Showing posts with label travel. Show all posts
Showing posts with label travel. Show all posts

21 October 2024

Goin’ places that I’ve never been, seein’ things I may never see again


 I heard a philosophy professor on the radio, Agnes Callard, who famously wrote a piece for The New Yorker called “Against Travel”.  Her basic premise is that the actual, long-lasting benefits of travel are delusional.  All you’re doing is disturbing the lives of people who speak another language, spoiling the very places you profess to admire, while retaining nothing of any enduring value.  That discussing your travels is a type of virtue-signaling that pleases your ego and bores your listeners

Rarely have I disagreed with a person more than Professor Callard.   She has the right to her

opinion, and her feelings, which are hers and fairly held.  One of my best friends hates traveling.  He’s a brilliant, erudite, accomplished man.  We just don’t share the same convictions on this matter, just as I hated the original “Top Gun”, which he loved, and he heaps scorn on my cherished “Independence Day”. 

Callard maintains that “tourist” is a term you use to describe other people with suitcases who go running around the world, but not yourself.  Fair enough, since tourist is clearly a pejorative, often for good reason.  The assumption is these are people who travel badly: dress like slobs, hog scenic overlooks, yell at shopkeepers as if volume will overcome a language gap, gorge on unhealthy snacks and cheap tchotchkes, and fall off cliffs trying to take shareable selfies.  They clump together in their tour group, rarely mingle with the natives, pine for hometown meals and remain blissfully unaffected by the foreign country’s physical and cultural charms.  They’re dumb jerks over there, which means they’re likely dumb jerks over here, too. 

Asked if she’d give a pass to creative people, such as Gauguin in Tahiti, or Picasso in Paris, Professor Callard grudgingly gave an inch.  The thing is, the question itself is fraught with a certain elitist presumption.   A professional accountant, not encouraged to be overly creative, can be utterly entranced and enriched by visiting a new place.  I know this because my brother-in-law was a partner at Deloitte and Touche and was positively glowing after returning the other day from a cruise around Scandinavia.  He doesn’t have to be transformed into a different person, nor would he expect to be, but he now has a mind that’s fuller and more aware than before he hopped on that boat.

My wife spent a few weeks in Africa on safari in four different countries.  She thinks about it every day, and is always moved by the recollections.  Is she a different person?  Not exactly, but she would say she is more of a person, an expanded version.

Entranced, expanded and intellectually refreshed is how I’ve felt after visiting strange new lands.  Notably Japan, Australia, Alaska and Budapest.  You can only really grasp these places, however superficially, by going there.  Driving around the Australian state  of Victoria, I felt like I’d been dropped onto a different planet.  Vast grasslands punctuated by gigantic Eucalyptus, waves of Kangaroo streaming through the grass at startling speeds, a mountainous rainforest where you half expected a Tyrannosaurus to burst out of the tangled tree limbs and vines. 

You might not care to know that on one side of the River Danube is the city of Buda, and on the other side Pest.  By I do.

My wife and I always make a point of talking to people wherever we go, which mostly means conversations with bartenders, waiters and waitresses, cab drivers, bell hops and store clerks.  But these are people who live in their places, and they have a lot to tell you if you ask.  You don’t have to move in with a family to get the basic lay of the land.  People love talking about their lives and their homes.  You just have to engage. 

For creative people, the benefits of travel are self-evident.  James Joyce moved to Paris (along with Picasso, Dali, Hemingway, Stein, Pound, etc., etc.).  Orwell, John Singer Sargent, Joyce Cary, D.H. Lawrence and artists you’ve never heard of journeyed and lived all over the place.  Critics agree that their art was hugely influenced by the changes in venue.

Brain science can explain some of this.  When you’re in familiar surroundings, your mind can sort of relax and shove many basic mental functions down and away from the most cognitive, and energy consuming, portions of the brain, like the pre-frontal cortex.  When you’re in an entirely new environment, your survival instincts kick in, and you become hypervigilant.  Your brain literally gets extra busy.  You also instinctively compare your immediate experience with the well-known, which has the effect of bringing perspective to your life back home.  This is why James Joyce sat in a room in Paris and wrote about Dublin, why Lawrence wrote about English people in Italian villages and an adobe hut in Mexico. 

I love writing in places where I don’t speak much of the language. I’m in the midst of people having a pleasant time with no danger of being distracted by neighboring conversations.  All I have to say is café Americano et croque monsieur, or cervesa y patatas bravas, and I’m good to go.  I once wrote half a book over less than a week in joints hanging off the cliffsides of Positano.  It just gushed right out of me. 

Faulkner muddled through rarely leaving Oxford, Mississippi, my favorite philosopher Immanuel Kant barely budged from Königsberg, and Emily Dickinson basically never left her room, and they all did fine, though I still think those smart folks should have travelled more.  Dickinson’s poetry might have taken a different trajectory had she consumed a Philly cheese steak or punted on the Cam.  Kant’s belief in the tenuousness of objective reality might have been bolstered by meeting a platypus. 

As with all literary pursuits, there are prosaic travel writers who can recommend great hotels and ticketing hacks, and geniuses who happen to like a good amble.  For that, you can’t do better than Bill Bryson.  Or Paul Theroux, who I think went everywhere on the planet without ever relaxing his keen eye or joie de vivre.  Even Mark Twain, the Innocent Abroad who was anything but. 

Sorry, Professor Callard.  I’m sure you have other fine qualities, but on this issue you’re just dead wrong. 

