"It is a truth universally acknowledged that a single man in possession of good fortune must be in want of a wife."
Well, not if you have a really good nanny. Which Francis Bacon has. (But more about that later.)
Yes, Francis Bacon, artist, gay, designer, bon vivant, adventurer, sometime spy, and always, always, always up to his neck in trouble is back in Janice Law's latest mystery, "Mornings in London".
But the first morning is in the country, at Larkin Manor, where Francis wakes up with a hangover and a naked footman, which is fine with him. The trouble is, all around him are the county set, and (aside from the footman) Francis is already bored to death. But he's down there at the request of a lady, his cousin Poppy, whom he hopes to rescue from Freddie, a bounder and a cad whom Francis knows a little too well and a little too much about.
Actually, that problem gets solved pretty quickly:
The morning of the hangover, Francis gets up to go to the bathroom and finds Signor Rinaldi, Italian diplomat under Mussolini, emerging from Freddie's room wearing nothing but a dressing gown. "I was returning a book he so kindly lent me," Rinaldi offers - but no one believes that, especially Poppy. The fight that follows attracts everyone's attention, and the main topic at dinner is that Poppy broke her engagement. The next day, she and Francis go for a restorative walk, they find Freddie, his throat cut, lying in the grass.
Now everyone at Larkin Manor know that none of them could have done it.
Francis Bacon, Wikipedia
Signor Rinaldi? A diplomat? Never!
Lady Larkin, wealthy, a supporter of fascist movements at home and abroad? Never!
Major Larkin, "the nice old architecture buff, the henpecked husband of a rich and politically ambitious wife"? Never!
Basil Grove and his horsey wife, the wealthy Daphne? Peter Tollman, the silver-haired government man and his trilling wife Lea? The Larkins' pudgy daughter? Never, never, never!
But Francis Bacon, dodgy decorator of rugs and furniture? And his cousin Poppy, who broke off the engagement in a fury? Well... maybe. Why not?
Francis knows trouble when he sees it - and it grows by leaps and bounds. Someone - as well as the police - are after Poppy. Someone mugs her. Someone searches her rooms. And when the lady vanishes, Francis knows he has to find out what's really going on.
Was Freddie murdered for love? For blackmail? For politics? And the last is possible. "Mornings in London" is set in the late 1920s, early 1930s, when fascism was rising both on the Continent and in England, especially among the aristocrats, to whom Mussolini was a handy tool for providing social stability. (They thought.) Everywhere Francis turns he runs into intelligence officers, including his exceptionally dodgy Uncle Lastings, who shows up with his own ideas on the murder...
And then there's Nan. I am so glad she is a major player in this book. I love Nan.
Nan, who "sometimes has more imagination than a nanny requires. Of course, that was exactly why she was ideal for me."
Nan, who always knows a secret place to slip a bit of evidence.
Nan, who will sleep / eat / live anywhere to be with Francis. (Seriously, in the 1940's, when Francis lived in Millais' old studio in South Kensington, for lack of an "alternative location", Nan slept on the kitchen table. Wikipedia.)
Nan, who encourages Francis to give up decorating and go into painting full-time, saying, "I've been poor. Money's better, but life's too short to pass on happiness."
Nan, who cooks and cleans and nurses - believe me, after reading about her, I am certain that all artists, of any genre, need a nanny like Jessie Lightfoot.
Thanks, Janice, for giving us Francis, Nan, and "Mornings in London".
My pal Michael Parnell alerted me to an event this past Saturday, the 11th Annual Parade of Trabants, held at the International Spy Museum in DC. What's the significance of this? Funny you should ask. Trabis were churned out in East Germany for a little over thirty years, from 1957 to 1990 and the fall of the Berlin Wall. It had a two-cycle engine with 26 horsepower, zero to 60 in 21 seconds. You had to add oil to the gas, like a lawnmower or an outboard motor. They coughed and choked, and blew smoke. They didn't have a fuel pump, the gas tank was in the engine compartment, on top of the engine, the fuel was gravity-fed. 3 million of them were manufactured, and the basic design never changed. Trabis are kind of like currywurst. The nostalgia element is tempered by the reality. They were cheap, they were crappy, they were a necessary fact of life for those East Germans who could even afford them, crappy as they were. They turned into the punchline of a joke that wasn't funny the first time it made the rounds. Then that world shifted on its axis. In mid-1989, the dominant Cold War paradigm began to collapse of its own weight, a suffocating inertia that just puddled on the floorboards. Thousands of Ossis packed up their household goods and drove their loaded, laboring vehicles through Hungary or Czechoslovakia, to get to West Germany. Like the Joads escaping the Dust Bowl, it was a leap of faith. A lot of Trabis fell by the wayside on this journey to a better life. Abandoned, derelict, giving up the last gasp. The ones that made it had to be granted exceptions from pollution standards, they burned so dirty. And they were representative, they became proxies for everything that had gone wrong in Eastern Europe, behind the Iron Curtain. This is an interesting transformation, or perhaps transubstantiation - the specific to the generic, water into wine - technically, I think it's an example of metonymy, where a part stands in for the whole. More than that, it's evolved. Language isn't static. Trabis are emblematic of an era, but they're a moving target. They're shorthand for the Cold War, yes, and at the same time, for Reunification and its discontents. Germans can be very thin-skinned. Like most of us, they don't like being reminded of past humiliations, especially when they've been self-inflicted. Trabants smell of failure. Not only failed history, and the failed state of East Germany, but the failure of West Germany to effectively assimiliate those former East Germans, those Ossis. This is very much about the present, not the past, although dark echoes of the past are ready to hand. Too many Ossis were unskilled labor, not at a premium in a high-tech labor market. A lot of industry in the East was smokestack, and couldn't be retooled. West Germany was trying to integrate a territory, an infrastructure, and a population half of its own size, which had been economically and politically paralyzed since Berlin fell to the Russians in 1944. There were dislocations and disappointments. It shouldn't come as a surprise that there was a boiling point, a surge in anti-immigrant incidents, skinhead violence, scapegoating, a little too reminiscent of the Germany of the 1920's, with its pervading sense of grievance. Ossis are still underrepresented in the German business and political establishment (although Angela Merkel herself is an Ossi). In last September's elections, the far-right Alternative for Germany polled at 21.9 percent in the former East - they were at 12.6 nationally. This phenomenon, this alienation, is fueled by a perceived 'cultural colonialism,' an institutional condescension on the part of West Germans. The structural weaknesses of the East are abiding and genuine.
