Nelson DeMille

I wanted to put in my own two cents about Nelson DeMille, after Joe Finder’s warm personal appreciation last week on Facebook, and John Floyd’s recent SleuthSayers piece, about DeMille’s influence and inspiration. I have two favorites among DeMille’s books, Up Country and The Charm School, for quite different reasons, so here goes. Up Country came out in 2002. It’s the book that sends us back to Viet Nam. If you didn’t know, DeMille served as a platoon leader with the 1st Cav, during the Tet Offensive in 1968. I don’t, in all honesty, think Up Country is that successful as a novel, it seems both languorous and contrived, but there are many vivid moments of striking emotional transparency, when the hero, Brenner, or another American vet on the reunion tour (so to speak), are overcome by memories of what they experienced in their previous combat tour. They make a stop at Cu Chi, in one scene, and go down into the tunnels. Brenner comes back up, and there’s a guy – an American, a former GI – sitting in the dirt, pale and shaking, with the cold sweats, and he hasn’t even gone into the tunnels. Just the thought of it is enough to give him a panic attack. You know that the former platoon leader went to Viet Nam, this time as a tourist, to see what it was like, now, and to see how he felt, and you know that things like this happened, while he was there. We can’t complain that a writer didn’t write the book we wish he had, we all know we write the book only we can write, and we write the only book we can. All the same, I still wish Nelson had written this, not as a novel, but as a memory piece, Viet Nam in his mind’s eye. The Charm School is a very different kettle of fish. It, too, has a Viet Nam connection – see below, spoiler alert – and it came out in 1988, when the fall of Saigon, thirteen years before, was a living memory, and an embarrassment. This, actually, makes up a part of our response to the novel, or certainly, part of my response to the novel. I have to give you a notion of the major plot hook, here, and if you haven’t read The Charm School, skip this next part. One of the chief rewards of the book is its reveal, the measured release, easing the tension off the line, and taking up the slack, but by then you’ve already swallowed the lure. Anyway, the basic idea is that the Russians have built a fake American suburban community, to train sleeper agents. Everybody speaks English, they dress in khakis and button-downs, they shoot hoops in the driveway. But the kicker is that the core role models for these deep-cover agents are American POW’s, captured by the North Vietnamese but then shipped off to the Soviet gulag. So, take a step back. First off, the late 1980’s. Me personally, I always thought the whole POW/MIA thing was a lot of hooey. It’s a fake controversy drummed up to satisfy American vanity, the premise of a couple or three very bad Chuck Norris pictures, that struck a resonant nerve in our domestic grievance politics. I’d call it some kind of mental illness, in fact, to believe we didn’t lose in Viet Nam. It’s also racist. How could a bunch of bandy-legged gooks in black pyjamas beat the strongest military power in the world? Well, the answer is, they didn’t: here’s Chuck, come back to kick their ass. We’ve invented an alternate reality, where history is negotiable, and the loudest voices crowd out the rest. I don’t where DeMille himself stood on this, but I’m guessing he’d be of the same mind I am. The point, on the other hand, is that he took a far-fetched premise - not just preposterous, but politically repellent – and made it utterly convincing. You don’t have to go one way or the other on the MIA question, once you step inside the reality of the book, it all follows inexorably. The Charm School is flat-out one of the best thrillers I’ve ever read, in spite of my not wanting to believe a word of it. I’m sorry you left us, Nelson. May the road rise up to meet you.

The Charge of the Light Brigade (1968)

I saw Tony Richardson’s Charge of the Light Brigade in London, the year it came out, and was enormously impressed.  (Apparently the U.S. release was cut by some six minutes, and the DVD is missing that footage.)  Watching the picture again – has it really been fifty years? – I recognize its strengths and weaknesses, but I think I gave it more credit than it was due, at the time.