10 June 2023

Trains of Thought: Train Trip Fails and Foibles


It's June, and your author is out and about traveling. Not by train this year, though trains are my favorite way to get around. In the vacation spirit, I present a few of my train rides that went gloriously wrong and transcended to life experiences.

The Germans Are Coming. And In Song? (2004)

The Flying Scotsman is the famed express service between Edinburgh and London's King's Cross station. The line dates back well over a century in various livery and under prior names. 

In 2004, the route was a round trip, a four-hour dash with a pause for breath in Newcastle, and we took it. Four quick hours and we would be in rainy Edinburgh. We waited in some sort of King's Cross lounge while Great Northern Rail attended to our luggage and wine needs. 

We were gods.

As we boarded, the Flying Scotsman hissed and rumbled in the mysterious way that great trains do. Also boarding, and comprising ninety percent of the passengers, was a horde of German college students loaded with beer and ready to sing their hearts out at Germany-Scotland football match. A straight-up menchenmassen, and already the kids were in strong voice. 

Four hours. It's an eternity when set to foreign chants. 

Chunneling Your Demons (2009)

I've taken the Chunnel a few times, but the first descent is the doozy. Since 1994, the Chunnel has connected the Continent and England via a tunnel carved into the Strait of Dover seabed. You're not underwater. You're underneath seventy-five meters of rock that is underwater. For 38 kilometers of track. Oh, lots of trains and cars are down there with you, which at least means you won't get crushed alone.

You might think a bit before spending extended time under rock that's underwater. I did. Death capsules in the deep dark, I have pause. We left on Belgian Rail out of St. Pancras, and by the time we neared Dover, I was really admiring the landscapes and thinking we ought to skip Brussels and focus on white cliff watching. Two things drove me on. One, pommes frites. There is no food in the world quite like what Belgium crafts. Two, the train was clear of London and had opened the throttle to 225 kilometers per hour. I was chunneling.

Here is the thing, though. One minute I was staring at fields and towns, and the next we eased into a tunnel. It was just a tunnel, with tunnel pipes and tunnel lights. It stayed all tunnel things for a while, and suddenly there was much France outside. I wouldn't call the Chunnel boring or anticlimactic. More like clarifying.

This Guy Could Be a Character (2011)

Here's a trip with short story tendrils. I'd only just tried fiction and was in a true explorer's space. Train travel is perfect for writers. It doesn't swamp you with wait time. There is no TSA line or stowing a laptop for takeoff. From boarding to hearing your stop is next, it's just you and a patterned upholstered seat and hopefully no international soccer matches nearby. A writer can write.

This particular trip was a sweep across Provence. In Aix-en-Provence, we toured the local museum that inspired my first sale to Alfred Hitchcock's Mystery Magazine. In Arles, the famed Mistral wind buffeted me Van Gogh-style into a magic realism story. Before those were polished and submitted, there was what I wrote on those trains, a comic lark about overcrowded bateaux mouche in Paris. I needed a key descriptive feature for a principal character, something to make him pop. Across the aisle was a guy with a Matterhorn nose, large and peaked and textured. That story became my first piece I held in print. And I owe it to hours on rattletrap regional trains. 

The Heavens Have Spoken (2014)

Another great thing about train travel is the time management. Timed correctly and fates permitting, the window from finding the platform (not to be underestimated) to taking that patterned upholstered seat is barely a blip. Even us nervous travelers allow minutes instead of an hour.

Operative words: fates permitting. 

The surname branch of my people goes back to French Lorraine, in and around Metz. In 2014, we were in the neighborhood, Strasbourg, close enough to pay our historical respects. Now looking at a map, Strasbourg to Metz is doable even in a country the size of Texas. Two hours by timetable, and two hours did get us there. 

We should've checked a weather map instead. 

Metz boasts a soaring cathedral and dragon symbols everywhere, and after a lovely day taking that in--sure, we had the usual occasional showers--we headed back for the station. A nightcap in Strasbourg would crown the family mission accomplished. The showers picked up. And picked up. So did the wind. Finally, the heavens unleashed punishment someone apparently had coming. We had monsoons, we had gale force action, and we had zero timetable for any next train in or out of this Mother Nature beatdown.

You don't think clearly in mid-Biblical plague. I was thinking it was just water. I was thinking that even major wind can't lift trains. Let's get home for a schnapps. Nature wasn't thinking that. The longer we disagreed, the more people bunched around waiting for trains that were somewhere blocked by trees or any of obvious issues severe weather means for trains. An end of days feel hung in the air.

When we did drop into bed, no one was pouring nightcaps. Too early. I learned my lesson about random travel elements until...

Can't Get There from Here (2018)

...French rail workers went on strike. A swathe of Southern France was still on the bucket list, and 2018 was the year to taste that wine and slap those mosquitos and ride those white horses. In particular, the castle town of Carcassonne (you might've played the board game) was a setting for one of those early batch short stories. I'd walked the streets only by Google Earth. It was time to use shoe leather. 

We were in Bordeaux, and we had legitimately purchased and conservatively planned for rail tickets for Carcassonne. Texas distances, acts of God. The French rail people assured us that, given their mess of a strike-altered schedule, there were no trains to Carcassonne. Not happening. Simply impossible.

Americans think the French are rude. Wrong. The French are open and generous if you work on their terms. This means that your problems are yours. We know the dynamic, and sure enough, we had fresh options. The French Rail guy could get us to Arles. Our hotel reservations were for Carcassonne, but now destiny shone on Arles. We changed hotel reservations while the train bundled east into the southern mountains and stark Provençal light. 