Twenty-eight years ago tomorrow, November 9th is the anniversary of the day the Berlin Wall fell.
This is my last column before the madness that is the Christmas (and Hanukkah and Kwanzaa and any other holiday I'm leaving out) shopping season begins on the day after we eat the bird. Yes, some of you may start your shopping on the very day we eat the bird, but I'm a traditionalist. No holiday shopping until the day after Thanksgiving--unless we're talking about books. Then you can shop any time. In bed. While you're at Grandma's. Take a quick run to Barnes and Noble while you're supposed to be grocery shopping. There's always room for more books. And more and more. Not that I have a problem or anything. Nope. Not me.
So, given that I don't have a problem, I thought this would be the perfect time to suggest gifts for readers and writers. You know, people like me (and you, I bet) who don't have a problem with coveting books or writing them, no matter how much they try to quit--wait. What? Quit? Who would want to quit? But I digress. These suggestions are not going to be books themselves. No, that would be silly. Of course the readers in your life want books. And the writers in your life want to write and sell them. You know that. But what you don't know is there are things that go along with books, things the readers and writers on your shopping list secretly want.
What are these wondrous items? Come on. I'll show you.
First we'll start with gifts for readers
Love Beacon
You think this is a book bag, right? It is, but it's so much more.
We'll start with its function as a bag. Every reader needs a book bag. Something to take with her to the library or when she's out and about. It shouldn't be too small because she might finish the book she's reading and need another one. She shouldn't be caught without options. So she'll need to carry several books with her wherever she goes. So make that bag sturdy.
But sturdiness is only one important quality of the bag. It should say something. Does your reader love sci fi? Make sure your bag shows it. Or does your reader coo at cozy mysteries? Let the bag share that with the world. Or, if your reader has eclectic taste, you can simply use the bag to proclaim that its owner loves books. But the bag should make a statement because a book bag can do more than carry books. A book bag can help readers find each other. So keep that in mind when shopping. With a book bag, you're not just giving a tote, you're giving a love beacon--a signal someone can send to the world that she is a reader. And maybe, just maybe, another reader will see the beacon and respond. What better thing to bond over than books?
Book Light
You might have bought a book light decades ago and realized they weren't made well. You might have even had a store clerk at a Waldenbooks discourage you from buying a book light back in the eighties because of their poor quality. (Nope. That wasn't me. No siree.) But today's book lights have come of age. Not only do they work well, but they're lightweight and pretty. Oh so pretty. Doesn't the reader on your list deserve a sturdy way to read in bed without the lamp on. (And to that point, doesn't the reader's mate deserve a way for the reader to read in bed without the lamp on?) So buy a book light. It's a gift for two, all in one.
Go for the Gold
Book bags and book lights are nice, you're thinking. But you want to show the reader in your life just how much you love her. Isn't there something nicer (read: pricier) you can buy? But of course. First, there's an e-reader. Yes, most people who would like a e-reader already have them, but I'd be remiss without mentioning them. When wrists get weak, e-readers can be easier to hold than books. And when eyes get tired, e-readers let you increase the type size, which can be nice too. And if you want a book and have an e-reader, you can click and have that book at your disposal in mere seconds, which is a pretty nifty thing indeed.
But, Barb, you're saying. I don't want to give an e-reader. I want to truly show the love of my life that I get her, right down to her introverted little toes. What can I buy that will show her I understand her completely? (Besides, of course, a vacation for her alone with her books.)
Well, okay. Get out your wallet. Besides a gift card for books, the best thing you can buy a reader is a ... bookshelf. Or two. Or two dozen. More and more and more. There are small bookshelves to go into niches in your bedroom. There are large bookshelves to cover walls in your study. And then, there's the granddaddy gift of them all.
Built-ins.
Nothing says love like a built-in bookshelf. Be still my page-turning heart.
Gifts for Writers
The Anti-Welcome Mat
We all know the standard ways people indicate they don't want others knocking on their doors. The Beware Dog sign. The doormat beseeching you to Go Away. The sock on the handle of a dorm room door, indicating that ... well, you know.
Writers need something like this too. All too often, a person toiling at home (especially someone who spends his days making up conversations for imaginary people) is viewed as interruptible.
"Mom, where are the cookies?"
"Have you checked the jar?" Grumble, grumble.
"Dad, can you drive me to my friend's house?"
"What, your legs don't work?" Even more grumbling.
"Honey, the house is on fire."
"I swear, if I get interrupted one more time I--oh, wait. That's an interruption I'm okay with."
Let's hope that house fires are few and far between. For those other times, your writer needs a way to nicely tell the member of his family to Go Away. So here we have it, a simple sign the writer can hang on his office door. Interrupt thereafter at your peril.
Page Holder
Until you've tried to type in edits, hunching forward to look down at a page on your desk then looking back up to your screen, then hunching forward again to find your place, then straightening up to type the next edits in before hunching once more, over and over and over, you haven't typed in edits first done on paper. Yes, some authors might do all their editing on the computer, but many people edit and proofread the old-fashioned way. I'm one of them. Reading off screen enables me to spot errors I believe I'd otherwise miss. And that's great, until it's time to type in the changes.
That's where a Page Holder comes in. It allows you to have your pages standing upright, so you can sit in the same position, with your eyes on the pages and your fingers on the keys, typing away. And when you need to look to the screen, it's so much easier moments later to simply scan to the left to find your place again on the paper page. This may seem like something silly or unnecessary, but oh my goodness, the writer in your life needs it. Since I got mine a few months ago, typing in edits goes So Much Faster. And, even more exciting, I don't have to worry any more about actually becoming a hunchback, which might be good for fiction set at Notre Dame, but in real life, not so much.
An editor
Every writer needs an editor. You never know when you might be telling too much instead of showing, or writing stilted dialogue, or not recognizing a plot hole so big Big Foot could fit through it. That's why it's always good to get a second pair of eyes, especially someone who specializes in this type of work.
Some authors rely on critique groups, and they can be great. But sometimes an author needs a professional. A freelance editor. This can be especially true for authors trying to sell a first manuscript and authors planning to self-publish. But freelance editors can be pricey, so if you love an author, perhaps the best present you can give is the gift of an editor's time. I know all about this--it's how I make my living. I can't tell you how rewarding it is to help an author reach his potential, to see a writer sell the story she toiled over, to witness a smile when an author's book lands on a bookstore shelf. So if you have a writer in the family, consider helping him or her splurge on an editor. But be sure to do it after you eat the bird. Holiday shopping can wait. We do have traditions to follow, after all.