 

For example, what is Vanessa Redgrave doing in the movie?  She was big box office, after Blow-Up and Camelot, but her character in Light Brigade is a superfluous distraction.  She sleeps with her husband’s best friend, but other than demonstrating the impenetrable superficiality of the ruling classes, it has no dramatic purpose.  For another, they don’t manage to make it entirely clear why Cardigan leads the Light up the wrong valley, and charges directly into the Russian cannon, instead of flanking them – which leaves a pretty big hole in its pretense to historical accuracy.

 

That being said, the movie has wonderful virtues.  The production design, which conjures up the dense ecosystems of David Lean’s postwar Dickens adaptions, and the cinematography by David Watkin, he of Robin and Marian, Chariots of Fire, and Night Falls on Manhattan.  But chiefly, the inspired casting.  Some of the actors weren’t even Richardson’s original choices – amazingly, Trevor Howard as Lord Cardigan, a part Richardson offered to Rex Harrison.  No disrespect to Rex, but seriously?  In a career that includes Brief Encounter, The Third Man, The Roots of Heaven, and Sons and Lovers, watching Howard chew on his mustaches in this performance is nothing short of heart-stopping.  His glaring matches with Harry Andrews as Lord Lucan (in life they were brothers-in-law and cordially disliked one another) are sulphurous.

 

Howard and Harry Andrews aside, there’s the gloriously nasal John Gielgud as Raglan; the inimitable Peter Bowles (later of Rumpole) at his most fatuous, and Jill Bennett as his lion-hunter of a wife; tragically memorable, Norman Rossington, Albert Finney’s best mate in Saturday Night and Sunday Morning, the Beatles’ manager in Hard Day’s Night, as the Sergeant Major compromised by his commanding officer, Cardigan, and broken to the ranks – one of the more brutal and graphic flogging scenes in any movie.  David Hemmings, though, is disappointing in the pivotal role of Nolan, too languid and too pretty.  (And reportedly insufferable during filming.)

 

The other point to make is of course the context.  Like many pictures from the late 1960’s and early 70’s, Charge of the Light Brigade falls under the shadow of Viet Nam.  In this case, not so much metaphorically, because the Crimean War was itself a huge folly.  The mismanagement of the war, and the management of public opinion, were two sides of a coin.  Cardigan was a hero in Great Britain after Balaclava; Lucan was in disgrace.  It was years before Cardigan’s reputation began to suffer, and even after he was exposed as an incompetent, there were people who refused to believe it.  (Cardigan’s bravery wasn’t doubted, but his leadership was a joke.)  The very real benefit that came out of the Crimea’s “confusion of purpose” was the reform of the British Army that did away with the purchase of commissions and brought in a policy of promotion by merit.  Not perfect, but a start.

 

Viet Nam was often seen at right angles, or in reflection, not in our direct gaze.  Lost Command, Mark Robson’s version of Larteguy’s The Centurions, came out in 1967, and The Green Berets in ‘68.  They weren’t box-office bombs, but opinion was divided on their merits.  The more common approach was peripheral.  M*A*S*H supposedly took place during Korea.  Nicholas and Alexandra is a lot more about the year of its release, 1971, than it is about the fall of the Romanovs: it’s Nixon, Cambodia, and Kent State.

 

Charge of the Light Brigade came out in 1968, after the Tet Offensive.  The timing is coincidental, but the movie’s antiwar sentiments were sharpened considerably by what was widely viewed as an American military and political embarrassment.  (Historically, it was a defeat for the NVA and Viet Cong, but the public perception in the U.S. and Europe was quite different.)  Light Brigade, then, becomes a provocation, and a warning against foreign adventurism.  It’s not about a war a century old, but a war very much in the here and now.  And the generals bickering over who gets the blame for the slaughter remind us uncomfortably of the tone-deaf Westmoreland, with his talk of a light at the end of the tunnel.  No accident. 

 

We imagine we made peace with Viet Nam.  Not with Viet Nam per se, a country that makes us sweatshop sneakers, but with Viet Nam as an American failure, which is complete nonsense.  Missing in Action is psychological denial, Chuck Norris fighting the war over again, but winning this time.