A Texas-sized time lapse later, the conductor announced that the next stop was Carcassonne. And it was. We stopped there. The doors opened, a big castle loomed amid the mountainscape, and people got off to check it out. We blinked and clutched our luggage. And stayed put. 

No, the French aren't rude. Their assurances, however, might not be literal. 

Pulling Into the Station

It's back to vacation mode. Trains are great ways to see the world and to write about what you're seeing. You're still grounded and experiencing the world as the train pulls you forward. 

There's a river of life metaphor in there somewhere, but why work that hard? Just relax, check the weather forecast, factor in labor conditions, get centered about any long dark spells underground, and enjoy the ride. Maybe the dining car has good wine, or maybe you can borrow a beer from some German kid.

01 December 2021

Greece is the Word


 


 In October my wife and I took a trip of Greece.  To be exact we toured the Peloponnese with 10 other adventurers and two guides.  Had a great time.  I want to tell you a few things about the trip from a writer's point of view.

One point that kept recurring was the influence classical Greece had on our culture, and especially our language.

Take for instance, the stoa, which is a roofed colonnade.  For those of us who are architecturally illiterate, that means a wall-less roof supported by columns.  Nice public building for hot climates.

Corinth 

There was one in classical Athens called the Royal Stoa and a group of philosophers hung around there so often that the name of the place was hung on them: the Stoics.  And that's where we get the word.

Leaving Athens for the Peloponnese peninsula you have to cross a narrow strip of land where Corinth was located, and on it you will find a place called Isthmia.  Which is why a narrow strip of land connecting two larger parts is called an isthmus.

Sparta Museum


In the peninsula you come to Sparta, whose residents were well-known for their no-frills lifestyle.  In other words, the Spartans led a spartan existence.  

They were also famously stingy with words. (They even sent the first TL:DR message.  Another city sent a long letter asking for their help in a war and the Spartans replied that the missive was too long to read; send something shorter.)  Sparta is in the Laconia region, which is why we describe people who don't talk much as laconic.

See the pattern?  I could add marathon but we didn't visit that site.

On a different but related note:  When we visited the Acropolis we passed the Theatre of Dionysus and our tour guide casually pointed out that this was the theatre.  It took me a moment to grasp what she meant.


Oedipus Rex
premiered here.  The Oresteia had its opening night (well, afternoon) on this spot.  Athenians sat on these stone seats to watch Lysistrata, Aristophanes' satire on sex and war.

In other words, everything the Western world thinks of as drama started in this very space.  Made me shiver.

It is interesting to remember that those drama festivals were competitions.  Each year the man who paid for the production of the winning play would put up a monument boasting of the fact.  Unfortunately for scholars all that was included was the man's name and the year.  Petty details like the author and title of the play were not deemed important enough to mention.  It seems like theatrical producers haven't changed much in 2,500 years.

Let's move on to another topic we love: Crime!  Fortunately, we did not experience any on our trip, except...  In Athens I saw something I never expected to witness in real life.  On a busy pedestrian walk there was a young man with a small table on a high stand.  On the table were three cups.

It was the shell game, live and in person!  The thimblerig has been recorded all the way back to  ancient Greece, and here it was in allegedly modern times.

If we hadn't been with a group I would have walked closer for  a better view, with my hand firmly on my wallet - not because I would have been tempted to bet, but because pickpockets love to orbit these scams.  

And speaking of crime, the photo on the right shows the street (?) in Nafplio where our 17th century hotel was located.  Before you reach it you pass a church with a plaque commemorating Ioannis Kapodistria, the first head of independent Greece, who was assassinated there in 1831.


Which reminds me... Jeffrey Siger is an American crime writer who spends part of the year in Greece and writes about an Athenian police detective.  (He has also written for SleuthSayers.) I told him about our itinerary and asked which of his novels we should read for background.  He recommended Sons of Sparta, which is set in the Mani (and I recommend it too).  

There are three little peninsulas at the south end of the Peloponnese and the Mani is the middle finger, geographically and also figuratively, you might say.  It has a certain reputation. When we arrived in the Maniot town of Areopoli, one of our tour guides solemnly told us: "The Mani is famous for vendettas, so please be very polite.  We don't want to start any blood feuds."  But our other guide replied: "You are being more than usually stupid."  So take that with a grain of salt.

But maybe not too much salt.  The statue you see here was right in front of our hotel in Areopoli. It commemorates Petrobey Mavromichalis, the Maniot who started the Greek War of Independence.  Ten years later, his brother and nephew were the very men who assassinated Kapodistria in Nafplio.

Interesting place, the Mani...



07 September 2021

Maps


author Mark Thielman
Mark Thielman

     When my wife and I got married 30+ years ago, our friend Kathy gave us the Complete Atlas of the World as a wedding present. The book is an oversized coffee table volume with a jet-black cover. The blue marble of the world as seen from space adorns the front. It was intended as a metaphor for our new life. Kathy challenged us to explore and to dream of the places we'd go. We thought it was a cool gift at the time. We still do.

    What's interesting about pulling out that old atlas now is to see the changes written across the pages. The book seems heavy, fixed, and permanent. But there on page 50 is the Union of Soviet Socialist Republics, one solid band of unified color spanning a huge piece of Eurasia. Or on page 98, the Africa map with its hard, unchanging boundaries for Ethiopia and Sudan. I could go on but you get the idea.

atlas

    I've been thinking a great deal about travel lately. This was supposed to be my first SleuthSayers blog after Bouchercon. I had assumed I'd jot down some observations about the conference, congratulate the winners, reference the people I'd been able to meet in person, and intersperse those thoughts with the smells, tastes, sights, and sounds of New Orleans. That blog will have to be postponed until after the 2022 conference in Minneapolis. (I anticipate different tastes and smells.)