So, do you have a great gift you can recommend for the reader or writer in your life? Please share in the comments. And happy early Thanksgiving!
I've played guitar since the Monkees hit it big, and I read music (a little) and know (a little) theory, but I don't write songs.
I've been known to commit poetry under extreme circumstances, but songs have more technical demands than I can handle: melody, rhythm, lyrics, harmony, maybe even a bass line...and that's all assuming I can sing, which is still a topic of heated debate.
Strangely enough, several of my stories involve made-up songs. I had to convince people they're real to make the stories work.
In Blood On The Tracks, my first Woody Guthrie novel, we learn that dead singer Jeremy Garth wrote a song to Megan Traine. At the recording session, Meg blew a chord change and her mistake caused lots of bad stuff to happen. Since the session was years ago and Guthrie is only a so-so guitar player (probably a little better than I am), I had two problems. First, how would he figure out that the song was written for Meg? That was easy because I could put a hint into the lyrics. But how could Guthrie surmise that Meg made a mistake years after the fact?
That took some thought. I know just enough about music to recognize typical chord progressions, and I changed one chord so it wouldn't quite fit the rest of the song. It took me about half an hour to create a logical chord sequence for a song no reader will ever hear. Once I had it, I knew how a brilliant musician could make the necessary mistake, too. Several musicians have told me they enjoyed the music background in the book, and nobody has ever had any trouble believing what happened. I still have a general idea what the song sounds like, but don't expect to hear it on my next CD. Don't hold your breath for the CD, either.
Two other stories explore musical plagiarism. "Hot Sugar Blues," which appeared in the MWA anthology Vengeance (and was nominated for an Edgar) tells of a white blues singer who copied a song he heard a black man perform in a southern bar. I had to make it logical that he'd have trouble figuring out the chords until the performer showed him what they were, so I had Deacon Maddix put his guitar into a special tuning.
Keith Richards, Stephen Stills, David Crosby, Joni Mitchell and Richard Thompson all frequently re-tune for different voicings in their songs. Robert Johnson's early blues are hard to figure out, too, partly because he had amazing technique, but also because he played most of them in different tunings so he could use a slide or reach unusual notes. Johnson gave me the idea, and I put Maddix's song into a tuning I've never heard anyone ever use. Maybe someday I'll try playing a song in that tuning to hear if it even works. Maybe I'll do it for that same CD.
"Look What They've Done To My Song, Ma," in last summer's Alfred Hitchcock Mystery Magazine, casts Woody Guthrie and Megan Train in another musical mystery. A man claimed that a singer worked with him on several songs, but released them without giving him any credit or royalties. Since the singer was known for her lyrics, I could work with words more than music, and had far too much fun creating esoteric rhymes. I even made one song use the rhyme scheme AAAAAAAA, which is harder in English than in the romance languages with an inflected ending. I simply listed the words that rhyme. I'd hate to try to write verses with those words that actually made sense, though. Maybe that's why someone ends up getting killed.
Right now, I'm polishing another story that involves a song. Conan Doyle's Sherlock Holmes classic "The Musgrave Ritual" may have been my unconscious starting point because I was on a panel with Lindsay Faye, who recently published a collection of "new" Holmes stories. The song in my new story seems to be an obscure old ballad, but the characters suspect it's really much newer...and that the message is dangerous. I've written out five verses and even have a general idea of the chords and melody.
Look for it on the second CD I don't plan to produce.
In the third grade, I loved the concept behind Fritz Leiber’s Gather Darkness, my first adult novel, the one I remember. It hooked me on science fiction.
Why this on a mystery site? Partly because it’s about story telling and because many mystery writers and readers find they enjoy sci-fi too.
As mentioned before, only hard science fiction appeals to me. Here the adjective ‘hard’ serves to modify ‘science’ as much as it does science fiction.
Much as mystery writing has its rules about fairness to the reader, a major rule in real SF is that the science must be either real or at least plausible within a given universe. For the most part, that rules out magic and monsters.
As opposed to sci-fi, many stories are termed science fantasy or, in the case of Star Wars, ‘space opera’. They can entertain, but they aren’t sci-fi in the purest, purist sense.
The main point of true science fiction isn’t about blobs and alien abductions of busty beauties. It’s about society, it’s about us, about the condition of humankind. Look for a message, and you’ll probably find one.
But wait, you say. What about Anne McCaffrey? She writes about dragons and… and… dragony stuff, yet you have a soft spot for her?
It’s not the dragons. Anne McCaffrey is a force of fantasy, if not nature. I think I’ve seen a movie based on one of her dragony books, I’ve not read them. Instead, I go back to one of her earliest published works when I was in the 5th or 6th grade, The Ship Who Sang.
What beautiful names for a sailboat, I thought, Helva, The Ship Who Sang. What a beautiful story.
It’s a stunning novella, awkward according to some critics (and re-edited in response), but made even the more poignant. If Helva doesn’t make you tear up, you missed the ship. McCaffrey herself said it’s her favorite and understandably so. I’ve read a lot since, but I’ve never forgotten that story.
As a country kid, I consumed science fiction in a vacuum, not knowing how highly regarded John Brunner was among his peers. I knew only that I admired his works.
The most visionary writers can predict the future. Brunner’s novels read so much like tomorrow’s newspaper, a casual reader might not recognize them as science fiction.
Brunner predicted computer viruses (Shockwave Rider), disastrous climate change (The Sheep Look Up), and a need to deal with overpopulation (Stand on Zanzibar). Along with his novel about urban eco-planning (The Squares of the City), his stories are usually uplifting, the excepting being The Sheep Look Up.
Except for thrillers, science fiction deals with topics crime writing can’t handle. One commonality is that both can make you think.
I absorbed Golden Age short stories in pulp magazines. You’d recognize most of the authors and one of my favorites was Philip K Dick. Not only did he publish more than one-hundred twenty shorts, but he went on to write forty-four novels.
You’ve seen television shows and movies such as The Man in the High Castle (2015), Total Recall (1990, 2012), Minority Report (2002), A Scanner Darkly (2006), The Adjustment Bureau (2011), and today’s topic, Do Androids Dream of Electric Sheep? (1982, 2017), aka Blade Runner.