 

Charge of the Light Brigade is a moment frozen in time.  Not the Crimea, but 1968.  It betrays its own period.  I don’t think it’s a bad picture, far from it, but I think it shows its age.  You look at a movie like The Thin Man, and admire or indulge its representation of its own time and place, but still think it has a universal charm, whether or not it’s dated.  You give it the benefit of the doubt.  Light Brigade is too much the product of its own particular period; it can’t breathe.  It’s trapped in its immediate context.  That immediacy, which made it seem so genuine and alive back then, makes it an artifact now.  It’s a fossil.

A Killing in Wartime

A decorated soldier, a former Special Forces captain in Afghanistan, is being charged with murder by the U.S. Army - not a domestic, or Crazy Guy Shoots Up Walmart, but combat-related, a violation of the Rules of Engagement. Matthew Golsteyn was deployed to Marjah, in Helmand Province, in 2010. The area is a major producer of poppy and a primary revenue source for the Taliban. Two of Golsteyn's troops were blown up by booby-traps, on patrol, and not long after, Golsteyn got custody of a suspected Afghan bomb-maker. The guy didn't talk, and Golsteyn was required to release him. In a CIA job interview a year later, however, Golsteyn said he knew that if he let the guy go, it was a death warrant for Afghans working with U.S. forces, and for other GI's. Golsteyn took the guy out past the wire and shot him.
That's one version, anyway. The initial investigation came up, if not empty, inconclusive. But in 2016, Golsteyn did something deeply stupid. He shot his mouth off to Fox News, and said he killed the guy. At which point, the Army reopens the case. This time, they bring capital charges.

Regardless of the merits, the case has now caught the attention of Our National Joke. Trump thinks an injustice is being perpetrated, and he's promised to look into it. "I will be reviewing the case of a U.S. military hero.... He could face the death penalty from our own government after he admitted killing a terrorist bomb maker while overseas." Trump, of course, doesn't know his ass from a hole in the ground around the UCMJ - the Universal Code of Military Justice - and he's blithely unaware that what he's doing could compromise the case, one way or the other.

It's called Unlawful Command Influence. For example, Pres. Obama said heatedly that sex offenders in the military should be "prosecuted, stripped of their positions, court-martialed, fired, dishonorably discharged." This was later interpreted as prejudicial, and there was in fact one Navy judge who ruled out a punitive discharge at court-martial because of Obama's statement. (Trump said inflammatory things during the campaign about Bowe Bergdahl, and although the judge in that case acknowledged Trump's remarks were inappropriate, he gave Bergdahl a DD anyway.) In the Golsteyn case, we're talking about influencing a favorable verdict, or asking for dismissal. It ain't gonna happen, but we'll see if the fat lady can carry a tune.

*

Return with us now, through the mists of time, to that unlovely year 1969. Nha Trang. A suspected Vietnamese informer named Thai Khac Chuyen is taken on a boat ride out into the South China Sea, shot twice in the back of the head, and dumped over the side. Project GAMMA was a spook show, run out of 5th Special Forces under CIA discipline, and CIA signed off on Chuyen's termination  (although they'd pretend otherwise, when the shit hit the fan.) Six of the Green Berets in the unit, along with 5th SPG's commanding officer, Col. Robert Rheault, wind up in the stockade, waiting on an Article 32, preliminary hearing for a general court-martial, charged with murder.

You have to understand the politics, here. Abe Abrams had taken over from Westmoreland the year before. Abrams was a tank guy. He didn't have any patience with Spec Ops, and he especially didn't want his boys, GI's, carrying water for CIA. It was all about accountability. Abrams also thought Col. Rheault had lied to him, but this is a little tricky, because Rheault was new on the job, and may not have been fully briefed. GAMMA was restricted access, Need-to-Know. Rheault could have easily repeated the CIA cover story to Abrams, without realizing it was fabricated. Either way, the damage was done. Abrams was in a fury.