    I've been looking forward to traveling. I've missed waking up someplace different, knocking about exploring and discovering. I've missed seeing sights and trying foods. A couple of weeks ago in this blog, Robert Lopresti mentioned a bit of a conversation he overheard at a previous Bouchercon. Those lines made their way into a story. Let me add that to the list. I've missed collecting dialogue souvenirs. Not only have I missed going away, but I've also missed returning home to my familiar, and the simple joy of knowing where the things I use to construct my daily life are located.

    Although my wife and I haven't been hermits since the COVID onset, we have limited our venturing out to new places. The question, "where should we go?" as often as not has been replaced by "should we go?" Although the answer has sometimes been yes, spontaneity has seen an additional hurdle placed in its path.

AHMM

    The September/October issue of Alfred Hitchcock Mystery Magazine includes my story, "The Map Dot Murder." The tale is set in a small west Texas town. The high school's social studies teacher is murdered. His classroom is map festooned. Yet, most of the town's inhabitants are people who haven't gone anywhere. They've lived their lives within the town's boundaries. Some residents like it that way. Others resent it. A few have never bothered to think that they might have options.

    Just as I should have been finalizing my plans for Bouchercon– circling topics on the schedule of events, composing snappy answers to questions for my panel, and sending final emails to arrange get-togethers– comes my story about staying put. You know the timeline for stories. Tapping out the story on your keyboard takes a while. Rewrites, edits, and polishing add some more time. Then you send it off, drumming your fingers while waiting for an acceptance email. Finally, the movement to publication requires another chunk of time.

    The story should have come out as I was preparing to travel. Instead, it was published as I was sitting at home, folding my map from the journey I didn't take. Like the Complete Atlas of the World, perhaps it serves as a reminder about the illusion of fixedness.

    I hope you enjoy the story. And, whether you're at home or on the road, stay safe.

    Until next time.

woof

09 April 2021

A Sense of Place


 I've probably made it clear - perhaps too clear - I'm a big fan of setting. A lot of times, many of the stories I've written came from traveling. In a former life, I made the trip from Cincinnati to Hilton Head. There were two routes, one I considered the scenic route. It went through Virginia and West Virginia, using US 52 (the source of a few Wile E. Coyote memes for the rock slides over by Portsmouth, Ohio) to return home. The bulk of this route is on I-77, which begins in Cleveland. Because of its proximity to Hilton Head, the trip down often included side trips to Savannah, Georgia. And Savannah fascinated me.

It resulted in Road Rules, a road trip caper that follows two high school friends as they attempt to deliver a collectible Cadillac to Miami. The final third of the novel takes place in Savannah, which makes a beautiful place for everything to go to hell.

All this from a handful of trips south and back.

It didn't stop there. I published three short stories about an ex-convict adopting a false identity and trying to make a new life as a restaurateur. His own past and the past of his mentor and former cellmate come back to violently upend his new life. But the prison take wasn't the inspiration. No, in 2007, I took two business trips to San Francisco and fell in love with the city. I stayed out in Walnut Creek (not far, I learned, from the home of one member of Metallica) and traveled into the city over weekends and on the day before I left. It was amazing, and I needed a way to put the city into a story. Eventually, I hit on the owner of a biker-themed bar looking to turn it into a chain only to have violent men from his or his cellmate's past come after him. Walnut Creek is not the most spectacular suburb in the Bay Area, but I managed not only to tie in a nearby park, but reference Altamont Speedway, the sight of the disastrous 1969 music festival shown in the movie Gimme Shelter

Has it stopped?

Oh, no.In 2019, my family went out west. My wife and stepson did the Route 66 trip they always wanted. I flew out to San Fran to meet them, then rented a car to drive back to Cincy. I wanted to drive across the country myself, with a detour south to Vegas.  The trip took me into worlds I did not know existed. The Sierras of California are not the Bay Area. It reminded me of some parts of West Virginia with much taller mountains. And peacocks. The town we stopped in for lunch swarmed with peacocks. Nevada, once you get past Reno, is almost an alien landscape: Scrub desert with old mining towns, some of which should have become ghost towns. A miscalculation had us driving 9 hours from Reno to Vegas instead of the six I thought it was. However, at night, Nevada becomes even stranger. I nearly hit a wild ass - I'm used to deer in Ohio - and saw the big empty that is the edge of Area 51. Vegas makes New York City at night look sleepy. Plus, as my stepson pointed out, we saw, um, workers in the intimate arts coming off a hard day's night.

Utah is the most gorgeous state I've ever been to. Wyoming is all ranches and oil fields, and we ended up so high into the Rockies that, on June 3, we drove past six foot snow packs. And life is different in these areas. Nevada is as close to the old frontier as you can get. Salt Lake City is monumentally chill. Wyoming offered us roughnecks, ranches, trains that stretched into the distance, and majestic mountains. 

And it became clear to us as we drove into Denver that the real dividing line between east and west is not the Mississippi. It's the Continental Divide. Denver, despite being a mile up and framed by peaks that are part of the sky, more resembles the cities of the east than it does places like Vegas or Salt Lake or Laramie. And there are a wealth of stories to be told from that trip alone.

Nor is this the end. Our first post-pandemic vacation this summer will be a drive through New England. The main stops, after a night in Niagara Falls, will be Lake Champlain and two nights in Bar Harbor, Maine. Along the way, the countryside will more resemble Stephen King's fictional western Maine than the industrial Midwest where I live. The accents, the food, and the layouts of towns will all change as we head east, then slowly back west from Hartford, CT to home. Will there be story fodder there?