I mention this because Blade Runner 2049 is still in theatres. The first one (1982) was excellent, and please, watch it before watching its sequel.
A number of actors appear in both. The pixels of one original actress, Sean Young, appear in a remarkable blending of actresses, one old, one young.
Speaking of actresses, one compelling scene contains a sort of birth of an android. It’s so delicate, I couldn’t help but wonder if its Dutch actress had dance training.
A handful of ‘easter eggs’ hark back to the original film and at least one to Dick’s story title. An aging Edward James Olmos drops an origami sheep on a table.
So what’s the message in Blade Runner? Like the original, it’s about humanity. At the end of the 1982 and the 2017 films, the question becomes: Who’s human? Who’s humane?
In our columns at this blog, we Sayers of Sleuth try to stick to the subject of mystery writing. I'm often guilty, though, of wandering off topic (especially to things like movies and TV), and sure enough, my focus today is on a book of narrative nonfiction. But today's post is also vaguely connected to the mysterious, because if I hadn't become acquainted several years ago with fellow mystery writer Joseph D'Agnese, he probably wouldn't have recently offered me what turned out to be an interesting opportunity.
Here's what I mean. Back in early September Joe emailed me from his home in North Carolina to tell me his wife, Denise Kiernan, was about to do a nationwide tour for her new book, The Last Castle. In fact I had already heard about the book, and had even pre-ordered it from Amazon a month or so earlier, partly because my wife Carolyn and I had so enjoyed Denise's previous book--a New York Times bestseller called The Girls of Atomic City--and partly because The Last Castle is a narrative history of the Biltmore House, an attraction in Asheville, North Carolina, that we've visited several times over the years.
Anyhow, Joe also explained in his email that one of the stops Denise would make on the tour was Square Books in Oxford, Mississippi, and that Denise usually prefers not to do a solo reading/signing; when possible, she asks someone she knows to come and appear with her at the event, and in effect interview her about the book in the popular "a conversation with the author" format. And since I'd met Joe and Denise a couple of years ago in Raleigh and we've swapped several books and emails since then, he asked if I'd like to appear with Denise at the event in Oxford, which is only about three hours' drive from my home near Jackson.
So that's what we did, on the afternoon of Wednesday, October 25. I drove up there, met with Denise beforehand to strategize and catch up a bit, and then she and I spent an hour or so discussing her book in front of an audience of readers and writers. She was of course a better interviewee than I was an interviewer, but I think we all had a good time, and everyone (except Denise, already an expert) learned a great deal about the famous Biltmore estate, the Vanderbilts who constructed it, and America's Gilded Age. Afterward she signed a bunch of books and we all stood around and chatted until seven or so, at which point I headed home and Denise drove to Memphis to catch a flight the following morning to New York, her next stop. (She'd spent the previous two days in Seattle and L.A. I remember once being told that national book tours are like attending Epcot Center in Florida: Every Person Comes Out Tired.)
I should mention here that Square Books is one of several excellent and widely-known independent bookstores here in Mississippi--others include Lemuria in Jackson and Turnrow in Greenwood--and that the bookstore staff there in Oxford showed both of us an incredibly warm welcome. Many thanks to Richard Howorth, Alissa Lilly, Toby Morrison, and everyone else at Square Books. Denise had been to Oxford twice before, to speak at Ole Miss, and my most recent trip there was as one of the signers of Mississippi Noir a year ago, but we both agreed that this trip was the most fun.
A final note. Like The Girls of Atomic City (subtitled The Untold Story of the Women Who Helped Win World War II), The Last Castle is a fascinating book about a fascinating place and time in our history. Many of you probably know that the Biltmore House is the largest private residence in America, a sort of giant French Renaissance chateau constructed by George Vanderbilt in the late 1800s. What you might not know is that the house is 175,000 square feet (larger than the castle where Downton Abbey was filmed), with 250 rooms, 33 bedrooms, 43 bathrooms, and 65 fireplaces, located on an estate of around 125,000 acres. And the people involved in its history are no less interesting than the setting. According to the description/subtitle on the front cover of Denise's book, The Last Castle is "the epic story of love, loss, and American royalty in the nation's largest home." I couldn't have said it better myself. And by the way, this book also made the New York Times bestseller list, as soon as it was released.
If you've read The Last Castle already, you know what a literary achievement it is. If you've not read it, I hope you will. It's a marvelously entertaining and eye-opening look at not only an American landmark but at America itself.
To Joe D'Agnese and Denise Kiernan: Thank you for allowing me a small connection to all this. I had a great time.
November is National Novel Writing Month and you're three days behind already!
NaNoWriMo for short, you're about to get flooded with word counts on social media as people try to write 50,000 words in one month. Steve Liskow wrote about this last month, and he gives courses on it, so check out his post for an introduction. I wrote my first novel, a draft called Beat the Jinx, for NaNo 2011. After three more drafts it would become Bad Boy Boogie, my second published novel, and the first in my Jay Desmarteaux crime thriller series. The drafting and rewriting is the important part, here. There's a National Novel Editing Month in March, to give you time to rest and sit on the manuscript so you have perspective, and I highly recommend taking time off and editing whatever you blast through this month, especially if you are a newer novelist.
What's new to me this year is that it's the first time I've had a novel under deadline. The second Jay Desmarteaux novel is due in mid-January, and as of now it's called Born on the Bayou. It's set entirely in Louisiana, drawing on my many visits there, and I've had many of the scenes in my head for a long time. I put together a rough outline: I like mileposts, which I can move or swerve to avoid, rather than a strict structure. Another writer called this "writing to the end of the headlights" and I like that, having just enough road to see where you're going, but not knowing where you might end up. That way the reader will hopefully be as surprised as you are.
So I cheated a bit for this year's NaNoWriMo. I began just before Bouchercon. I wanted to wait until after the convention, when I was full of energy from talking with readers and fellow writers, but I couldn't wait. I sat down and wrote the opening chapter--a prologue, even--and I've read it at two Noirs at the Bar already. The audiences have liked it. I took a big chance there, because if it went over like a fart in church, I might have been discouraged to write further. Or agonized about the direction the novel was going. So I got lucky, there. As of last night when I hammered out 2,000 words, the manuscript is around 16,500 words as November begins. So I'm cheating, kind of. It's easier to write when a novel is in motion. Inertia and all that. So my plan is to hit at least 66,500 by midnight November 30th, and have 75,000 by mid-December, giving me a month to edit (without a rest) before it goes to the publisher. This is the tightest deadline I've ever been on.