Abrams is in no way mollified by the press coverage, which reports the Green Berets are being scapegoated, first to take the heat off CIA, and secondly, when evidence surfaces that Chuyen was in fact a spy, to ask why they were charged in the first place. Killing the enemy is a soldier's first order of business. The defense asks to depose both Abrams himself, and the CIA station chief in Saigon. This hot potato goes all the way up the chain of command. Nixon instructs Haldeman to put the kibosh on the whole thing, and CIA falls in line, refusing on national security grounds to cooperate with the court-martial authorities at all. The secretary of the Army vacates the charges. Rheault asks for reinstatement. Abrams turns him down. Rheault resigns his commission and quits the Army.

Now that's what you call Unlawful Command Influence. And that's why the protocols and procedures are in place, to guard against malice, against too-easy resolutions, and against simple-minded blowhards with too much time on their hands. More honored in the breach than in the observance.

*

I've written myself about GI's, and spooks, who puts the fix in and who gets squeezed in the middle, and I'm now happy to report I've discovered somebody else working that turf, a sort of DMZ, between the wild and the sown. Martin Limón is new to me, but that's soon remedied.

Thirteen novels and counting, beginning with Jade Lady Burning and Slicky Boys, and a story collection, Nightmare Range. So far as I know, his first published appearance was in Hitchcock, in 1991. He's mixed it up a little, but for our purposes, it's the George Sueño and Ernie Bascom series that's center ring. George and Ernie are U.S. Army CID investigators in Korea, in the 1970's. They work the street, on the edge of the rackets and the black market, at the exotic and familiar overlap of Korean and American GI culture. Not so much American, mind, as American military, itself both an exotic and familiar creature.

These are terrific books, not least because the environment is a bubble off of plumb. And they're dark, no getting around it. I'm reminded not a little of Sarah Bird's wonderful novel about a career U.S. Air Force family in Japan, The Yokota Officers Club. Her book isn't a crime story, even if in part it's about secrets, but it inhabits a sort of Twilight Zone, because the world she describes is foreign, with its cadences and rigidity, and its very own vocabulary. Martin Limón gets this cold, and he does it in a similar way, by treating it as matter-of-fact.

There's a lot to be said for turning the conventions backwards. If you accept a structure, a template, the characteristics of a Western, or a Gothic, the elements of noir, it doesn't tie your hands. It can be invigorating. Martin Limón takes the police procedural and folds it in on itself, and hands it back to you with the pin pulled out.

Nomads

War novels and war movies are a genre, and military settings in peacetime, as well - SOLDIER IN THE RAIN, or REFLECTIONS IN A GOLDEN EYE, for example - but there's a special subset, stories about dependents, military families and their dynamics, their tensions and dislocations.
The gold standard, most military brats seem to think, is Pat Conroy's THE GREAT SANTINI. I have to say, though, that I've never warmed up to Conroy as a writer. The one book I like is THE LORDS OF DISCIPLINE, and that itself is another genre subset, the military academy book, Calder Willingham's END AS A MAN, Lucian Truscott's DRESS GRAY (my personal gold standard in this category). And meanwhile, Conroy's also among the fallen, having died only this past week, so it feels mean-spirited, or anyway inappropriate, to damn him with faint praise. In any case, people who grew up on the inside, with career military families, will tell you THE GREAT SANTINI sets the bar pretty high. Sarah Bird, who's an Air Force brat, calls it the Rosetta Stone.

Sarah Bird's sixth novel, THE YOKOTA OFFICERS CLUB, came out in 2001, so I'm a little late to the party. Her dad, a flyer, was stationed at Yokota AFB, outside Tokyo, and later at Kadena, on Okinawa. He flew recon missions, which I take to mean RF-101 Voodoos and RF-4C's. The target was North Viet Nam. Nine out of ten crews in his squadron were eventually lost, he was awarded the Distinguished Flying Cross. Sarah says it was years before she realized his DFC wasn't just given for perfect attendance.