Boy howdy!

09 June 2020

Some thoughts on the short-story-related Anthony Award nominations


While we talk about many things that are writing related here at SleuthSayers (and many things that aren't), our primary focus is crime short fiction. So it's wonderful timing that today, a few hours before I sat down to write this column, the Anthony Award nominations were announced, including for best short story and best anthology/collection published last year.

I'm not going to write long today because I'd rather you take some time to read one of the nominated anthologies or short stories. But I do want to say a few things:

First, thank you to all of the authors who heard about my crazy idea to do a cross-genre anthology, mashing crime with time travel, and submitted stories for Crime Travel back in 2018. (Crime Travel was among the nominated anthologies.) I could only accept fourteen stories (plus one of my own). I wish I could have taken more.

Thank you to everyone who has congratulated me today. I love the camaraderie of our industry. This nomination belongs to the authors in Crime Travel as much as it does to me, and I applaud them.

Congratulations to my fellow SleuthSayers Michael Bracken (whose The Eyes of Texas: Private Investigators from the Panhandle to the Piney Woods was nominated for best anthology) and Art Taylor, who is up twice (!) in the short-story category, once for "Better Days," which appeared in the May/June 2019 issue of Ellery Queen's Mystery Magazine, and once for "Hard Return," which I was proud to include in Crime Travel. I'm so proud of you both!

I'd edited anthologies before Crime Travel, but this was the first time I chose the stories. It was a daunting task. One thing I learned from doing it is that while stories about a theme can be wide-ranging, in different sub-genres with varying approaches to storytelling, the best stories--at least to me--are the ones that touch you. The ones that have heart. And I hope that the nomination for Crime Travel today means that the stories in this book touched a lot of readers just as they did me. Thank you to everyone who read it and nominated it.

So, without further ado, here are this year's nominees for the Anthony Award in the best short-story category and the best anthology category. I hope you'll pick up one of them (or all of them).

BEST SHORT STORY
“Turistas,” by Hector Acosta (appearing in ¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico)
“Unforgiven,” by Hilary Davidson (appearing in Murder a-Go-Gos: Crime Fiction Inspired by the Music of the Go-Gos)
“The Red Zone,” by Alex Segura (appearing in ¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico)
“Better Days,” by Art Taylor (appearing in Ellery Queen's Mystery Magazine, May/June 2019)
“Hard Return,” by Art Taylor (appearing in Crime Travel)

BEST ANTHOLOGY OR COLLECTION
The Eyes of Texas: Private Investigators from the Panhandle to the Piney Woods, edited by Michael Bracken (Down & Out Books)
¡Pa’que Tu Lo Sepas!: Stories to Benefit the People of Puerto Rico, edited by Angel Luis Colón (Down & Out Books)
Crime Travel, edited by Barb Goffman (Wildside Press)
Malice Domestic 14: Mystery Most Edible, edited by Verena Rose, Rita Owen, and Shawn Reilly Simmons (Wildside Press)
Murder a-Go-Go’s: Crime Fiction Inspired by the Music of the Go-Go’s, edited by Holly West (Down & Out Books)

Happy reading!

04 February 2020

Words you think are synonyms--but they're not!


Are there some word choices that drive you nuts? Or should that be crazy?

English is full of synonyms. And it's full of words that many people think are synonymous but actually aren't. For the sake of language purists out there, I'm going to touch on some of these words that often are used interchangeably but shouldn't be.



Eager versus Anxious

Anxious has anxiety wound up in it. (Notice the first four letters in both words are the same!) If you are anxious about something that may happen or that will happen, you are worried about it. Eager, in contrast, has a positive connotation. If you are eager for something to happen, you are ... well, eager. Looking forward to it. So if you lost a tooth and know the tooth fairy always brings you a tidy sum, you are eager for the morning to come so you can check under your pillow. But if you are afraid of the dentist and need to have a tooth pulled, you are anxious about your upcoming appointment.

Convince versus Persuade

The difference here is subtle. You persuade someone else to do something. You convince someone that something is true. Persuade has an action element to it. Convince doesn't. So just remember: persuade to versus convince that. Example: I persuaded the love of my life to marry me by convincing him that I was the best thing that ever happened to him.

Currently versus Presently

Currently means something is happening right now. Presently means something is about to happen. I understand why people think these words are synonyms. The word presently sure sounds like it should mean in the present, but it doesn't. Example 1: Currently I am typing. I am about to finish this paragraph, and presently I'll begin the next one. Example 2: When a plane is a minute from landing, it currently is in the air but presently it will be landing.

Momentarily versus In a Moment

Momentarily addresses how long something is going to happen--for a moment. The term in a moment addresses when something is going to happen. Example 1: In a moment I'm going to pause momentarily (i.e., for a moment) to take a drink of water. Example 2: The terminally ill man may die in a moment or any moment now. But he's not going to die momentarily unless you expect he'll die and then come back to life soon after.

Historic versus Historical

If something is historic, it has importance in history. If something is historical, it happened in an earlier period of history. The election of the first female president of the United States will be historic. The mystery novel set in the year 1900 is considered historical.

Do you have any words you often see used as synonyms that shouldn't be? Please share in the comments.