Bad Boy Boogie went through four drafts before I queried. My beta readers liked it, but a very generous agent--Elizabeth Kracht--gave me good notes on the beginning, and I amped things up for a final draft. I essentially pulled the infamous "chapter 3 is now chapter 1" switcheroo, putting strong action in the first chapter where there had been a slow burn. And it worked. My editor at the publisher had no developmental edits. Oh, there were plenty of edits to be done, but the bones were good. The novel needed a chemical peel. This is a bit of a tangent, but you should make a list of "problem words" you use and search for them before you write "final" on your draft. Some of problem words are "just," "only," "But," and "So," and you can add "ly " if you overuse adverbs. My characters nod and grin and wince and grimace and squint more than Clint Eastwood in need of Ex-Lax, as well.
This draft feels cleaner than my previous ones, as I am getting better at editing on the fly. I also go back and edit as I go, and sometimes read the last chapter I wrote before I begin the night's writing. I'm a nightowl with the writing, I wish I could do it first thing in the morning. Charles Willeford suggested writing before you use the bathroom in the morning, much less a cup of coffee. I couldn't hack that, I prefer to start between 8 and 9pm and write until 11;30, and read for a half hour before bed. It's good to have a reward set. The few TV shows I still watch? I don't use them as rewards because I like to watch them with my wife. And some of them are news shows, and it's good for me to get riled up before writing.
So are you joining NaNoWriMo this year? It's about 1350 words a day. You don't have to write every day to be a writer, but I like Larry Block's admonition, "you can't write four lousy pages?" It can seem insurmountable, but having a pro diminish it so casually makes it feel less so. To do this you need to trust your voice and silence the inner critic. As Joyce Carol Oates says, write fearlessly.
This doesn't mean you should be able to bang out a book a month or even in a year. Everyone is different, and I feel that the "book a year train" has hurt a lot of writers whose best work had more time to simmer, but this is a challenge you don't have to accept. If you've been hemming and hawing about writing a book, there are worse ways to tackle it than NaNoWriMo. You'll have a bunch of us cheering you on.
I'm 52. I'm happily married, with a challenging day job, and an even more challenging five year-old son. Don't get me wrong: when I say, "challenging," I guess what I really mean is "tiring." My kid is great, and he's a ton of exhausting fun.
When I was 42 I was single, with the same day job, and no kids. I had published my first book two years previously, at the age of 40. I had time to write every day. And when it came to generating content, I was a machine.
Ten years ago this week I accomplished the unlikely (I hesitate to call it "impossible," for reasons I hope will become obvious as you read on.).
I wrote 80,000 words in eight weeks, while working a full-time day job.
And when I say, "I wrote 80,000 words in eight weeks," I don't mean that I sat down and wrote 1,000 words per day, and then went back and fixed things later.
No.
I started from scratch the first day of September, and turned in two completed 40,000 word manuscripts to my publisher on November 1st, exactly eight weeks later.
Without going too deeply into the circumstances which led to my landing in this situation, let's suffice to say that I double-booked my time, got in the middle of a tug-of-war between two editors (one fantastic, the other, well... NOT fantastic) who worked at the same publisher, and voila: I was up against a short, short deadline.
Now, bear in mind, my day gig is teaching. Can you guess which part of the year is highest impact for me as a teacher: which part of the year demands the greatest portion of my headspace and energy, which part requires the greatest investment of extra time outside of the regular workday?
Here's a hint: it ain't summer!
Looking back, I can hardly believe I managed to pull it off. Then I stop to think: I didn't have a mortgage, a marriage, or a child to take care of. I had my work and my friends and my writing.
So, I didn't have a lot of claims on my time.
Fast-forward ten years, and I have completed eleven books, sold ten of them and had nine actually see publication (the book I wrote and sold, but which was never published was a nonfiction piece about teaching that the publisher paid for but ultimately decided it couldn't sell in the current marketplace. I had been approached to write the book, so it was work for hire, and as a result, I wasn't all that attached to it. So I supposed you could say of my emotional reaction to the news that my publisher was honoring the contract but had decided to shelve the content they'd commissioned, that my feelings were hurt right up until the check cleared.).
And not of one of them published since 2011.
I got married in 2010, and my son was born in 2012. The money from that last book helped pay for my honeymoon.
I'm sure you can see where I'm going with this.
My priorities at 52
I've written plenty in the intervening years, and published a bit of short form stuff, kept my hand in, if you will. I've done my best to improve across the board.
I have few illusions about my strengths and shortcomings. I have a finite amount of both energy and headspace, and so my late 40s became all about priorities.
I love being married. And I am proud of my marriage, and the work my wife and I have put in to make it work. I have a lot of friends whose marriages seem to be cratering these days, people growing apart, priorities shifting. I feel for my friends going through this experience.
And because I met me wife later in life (I turned 44 the day after our first date), I don't think I have as much to worry about with regard to growing apart (*knock wood*) as those of my friends who married and had kids in their 20s.
But that's not something I'm prepared to leave to chance, and so I work hard at my marriage. The same goes for raising my son.
So he gets a lot of my time and attention. He didn't ask to be born, and by virtue of our relationship, he's more than entitled to everything I can muster on his behalf.
I'll admit there were times over the past five years when I despaired ever again finishing a writing project, let alone publishing it. Everyone has been there at one time or another, and this was my turn at this particular wheel.
And then a funny thing happened.
My son started preschool.
In the fourteen months since that blessed event occurred, I have written a few things of which I am particularly proud. I've also finished some things started long ago, and left to sit half-finished for a good long while. And I've started a few things about which I am incredibly excited.
I am not at liberty to go into detail about what's on the horizon, except to say this: I just wrapped up negotiations with a new publisher to get two of my long-form fiction projects into print in 2019.
TWO!
And there's so much more on the horizon. I have a couple of partially completed novel--length collaboration with other authors on track to wrap in late 2018/early 2019. And then there are the short stories and novellas.
The irony?
I have less unspoken-for blocks of time available to me than I did a decade ago, and yet I stand to be far more productive over the next couple of years than I was a decade ago when I averaged two books every eighteen months.
How?
Simple.
One: I'm more efficient at managing my time (a product of getting married/having a child).
