonald
The Deep Blue Good-by, Nightmare in Pink, A Purple Place for Dying, The Quick Red Fox, A Deadly Shade of Gold, etc.

NOTE: I didn't like all the film adaptations of these series--some were great and some were disasters--but that's another matter, and a post for another day.

And yes, I left out Rowling, Connelly, Chandler, Hammett, Christie, Doyle, Clancy, le Carre, McBain, Forsyth, Larsson, Wouk, Paretsky, Wambaugh, Westlake, Leonard, Tolkien, Follett, and many, many others whose series novels I've truly enjoyed. But I had to stop somewhere.


The writing list

Meanwhile, on the writing side of things--and on a much smaller scale, in both wordcount and dollarbillcount--I have tried to use what I've learned about series and series characters to write five different series of my own short stories. Here they are, in no particular order:

1. Angela Potts and Charles "Chunky" Jones

This series is about a bossy retired schoolteacher and a guy she taught in the fifth grade, a lazy and not-too-bright kid who grew up to be the lazy and not-too-bright sheriff of their small southern town. She enjoys helping him with cases, correcting his grammar in front of his deputies, and stealing goodies from the candy jar in his office. Most of these stories have been published in Woman's World magazine.

2. Fran and Lucy Valentine (the "Law and Daughter" series)

In this series of stories, former teacher Frances Valentine feels it's her duty to help her happily unmarried daughter Lucy, who's a sheriff, (1) solve crimes and (2) find a husband. One of these appeared in Woman's World several years ago, but most have been published in Flash Bang Mysteries, Sherlock Holmes Mystery Magazine, Mysterical-E, and Futures Mysterious Anthology Magazine.

3. Private investigator Will Parker

This Old West series stars a former gunfighter/Pinkerton agent who now works for a PI firm run by his brother in San Francisco. The first story in this series, "Redemption," appeared in a 2013 collection of my mystery stories called Deception; the second story, "Gun Work," was chosen for the anthology Coast to Coast: Private Eyes From Sea to Shining Sea (Down and Out Books) and was later selected for inclusion in Best American Mystery Stories 2018. (By the way, this might not qualify as a series, since it so far consists of one story and its sequel. But I do plan to write more of them.)

4. Katie and Anna Rogers

This series features accountant Katie Rogers and her younger sister Anna. Since Anna's a police chief, they of course team up to solve crimes in their small town. (Do you see a trend, here?) Woman's World published the first installment of these a few weeks ago and the second and third stories have been accepted and will appear within the next month or so. Several more are in the queue and awaiting a decision.

5. Sheriff Ray Douglas

This is a series about Raymond Kirk Douglas, the practical and easy-going sheriff of Pine County, Mississippi, and his super-smart girlfriend Jennifer Parker. The first two of these stories, "Trail's End" and "Scavenger Hunt," were published in AHMM in 2017 and 2018. The third and fourth installments, "Going the Distance" and "Quarterback Sneak," have been accepted by AHMM and are upcoming, and the fifth and sixth installments are finished and sitting in AH's to-be-read queue.


Pluses/minuses

Advantages of writing a series (at least to me):

- Series installments are sometimes easier to sell. When writers, readers, and editors are familiar with a certain set of characters, those stories are a known quantity, and less of a financial risk for the publication.

- Series stories can be less work for the writer. When and if characters and their setting become well known, less time has to be spent on things like backstory and description. A writer can get the reader quickly into the plot.

Disadvantages of writing a series:

- If the publication that's running one of your series decides to reject the latest installment that you've submitted, that story will need major renovation (and possible demolition and rebuilding) before it can be sent to a different market.

- Publications that have successfully featured one of your series might be reluctant to have you write a non-series story for them.

Questions

For those of you who are authors of novels and/or shorts, do you prefer writing standalones or writing series? Which have been more profitable for you? Which is more fun? Have you ever had pressure from an editor, publisher, or agent to stick to one or the other? Of series stories and standalones, which do you most enjoy reading? What are some of your favorite book or story series?

And that's it. Keep writing--and have a great Christmas!

Fleshing Out The Past

Ladies and gents, we are delighted to introduce our newest SleuthSayer. Lawrence Maddox will be appearing every third Friday, and we are delighted.

I met Lawrence at Bouchercon in Long Beach years ago and we hit it off. His gripping and eccentric stories have appeared in 44 Caliber FunkandOrange County Noir. He scripted the Hong Kong kickboxing flick RAW TARGET andthe indie musical OPEN HOUSE (and how often have you read about those two genres in the same sentence?). PUBLISHERS WEEKLY called his FAST BANG BOOZE (published earlier this year by Shotgun Honey),"offbeat noir." I called it "a wild ride."Please give Larry a warm SleuthSayers welcome! - Robert Lopresti

FLESHING OUT THE PAST

by Lawrence Maddox


Ian Fleming once surprised a Polynesian dancer by reaching out and touching her while she was performing. It’s not noted where, exactly, he touched her. As for why: he was doing research. Through travel, research, and first-hand knowledge, Fleming loaded his Bond novels with sumptuous detail. He was one of the first authors to use actual product names in his fiction. Fleming was a master at describing the world he lived in, but what are the tools an author uses to flesh out the past when, unlike Fleming’s dancer, it’s no longer there for one to touch? I asked crime fiction authors Christa Faust, Robert Lopresti and Paul D. Marks how they brought the once-was into the right-now.