And a little BSP:

I'm delighted that my short story "Alex's Choice" has been nominated for the Agatha Award this year. The story appeared in the anthology Crime Travel. You can read it on my website by clicking here. I'm nominated along with some fine writers: Kaye George, Cynthia Kuhn, Shawn Reilly Simmons, and fellow SleuthSayer Art Taylor. The attendees of the Malice Domestic convention will vote on the winner during the convention in May. Links to all the nominated stories are available on the Malice website, which you can reach by clicking here. Then scroll down to the story titles.

24 December 2019

My Secret About "Alex's Choice"


This column is about my newly published short story "Alex's Choice" in the anthology Crime Travel. If you plan to read the story, I recommend you do so first before proceeding here. What I'm about to reveal isn't a plot spoiler but it may impact your reading experience.

Okay. Let's get started. (And if you just read the story, I hope you liked it!)

When you start writing a short story or novel, you have some basic decisions to make. Who will my main character be? What will this person's name be? Job and hobbies if relevant? Appearance? What journey will the character face? And perhaps one of the biggest questions, what will the character's gender be? Maybe that question shouldn't be important, but it is, as it can (though it doesn't have to) affect so much in how a story is told.

It's a decision I've made for the main characters as well as the minor ones in all of my stories, except for one. When I wrote my story "Alex's Choice" (published earlier this month in the crime/time-travel anthology Crime Travel), I purposely chose not to make that decision for the title character. I chose the name Alex because it was the most gender-neutral name I could think of. Alex could be short for Alexander or Alexandra, for Alexi or Alexa or Alexis. Or the name might not be a nickname at all. I polled Facebook friends, asking if they thought someone named Alex would be a boy or girl with no other clues. For those who hazarded a guess, the results were pretty evenly split. So is Alex in my story a twelve-year-old boy or girl or perhaps even nonbinary? I never tell you. The answer is up to the reader.

Actually, I wrote the story hoping the reader would not consciously make that decision. Given that the name could be viewed as male or female, I hoped it would lead each reader to assume--without realizing it--that Alex is of the same gender as that reader. That was important because I wanted readers to remember stories they read as a child, fantasies or adventures that swept them away, and to get that same feel from this story. By not telling the reader Alex's gender, I allowed every reader to identify with Alex and perhaps picture themselves as Alex. At least I hope I did.

While I've done no research on this, I'd guess my decision not to tell the reader Alex's gender is similar to the gender-neutral approach to the Choose Your Own Adventure books popular when I was a kid. "You" were the main character, as I recall. The books were oriented toward every child. The main character's gender was never mentioned, likely because the author and publisher wanted every child to be able to see themselves as that character and go on that adventure. (Illustrations in some the books unfortunately depicted the main character as a boy, but I believe the stories themselves never did that.)

This no-gender-mentioned approach added challenges to the writing process. For instance, when talking about toys Alex had when younger, as well as activities Alex enjoys now, I chose things that I hoped readers wouldn't  associate as male or female. This was important because, while boys can play with dolls and girls can play with action figures, for some readers, a reference to dolls will automatically make that reader think the character is a girl, and a reference to action figures will automatically make the reader think the character is a boy.

One choice I made that made the writing process a little easier was telling the story in first person. I didn't have to avoid using pronouns in reference to Alex.

Of course I'm not the only writer to have ever written about characters' whose genders are ambiguous throughout the entire tale. Most such novels and stories, it seems, have been penned in the science fiction realm. As for crime fiction, my research has turned up the Detective Hilary Tamar four-novel series by the late Sarah Caudwell. Tamar's gender is never revealed in any of the books. In Steven Rigolosi's novel Androgynous Murder House Party, the author never reveals the gender of any of the seven main characters in the book. He hints near the end about some of their genders, but they are only hints. And Louise Penny has a character in two of her books, Bean, whose gender is never revealed.

So now you know a big secret about "Alex's Choice." If you read the story before you read this column, did it work--did you picture yourself as Alex? Did you assume Alex was the same gender as you? I'd also love to know if you've read any of the other books/authors I've mentioned above. If so, did not knowing the characters' gender affect the reading process and your enjoyment of the works?

And if you're now intrigued and are dying to buy Crime Travel or are at least thinking about it, here's some helpful information. It has fifteen short stories. The authors with stories in the book are: Melissa H. Blaine, James Blakey, Michael Bracken, Anna Castle, Brendan DuBois, David Dean, John M. Floyd, Heidi Hunter, Eleanor Cawood Jones, Adam Meyer, Barbara Monajem, Korina Moss, Art Taylor, Cathy Wiley, and, of course, me. We've had some solid reviews. To find them, just Google Crime Travel and my name. (I edited the book.) The anthology is available in trade paperback and ebook. (A hardcover version is coming but hasn't been shipped from the printer yet.) You can buy Crime Travel from the usual online sources. Indie bookstore Mystery Loves Company in Oxford, Maryland, also has copies they are happy to mail to you.

I wish you a wonderful holiday season and new year. And happy reading!

05 May 2019

You'll get yourself killed!


Sint Maarten

About a hundred dog-years ago I visited Sint Maarten, the Dutch half of Saint Martin of the now-dissolved Nederland Antilles. Another couple had attached themselves to me. Unfortunately they were condescending, complaining, and often rude. Fed up, I ventured off on my own. Deeply provoked I dared leave their august company, they shouted after me, “You’ll get yourself killed!”

St. Martin hadn’t yet experienced the gargantuan resorts, the huge hotels, the star-rated restaurants. Its infrastructure consisted of single lane dirt roads meandering among pastures and groves. I loved it.

I came upon a goatling caught in a fence. As I knelt to untangle it, a young girl on a bicycle and then a man and woman stopped to watch. I lifted the goat free and set it over the fence.

“Come,” they said. “Come to our house. Would you like juice, tea?”