“We are all in the gutter, but some of us are looking at the stars.” — Oscar Wilde
A few months ago I read a story called "Crow Mountain" by John Floyd in the latest issue of The Strand. A good story it was, but what amused me was that it included a plot twist that I had used a decade before.
I
am not suggesting anything nefarious. First of all, John needs to
steal ideas from me like Bryan Bowers needs me to give him autoharp
lessons. (Slow down, Bryan! Make some mistakes!) But most
important - if he had read my story and instantly said I can use that
it would have still been all right. It would be what Lawrence Block calls "creative plagiarism." You take the original idea in use it in some new
and original way.
Here's what I mean by the shared plot twist: If you read
John's story and then started mine when you got to a certain point you
might say: "Huh. I bet I know how it ends." And you'd be right Same
if you read mine first, then John's.
I told John I
liked the story and mentioned the coincidence. I said it reminded me of
one of my father's favorite sayings: "Great minds run in the same
gutter."
John graciously replied: "I’ll
share a gutter with you anytime."
I mention this because I have a story in the new November/December issue of Alfred Hitchcock's Mystery Magazine. (My 27th appearance there, he said modestly.) And "The Chair Thief" definitely involved creative plagiarism.
I
wish I could tell you who I stole from, but I don't know. A few
decades ago I went through all the mystery shorts I could find in the
public library. I fell in love with a tale by Lawrence Block and when
his collected stories came out I looked forward to repeating my
acquaintance with that one. But it wasn't there.
I
emailed him, describing the story. Larry politely replied that it
sounded like a great idea, but it wasn't his. So I'm stuck.
Here is the plot of that original story; A true paranoiac gets ready
for his day, putting fresh tin foil in his hat to keep out the mind
controllers, and wrapping his torso in plastic wrap to foil the death
rays. Then he goes out for a stroll. Things happen. My story, on the other hand, is about two office-mates who get mad at a co-worker.
You
might say "those two plots have nothing in common." Well, maybe not. But
it comes down to what I said before: If you read them one after another
you would probably guess how the second one ends.
But since the first one is lost, we don't have to worry about that.
I hope you enjoy "The Chair Thief." And if anyone remembers the author and title of the other story, I wish you would let me know.
It’s Halloween, so I was trying to think of an appropriate post for such an auspicious day. And I think I finally hit on something. But first, I thought about doing Halloween movies, you know like Halloween, Halloween 2, Halloween 3, Halloween 2077. Or The Exorcist. Or _________, well you fill in the blank. But it just didn’t hit me. What did hit me was a brief Magical Mystery Tour of a few of LA’s haunted places. As writers, we might sometimes use the supernatural in our stories, but do we really believe? Maybe, maybe not. So let’s check out some “real life” ghost sightings.
But before we really get started on the tour, how ’bout a little mood music, Sleeping With a Vampyre, from Brigitte Handley and the Dark Shadows:
So now, as Jackie Gleason (I’m sure he’s haunting someone, somewhere) used to say, “And away we go”:
~The Biltmore Hotel (506 South Grand Avenue, Los Angeles) is the epitome of elegance. On the
outside it’s a mash of styles, but inside it looks like some minor principality’s grand palace, filled with marble fountains, frescos and other lavish appointments. Oh, and maybe a ghost or two.
The 1960 Democratic National Convention that nominated the alphabet team of JFK and LBJ was held there. Many of the early Oscar ceremonies were also held there. And there’s been sightings of various ghosts. The most famous is probably Elizabeth Short, though you might know her better as the Black Dahlia. Some people claim that the last place she was seen alive was at the Biltmore and that her ghost returns often to the lobby. Boo!
The Biltmore Hotel lobby
photo by Prayitno via Wikimedia Commons
In my story, Ghosts of Bunker Hill (Ellery Queen, Dec., 2016), I talk a little about the Biltmore:
I felt Bandini at my side as I stared across at the Biltmore Hotel. No, I’m not crazy. I’m not saying I saw a ghost. Just a feeling. Then, something flitted by on the edge of my peripheral vision. Across the street in the Biltmore: JFK sipping champagne cocktails at his inauguration party. Swells drinking bathtub gin in the Gold Room, a sort of speakeasy for the upper crust during Prohibition, hidden in the depths of the Biltmore. Oscar ceremonies and celebs. Mae West and Carmen Miranda partying. Ghosts of the past. Now I wasn’t sure what was real and what wasn’t.
~The Comedy Store (8433 Sunset Boulevard, West Hollywood, CA) on the Sunset Strip used to be Ciro’s nightclub. The famous, or infamous, Strip is in an unincorporated area of LA County. Because of that it’s patrolled by the Sheriffs, not the LAPD. And because of that enforcement of certain laws there, like gambling and prostitution, wasn’t quite what should have been, shall we say, at least in the past. That, of course, brought in a “certain element,” the head honcho of which was Mickey Cohen, LA’s mob boss, along with his pal Bugsy Siegel.
Ciro's Nightclub
Ciro’s was a hip place in the 40s and 50s, affiliated with the mob and even more pointedly a mob hang. There were peepholes in the walls of the main rooms so mobsters could watch the comings and goings. And the basement was more like a medieval dungeon—like they say in LA Confidential of the Victory Motel, lots of bad things happened in the basement at Ciro’s. Killings. A torture room. So you better have paid your gambling debts and not bothered the show girls.
Today, the basement is said to have a very oppressive atmosphere—I guess it’s all those tortured souls trying to escape and find some peace. Some employees refuse to go there, especially after one saw an evil being. Some people think it was a malevolent ghost, but it might just have been Harvey Weinstein.
Comedy Club employees also claim to hear voices and cries of anguish coming from the basement. Some claim to have seen Mickey’s enforcer, Gus, watching the crowds during performances, so you better damn well be funny.
~Hollywood Forever Cemetery (6000 Santa Monica Boulevard, Hollywood, CA), the cemetery to the stars. If you ever wanted to attend an A List party, check this place out. Everyone’s here, from Valentino (he who needs no first name) to Tyrone Power, Hattie McDaniel and Johnny and Dee Dee Ramone (well, one of them in spirit only, there’s a statue of Johnny but his wife kept his ashes). And let’s not forget that Bugsy guy—he’s here. As is Ann Savage, star of the great B noir Detour. I’m not sure who’s more savage him or her, at least her character in that flick.
Dee Dee Ramone's grave
People have reportedly seen Valentino’s ghost strolling along the paths. But there was definitely a ghostly woman who dressed all in black—the Lady in Black—who brought flowers to his resting place for years and years on the anniversary of his death because he had told her at one time that he didn’t want to be alone.