Before New York’s Times Square was cleaned up in the 1990s, it was a sleazy and dangerous place. Travis Bickle’s “All the animals come out at night” monologue from Taxi Driver sums it up. Christa Faust, Gary Phillips (and artist Andrea Camerini) faithfully recreate Times Square, circa 1986, in their thrilling graphic crime comic Peepland (Titan Comics, collected as a paperback, 2017). Roxy Bell is a Times Square peepshow worker, performing one-woman sex shows behind a glass window. Powerful forces will stop at nothing to retrieve a criminally incriminating VHS tape that has fallen into her hands.

“Peepland is based on my own lived experience as a kid growing up in Hell's Kitchen and as a young woman working in the Times Square peep booths,” Christa says. I consider the rich and authentic rendering of Times Square, and ask Christa if she needed to do any research for Peepland. “No research was necessary, just memories.” In an interview with Crime Fiction Lover, Christa explained that “all of the characters are based on real people I met while working in the peep booths. The central main character Roxy Bell is definitely semi-autobiographical.” In the same interview, Christa succinctly said why memories of Times Square were all she needed to create Peepland: “It’s in my blood.”

Roughly two miles away and two decades earlier, Greenwich Village was the epicenter of American folk music, a movement in sound that put political dissent on the airwaves. In Robert Lopresti’s evocative murder mystery Such a Killing Crime (Kearney Street Books, 2005), coffeehouse manager and war vet Joe Talley sifts through the many characters circling the folk revival scene in search of the murderer of his friend, an up-and-coming folk singer. Robert gives a sightseeing tour down MacDougal Street, detailing the people and points of interest along the way. Folksinger Tom Paxton, who makes a cameo, said of Robert’s writing, “If I'd known he was watching us all so carefully, I'd have behaved much better.”

I ask Robert how he brought 1963 Greenwich Village back to life. “Since I’m a librarian the obvious answer was research. That was more challenging than I expected because all the New York City newspapers were on strike that spring. The Village Voice was the main source of information.” Robert says he also spent hours at the Lincoln Center branch of the New York Public Library scouring the main folk rags of ‘63, Sing Out! and Broadside. Robert was after more than just facts in his research. “I got to interview several people I knew who lived in that time and place. That was partly to get facts but mostly to get feelings. What was it like? What did they remember the most vividly about that time? Then there was the matter of trying to think like an early sixties person. Women were ‘girls,’ whatever their age. Smoking in a hospital was perfectly normal.” I ask Robert if his research forced him to rethink past assumptions. “I was well into editing before an article in a recent newspaper pointed out that back in 1963 women were not allowed to drink in most bars in the city! After confirming that with a woman I know who went to school there I had to rewrite a whole lot of scenes. But part of the fun of the book is showing you this strange and distant culture.”

Paul D. Marks explores early 1990s Los Angeles in his two Duke Rogers private eye novels White Heat (Down & Out Books, re-issued 2018) and Broken Windows (Down & Out Books, 2018). In White Heat, Duke finds himself in the heart of the 1992 LA riots while investigating the death of an actress. Broken Windows, occurring two years later, has the Prop 187 battle over illegal immigration as the backdrop. Marks grew up in Los Angeles, and his Duke Rogers books explore how myth and memory are at odds with the often violent, seedy and corrupt LA that Duke encounters while plying his trade.

“The Internet, as well as memory, comes into play to try to get the reality of that time, but even with a good memory it’s wise to verify with multiple sources.” I ask him if there were any challenges recreating the not-so distant past. "In some ways it’s

almost harder to write that than something set in the more distant past.” Earlier in the 20th century “there were no cell phones, personal computers, answering machines or televisions at home. But all of that stuff existed in the ’90s, but in very different form than we have today. So, while someone might have had a cell phone it looked different and worked differently – some of the early ones were as big as walkie-talkies. Same with computers. So you have to be careful if you lived through that era not to transpose modern versions of the technology onto the tech of that day.”

I had similar issues with my novel Fast Bang Booze (Shotgun Honey, 2018), which takes place in the early 1990s as well. I had to rethink a lot of what I thought I remembered about cell phones from that period. A fun cell phone fact: the first commercially available handheld cell phone (made by Motorola) was nicknamed “The Brick,” and cell phones pretty much kept that design until smaller flip phones came along in the mid-nineties.

Paul D. Marks and I are both native multigenerational Angelenos, and we’ve had that “Do you remember” conversation a few times. LA, as well as being a sprawl, is also the kind of city that lets a legendary place like Schwab’s get torn down and be replaced by a Crunch Gym, so sometimes the landscape of our memories doesn’t overlap. When I’ve met fellow Angelenos and we realize that we’ve both been to the same forgotten dive bar or long-gone taco truck, there’s a bond. We belong to a dwindling club, and when the last of us shuffles off, it will be like a point in time and place has been wiped off the map.

When I wrote Fast Bang Booze, I wanted to impart what it felt like to be young, barhopping, and maybe a little out of control in the early ‘90s in LA. I just couldn’t do it all from memory, because my protagonist (a grungy twenty-something with a fantastically souped-up nervous system) is a fictional construct, and my tale is pure pulp. I had to do my research, which included buying old issues of LA Weekly and re-reading old diaries. Like Robert Lopresti, I even interviewed people. I wanted the facts and the feel.

I drove to Salt Lake City some years ago for a job. When I unlocked the door to my hotel room and stepped in, I was hit with the odor of cigarettes and Glade air freshener. It struck me in a way I still marvel at today. I would walk to my Grandmother’s house everyday from elementary school, and that was exactly how her place smelled. I swear for a moment I could picture all the objects in her living room, down to the glass fish statuette with the green tint. However briefly, I could feel the past. A piece of writing that can accomplish what Glade and cigarettes did for me, bringing the past alive, is powerful indeed.