Their walls were constructed of foot-thick adobe. They explained its hard-packed ‘mud’, so to speak, kept the interior cool. The front door was a curtain. Except for tourists, the island experienced virtually no crime, so no need for locks. Their kindness dissuaded me from murdering that horribly unlikable couple.



After reading David’s and Eve’s recent articles about traveling, I told my friend Darlene I always knew I wanted to travel although I didn’t know how I’d pull it off. Fortunately consulting provided the ways and means.

David’s love song to Paris reminded me of my much later visit to the city, one that RT Lawton also knows well. It’s a city of light and delight, but some people…



France

In Paris you can send out for cous-cous just like you order pizza. Cous-cous, made from bulgar wheat– the same ingredient in pasta– has a vaguely rice-like texture. Like rice, you top it by selecting a variety of vegetables, meats, and sauces.

“Don’t order in,” I said. “Let’s go out. Let’s visit the restaurant.”

My French friend Micheline agreed, but my colleague James reacted in horror. “You can’t!” he said. "Not at night! Algerians roam the streets and, and Moroccans, and, and Iranians! I read about these foreign hooligans in a magazine.” (The tabloid News of the World, published by Rupert Murdoch.) He finished with, “You’ll get yourself killed!”

He didn’t like cous-cous either, so Micheline and I left him to his own devices as we enjoyed dinner.



Darlene laughed. “I get the feeling those aren’t isolated incidents.”



Barbados

So in Barbados– I love Barbados– my shoe ruptured like a flattened tire. Barbados is 2800 kilometers from Orlando, 1500 nautical miles, maybe 1750 land miles. I needed options. Bridgetown houses a basket market and gimmicks and gadgets for tourists, but not a repair shop, not for tourists. A few questionings later, I learned of a local cobbler.

“I’ll send a bellboy,” said the hotel concierge. “Don’t try it yourself,”

“Why?”

“Well, it’s off the beaten path.”

A hanger-on, Miss Transparent Swimsuit, interrupted. Days earlier, Miss TS discovered her white swimsuit turned invisible when wet. The beach bars and about half the island became aware of this fact when she waded from the water like Venus on her seashell. No one looked until she shrieked, flapped her hands, jumped voluptuously up and down, a fascinating study in the physics of motion dynamics. Subsequently, she decided none of the hotel shop’s bathing costumes quite fit. She continued to bathe in the bay. As other women rolled their eyes, she’d emerge and suddenly rediscover the optics of her wet swimsuit hadn’t changed, thus the name, Miss Transparent Swimsuit. Anyway, she interrupted the concierge.

“Is it dangerous? Finding the shoe guy?”

“Well…”

“Don’t go,” she said firmly, leaning very close. “You’ll get yourself killed.”

If my girlfriend caught another woman’s hand resting on my upper thigh, I could certainly get myself killed. There’s danger and then there’s DANGER.

From the basket market, I left the pavement and strolled up a shady street. Women in their tiny gardens gave me a curious glance. A dog on a doorstep kept an eye on me.

I found the repairman without difficulty. The front of his house extended to shelter his workspace. No need for a signboard when your activity advertised your business.

He looked over my ripped shoe. “Did you bring the other?” he asked.

I had. He studied it.

“Come back in two hours,” he said.

I cut over to another street to see more of the village. After lunch, to the clucks and head-shaking of Miss Transparent Swimsuit and the hotel staff, I revisited the shoe man with my girlfriend.

Not only had the repairman resoled my broken shoe, he’d resoled the other as well.

“Only a matter of time,” he said, “no extra charge. Is two dollars too much?”

I squatted down eye level where he sat.

I said, “I’m not rich, but at home, I would pay much more. I don’t want to offend you, but would you allow me to pay at least a portion I would pay at home?”

He nodded and we shook hands. My girlfriend, a teacher, asked about schools and he directed us to one where we visited a classroom. We felt welcomed.

Miss Transparent Swimsuit represented the only peril. I knew how not to get myself killed.



We North Americans fear the unfamiliar. That’s the main reason I despise the Atlantis resort on Paradise Island.

Darlene said, “Why is that? Don’t they provide hundreds of jobs?”

“Thousands, they claim.”



Bahamas

In the days before the Atlantis, tourists walked the streets of Bridgetown, dining on vegetables or meats wrapped in banana leaves. From little shops you could buy seafood, seashells, deep sea gear, and sea inspired art. Now, instead of the Welcome to Nassau signage, they might as well erect “Dare to visit” signs.

Now, the moment a plane lands or a cruise ship anchors off Nassau, water taxis rush in. Before precious DKNYs touch native soil, the shuttles snatch up travelers with money falling from their pockets and rush them to Paradise Island for surgical removal.

Money and investment have made it possible to visit the Bahamas without actually visiting the Bahamas. Head into town on your own, and cruise directors shout, “You’ll get yourself killed.”

Once upon a time in the Caribbean, locals rode colorful jitneys. I learned about them from my grandmother, these decorated minibus coaches done up with rhinestones and mirrors, carvings and colors, perhaps a boombox and more tassels than a Baha Mar topless floor show.

On a trip, one of my traveling companions demanded steak for dinner. Imagine, we’re surrounded by the ocean’s bountiful, beautiful seafood, and one landlubber insists on dead cow flown in from far-away freakin’ Florida.

“Fine,” I said. “We’re taking the jitney.”

Jaws dropped. “You… You can’t do that. Only the dark…” (our  black waitress rolled her eyes) “er, locals after dark, I mean, by natives, see. Tourists can’t ride them.”