And Clifton Webb, who when I think about it would indeed make a good ghost, is also said to haunt the place. He played Mr. Belvedere. Also Waldo Lydecker in Laura and Hardy Cathcart in The Dark Corner, so his noir bona fides are in place (Belvedere notwithstanding). It’s said that his spirit haunts the Abbey of the Psalms mausoleum with drafts of cold air, scents of his cologne and whispered voices from people who aren’t there. It’s especially spooky if you can’t stand the scent of his cologne.
Virginia Rappe, the young woman that Fatty Arbuckle is supposed to have raped at a wild party, and who died shortly after, is also resting here. Well, maybe not quite resting. An icy coldness is said to surround her grave, even on hot days. The sound of crying can also be heard.
With all the well-known people here, I’m sure these aren’t the only folks haunting this place.
And it just so happens I wrote about Hollywood Forever in my story Continental Tilt (Murder in La La Land anthology):
In the heart of Los Angeles, in the heart of Hollywood, a vampire movie played on a humongous silver screen. This wasn’t your usual movie venue, but the crowd of seven hundred loved it. Spread out on beach chairs and blankets, with bottles of wine and beer, Boba tea, doing wheatgrass shooters and eating catered Mexasian sushi, fusion food for the Millennial-iPod generation. Did I forget to mention that the movie theatre was the Hollywood Forever Cemetery in the heart of Hollyweird? That over the summer they show movies on the mausoleum wall, while people sit on their beach chairs and blankets—Beach Blanket Bloodshed—and munch their munchies amongst the graves of movie stars, rock stars and even mere mortals? The back wall of the cemetery, clearly visible from the field of graves the watchers watched the movies from, was appropriately the back wall of Paramount Studios.
Ghosts of a million stars haunted this place, from Tyrone Power and Rudolph Valentino to Fay Wray and Bugsy Siegel—a star in his own right. From Dee Dee and Johnny Ramone to Hattie McDaniel and Iron Eyes Cody to Mel Blanc, the Man of a Thousand Voices—Bugs and Porky, Daffy and Tweety and 996 more—whose tombstone simply read “That’s all folks!”
~The Hollywood Roosevelt Hotel (7000 Hollywood Blvd., Hollywood, CA) is a famous haunt, excuse the expression, of the rich and famous. The Roosevelt debuted in 1927, right on Hollywood Boulevard, sometime after the No Dogs, No Actors people moved out of the area, no doubt. The Roosevelt held the very first Oscars, well before the TV era, so they were actually about a nod to movies and the people who made them, instead of one gigantic commercial. And, as such, the hotel was home to many stars.
The Roosevelt Hotel
by Bohao Zhao via Wikimedia Commons
Two of the most famous ghosts are Montgomery Clift and Marilyn Monroe, you might have heard of her. Maybe him too.
People say Marilyn haunts room 1200, her old room. They see her in the mirror. They see her in the halls and the lobby. People claimed to see her in the room’s mirror long after her passing. So the mirror was moved to the lobby—but people persisted in claiming to see her. Eventually it was moved to storage, but her ghost still haunts the hotel.
And Clift is said to haunt room 928, patting guests on the shoulders (hmm, I wonder if Harvey Weinstein stayed in this room too. Sorry.) Carole Lombard, one of my faves, floats around the upper floors. I wonder what she’s looking for. Maybe I should head over there and ask her.
There’s also been some non-famous ghosts seen hanging around, but who wants to hang with them?
~The Cecil Hotel (640 S. Main Street, Los Angeles). Saving the best for last, or maybe the worst. This one’s so bad there’s a whole TV series devoted to it now.
The Cecil Hotel
By ZhengZhou (Own work) via Wikimedia Commons
The Cecil—I’ve always wondered who exactly Cecil was—was born in 1927, clearly a good year to start a hotel. With its opulent art deco lobby it was a place for business people to stop when in L.A. But the Depression did the hotel in and it never fully recovered. After that its 700 rooms became more of a place for transients and worse. And I do mean worse.
The Cecil’s best known resident is a chap named Richard Ramirez. You might know him better as the Night Stalker, a serial killer who terrorized the LA/SoCal area in the 1980s. His weapons of choice included everything from guns and knives, to hammers, a tire iron and a machete. A Satanist, he never showed any remorse for his crimes.
Richie made room 1402 his home, where he slept by day, so he could do his thing at night. People said they’d see him coming through the lobby of the Cecil in bloody clothes, which he’d dispose of in their dumpsters. But nobody thought much of it at the time… That’s the kind of laid-back place the Cecil was.
But don’t fret for Richie. Once caught and incarcerated, he had plenty of fans writing him letters, even love letters. Seventy-five letters from Doreen Lioy must have made his heart warm ’cause he proposed and they were married in San Quentin Prison in 1996. (I hope he’s haunting her now.)
A few years after Ramirez was disposed of (he died of cancer in jail), another young man checked into room 1402. Jack Unterweger was an Austrian journalist, who did ride-alongs with the LAPD. That was as good a way as any to scope out his potential targets—he, too, was a serial killer. He wanted to emulate his hero, Richie, which is why he specifically asked for room 1402. Jackie was eventually caught and imprisoned. He hanged himself while in prison. I hope he’s enjoying being united with Ramirez. And I hope both are a little hot these days. John Malkovich portrayed him in stage show called Seduction and Despair. I haven’t seen it, but I’m not despairing about that.
More recently a young tourist from Canada, Elisa Lam, came to LA for a jaunt. She decided to stay at the Cecil, though I can’t fathom why. And soon went missing. Nobody knew what happened to her until one day some other tourists found brown, foul tasting water coming from their sink. To make a long story short, Elisa’s body was found in water tanks on the hotel’s roof and, though her death was ruled an accidental death due to drowning, there’s plenty of people who dispute that. And I’m sure the walls running with blood in The Shining have nothing on the black, foul-smelling bloody water in the infamous Cecil. And that’s for real, not a movie.
These are probably the most well-known people and things that went on there, but the hotel’s history is filled with grisly incidents and stories of ghosts haunting every floor and every room. Today the hotel has been remodeled and rebranded as Stay on Main, a sort of boutique-y hotel, so go ahead and stay there. Ask for room 1402 and enjoy your visit. If you’re lucky you’ll get to go home.
Amazingly enough, I happened to write about the Cecil in my novella, Vortex:
In the bright light of the full moon, the Cecil Hotel cast a sharp shadow across Main Street in downtown L.A., slicing the sidewalk like a double-edged knife. I don’t believe in omens, but if I did, this was not a good one. Some people say the Cecil is haunted, prowled by ghosts. It started life as a way station for business travelers in 1927. Since then it’s been through many changes, from budget hotel to SRO and the residence of serial killer Richard Ramirez, the Nightstalker. A paramedic was stabbed inside the hotel a couple of years ago and a young Canadian woman staying there went missing. When the water started tasting bad and dribbling, instead of flowing, out of the faucets, someone decided to see what was wrong. They found her body in a water tank on the roof of the building. Yeah, the Cecil was a class act. The Cecil was the end-of-the-line hotel—suicide central, with people jumping off its upper floors every other day, or so it seemed at one time. Since it was the end-of-the-line hotel of last resort somehow it seemed to be the perfect place for what I was sure was coming.
~I was also going to talk about the Sharon Tate/Roman Polański house on Cielo (10050 Cielo Drive), where members of Charles Manson’s “family” murdered several people, but Fran Rizer (http://www.sleuthsayers.org/2017/10/not-named.html) beat me to it a week or two ago. So briefly, I used to take people there to see it before it was torn down. For some reason everybody wanted to see that place. I went there many times and never saw a ghost, but who knows…
Marilyn Monroe
Published by Corpus Christi Caller-Times-
photo from Associated Press via Wikimedia Commons
~And last but not least, places haunted by Marilyn Monroe. From what I can tell, she’s just about
everywhere in L.A. Her best-known haunt is probably the Roosevelt (see above), but she’s also known to haunt several other places. There’s been tons of sightings of Norma Jeane at the Roosevelt, everywhere from her former room, to the lobby and even in the Cinegrill restaurant. But the Roosevelt isn’t the only hotel that Marilyn’s ghost hangs out. The Knickerbocker Hotel (1714 Ivar Ave., Hollywood) is another place Marilyn used to hang. She and husband Joltin’ Joe liked to hang at the hotel bar. Her spirit is often seen staring at herself in the vanity of the powder room. And magician Harry Houdini’s widow held séances there for several years, hoping to hear from her departed husband. William Frawley of I Love Lucy, My Three Sons, and many, many movies, fame lived there for many years. Might be a good place to go for a swell scare.
Marilyn Monroe's crypt
photo by Arthur Dark (Own work)
via Wikimedia Commons
~Marilyn’s home (12305 5th Helena Drive, Brentwood, CA) is where her body was discovered after she took an overdose of pills. The house is still there and her ghost has been spotted many times over the years. And her grave, not too far from there, at Westwood Memorial Park (1218 Glendon Ave., Los Angeles, CA) is also where many sightings of her spirit have “materialized.” The Beverly Hilton Hotel (9876 Wilshire Blvd, Beverly Hills, CA) just east of Westwood (I like saying that: ‘east of Westwood’) is supposedly where Marilyn and Bobby Kennedy were thought to have been seen the very night of her suicide. And her ghost is supposedly haunting the suites there to this day. Boy, that’s one ghost that gets around.
So there you are—some of LA’s most famous haunted places. And this is just the tip of the haunted LA iceberg. C’mon to our fair town and get your haunt on. Maybe you’ll see Marilyn’s and JFK’s ghosts cavorting at the Biltmore or hear the howls of pain coming from the Comedy Store’s basement.
And another bonus, the witch’s house in Beverly Hills:
The Spadena House aka "The Witch's House"
photo by Lori Branham
So, do you believe in ghosts now? And what ghosts haunt your fair city?
Mel Blanc's tombstone
Photo by Robert A. Estremo via Wikimedia Commons
That's All Folks!
***
And now for the usual BSP:
Please check out the interview Laura Brennan, writer, producer and consultant, did with me for her podcast, where we talk about everything from Raymond Chandler and John Fante to the time I pulled a gun on the LAPD and lived to tell about it. Find it here: http://destinationmystery.com/episode-52-paul-d-marks/
As usual on Sunday morning, afternoon and evening, I'm wracking (or is it racking or wrecking?) my brain for something cogent to write for my blog article. All you other Sleuthsayers, who have two or three articles already scheduled and two or three emergency articles online, are just too good for me. I envy you all. As I reject one thought after another it occurred to me that maybe I've just written all that my brain file cabinet holds. If it's true that each of us only have so many cells in our bodies before we die then perhaps my brain only has so many words, I've just used them all up already. So I decided I'd share the odds and ends of thoughts that came to me today. None of which could possibly be a full length article. First I thought about cats and dogs. You can kill off any number of people in a book but heaven help you if you kill a dog or a cat. We are all a bit crazy about our pets. Some folks are total dog people. Others are total cat people. And a huge percent are equally in love with both canines and felines. Personally, I love both dogs and cats although I haven't had a dog is over twenty years. It's just easier for me to have cats that I don't have to walk. I know it's good exercise but I don't live in a neighborhood with level ground or sidewalks. Another thought was reading about how several years ago when the color pink - especially the sickly pink of Pepto-Bismol made men feel weakened. Could this calm prisoners down? A couple of commanding Naval officers at a correctional facility in Seattle painted the holding cells a pink color. The name became Baker/Miller Pink, named after the commanding officers. For five months it did seem to work. Soon prisons, visiting teams locker rooms and even housing projects all over the country turned up pink. Did it really work? Probably not. Maybe people just got ill from the color or decided they didn't like it but it soon disappeared. Have any of you ever used color as a calming effect on your bad guy in your book? Another idea. Marriages; is having an affair better than getting a divorce? There are divided thoughts on this from psychologist and psychiatrists. We mystery writers think murder is the quickest solution except the perpetrator must be caught. We all know you just can't GET AWAY with MURDER. Of course, you get away with murder if you come up with a perfect murder plot in your book. I think a few writers have but then along comes, Agatha Christie, or Jack Reacher or Sam Spade who solves the crime. Please let me know if y'all have any thoughts on these odd subjects. And my apologies to Time magazine for any ideas from their pages. Happy Spooky Day
![Mornings in London (The Francis Bacon Mysteries) by [Law, Janice]](https://images-na.ssl-images-amazon.com/images/I/51S2gBwOGgL.jpg)
And then there's Nan. I am so glad she is a major player in this book. I love Nan.