“Go ahead, say it,” I said. “You’ll get yourself killed.”

Our waitress, with more aplomb than a table full of half inebriated tourists, explained anyone can pay 50¢ and can go anywhere without getting killed.

The steak turned out… not so good.

Venezuela

Speaking of steak… (I’ll get there eventually), I found myself in La Guaira, Venezuela, the seaport serving Caracas. Tourists boarded buses into the city, but I heard about the teleférico, a cable car that soared over the mountain into the capital. Tourists frowned at me.

“How do I find it?” I asked.

“Motor coach or taxi,” said the man hawking a tour bus.

A Hispanic woman quietly said, “Take the autobus. It better.”

The gringos rolled their eyes, fully expecting to see my body in the news.

On board, bus passengers smiled. I took an empty seat near the woman who first advised me. After a few minutes driving, someone double-clapped their hands. The bus stopped and let the passenger off.

We drove again. Another passenger double-clapped and more people disembarked.

The woman who suggested the bus pointed to the pull cable, normally used to signal the driver.

“Vandals thought it clever to cut the cables. Now we clap. It works.”

At the teleférico station, we climbed aboard.

The car lifted off. We rose into the sky.

The jungle below unfolded in beauty. We sailed over tropical forest and waterfalls.

Eventually the car pulled to a platform and stopped. Confused, I looked around, seeing only mists and jungle. The woman nudged me.

“Only first third of trip,” she said. “Here comes another car to take you to the peak. At the summit, take another car down into the city.”

Part two of the aerial adventure proved more beautiful than the first. The jungle below has since been designated El Ávila National Park.

From a natural beauty standpoint, the descent into Caracas proved anticlimactic. I ambled through the city. At a lunch counter, I ate damn good beefsteak that would make a gaucho proud.

A woman in a post card stall complained. “Stupid city. Yesterday I rode that tram car all the way to the top. Such a waste, all fog and stupid clouds. Why can’t they do something about that?”

“You’re lucky,” I said knowingly. “You could have got yourself killed.”

“Really?” Her face lit up. “I didn’t know that, and here I am, all safe and sound. Wait until I tell Myra.”

I live to please.

Iceland

When I announced plans to visit Iceland, friends advised the usual. “It’s frickin’ Iceland. What part of ‘ice’ don’t you understand? You’ll get yourself killed. Hey, it could happen.”

Joined by a French journalist, we landed in Keflavik (now Reykjanesbær) hours ahead of the worst blizzard in recorded history. Far-away friends surely believed I’d done it this time.

If Icelanders know anything, it’s ice, cold, and snow. Coming from Minnesota, I’d worn my insulated boots and goose-down parka, so the century’s worst blizzard wasn’t particularly distressing for me. The worst deprivation was having to live on German wines and caviar, considerably cheaper than hamburger. Seafood… Did I mention I love fish? Worst hazard: I risked overeating.



Folks, we’re not talking about wandering through Iraq, Sudan, or Yemen in search of ISIS Daesh. As far as I can tell, Americans believe the rest of the world lurks in dark alleys, waiting for tourists where tourists never go… or something like that.

In the interest of full disclosure, I was once held at knifepoint and another time at gunpoint. That threat happened in… the United States of America. The latter incident occurred here in Orlando. That's a story already told.



USA

Perhaps the saddest incident began after delivering my car to a dealership for servicing. The shop provided a minibus to pick up customers and deliver them to and from. I received the call to pick up my car right at 5pm. Orlando’s Lee Road is no joy during rush hour, but that day an accident on Interstate-4 choked the six-lane thoroughfare.

As the expected ten-minute drive stretched toward infinity, the shuttle driver announced he’d have to pull over and park for the next two hours. He might not be able to deliver us before the shop closed.

“Nonsense,” I said. “Take Kennedy Boulevard.”

A man on the bus said, “Doesn’t that run through Eatonville?”

The sole woman on the bus blanched.

The town of Eatonville, home of famed author Zora Neale Hurston, bills itself as America’s oldest black community. It’s a pretty little town if you’re not fearful of getting yourself killed.

The driver said, “You know the way?”

“Of course.”

The woman started to say, “You’ll get us all k-k-k-…”

“If you know the roads,” said the driver. “Let’s do it.”

The lady flew into action, mobilizing other passengers. “The windows, raise all the windows. Driver, lock the door. And you, don’t you dare roll your eyes.”

With the help of the other three guys, the lady battened down the hatches. They seemed as much excited as fearful, daring to adventure into deepest African-America.

The driver followed Edgewater Drive to Kennedy and swung right. We passed barbecue and crab restaurants, a clinic, stores, and a repair shop. Above us at the I-4 overpass, sirens whooped as ambulances, police, tow-trucks, and fire engines struggled through traffic.

As we entered Eatonville’s town center, our passengers stared in awe, apparently surprised we weren’t assailed by by crack-pushin’ gang-bangers waving Glock 9 knockoffs. Traffic came to a standstill from commuters who’d thought of the same escape route.

“Turn right,” I said.

“No!” said the woman. “Where are you taking us?”

“This side street and a left will bring us out right at the dealership.”

After double-checking the windows, the lady– I swear this is true– pressed her face against the glass to see what might be seen. Possibly she expected rap artists gunning down one another on the back alleys. To the surprise of many, we made it without a single Mad Max style takedown.

That evening at the dinner table, I’m convinced fellow travellers told trembling tales of the idiot risk-taker who directed them through darkest Eatonville.

“That fool! That crazy fool. He almost got ourselves killed!”

Eatonville, Florida
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