As an aside, I was once penciled in for flight status out of Yokota, an assignment that never materialized, but it would have meant flying ELINT missions out over the South China Sea and down along the coast of North Viet Nam, lighting up the SAM sites as we came into range. Which leads me to suspect that Maj. Bird flew what were known as Ferret Flights. He never explained to his daughter exactly what he did, it was classified, and she filled in the blanks after the fact. My point, here, is that I've got some inside dope, but it's actually not entirely pertinent. As a matter of fact, in the novel, the mysteries of the dad's duty rotation, and sometime absences, is part of the fabric of uncertainty his family lives with.

However. What the guy does is both central, and secondary. THE YOKOTA OFFICERS CLUB is mostly about the oldest kid, Bernie, for Bernadette, and her relationships with the other kids, and with her mom. The military environment is a constant presence, but it's a gravitational influence, like a planet in unstable orbit. Even if you don't see it, you feel its tidal pull.

This is the thing I liked best about the book, the sense of immersion, and at the same time, apartness, or isolation. Bernie's center of gravity is her immediate family, but although she's in this larger institution, the military and the airbase where they're stationed, she's not entirely of it. She says to her sister Kit, at one point, You know it's all transitory, you have to detach, how can you take it seriously? Meaning, the next assignment takes you to a new installation - a new school, a new set of people, a new kind of landscape to navigate, and yet the same constraints of behavior, and how you present yourself. And the rules are all the more restrictive because they're unspoken, half the time. You absorb it by osmosis.

This is a life experience I'm guessing you can't really inhabit unless you've been there. You can come close, you can approximate it, and Sarah Bird does a pretty amazing job of making it enormously vivid and convincing, with never a false note, but all the same, no matter how well you describe it, or reimagine it, breathe it in and breathe it out, some part of it will elude the rest of us.

She says, Sarah, that she's perhaps paying back an obligation. She calls the novel a Valentine. In an interview, she remarks that "All of this made us [her family] something of our own little tribe of nomadic recluses, outsiders within this greater tribe of outsiders permanently passing through America." I find it a very telling observation that she pictures the serving military as outsiders, and I think she's right. Permanently passing through. In, but not of.

Don't mistake me, though. THE YOKOTA OFFICERS CLUB is anything but a niche novel. I'm obviously relating to it on some kind of metabolic level, simply because it rings so true to me - and that's not to suggest you have to see it through my eyes. It opens a window on an unfamiliar world, and makes it seem utterly intimate and organic. Partly this is Bernie, who's a wonderfully engaging narrator, but also the choice of exact detail, although coming at you from an odd angle, and not quite what you expected. Then again, the book as a whole works against your expectations. That's its charm. And there's the word I've been looking for all along. Charm. In either sense, too. Both the goofy, flirty, adolescent voice, and the sense of casting a spell. It holds you captive.

More Black Market

(continued from 18/Jul/14)

In the low end of the Vietnam Black Market, almost everyone had a hand in the trade. It was politely called the barter system and was for small immediate gain. What could it hurt?

See, every soldier in-country had a ration card which allowed him to buy two cartons of cigarettes, two cases of beer, two bottles of wine and/or two fifths of hard liquor per month. But, not every soldier smoked and not every soldier drank booze, which then created a market for those extra goods. The rationed amounts mentioned above generally sufficed for the needs of most G.I.'s, however there were outsiders who had no access to the PX (cigarettes) or the Class Six Store (booze).

Simple solution, trade those extra goods which you bought from the non-smoking, non-drinking soldiers who otherwise didn't use their ration cards. Want some cases of steaks or lobster to supplement your C-rations or scant mess hall chow? Trade some of those extra purchased goods to a civilian contractor or merchant seaman who had connections to his company's kitchen. Need a freezer to keep those extra steaks cold as they're hidden behind a false wall in your company area? Once again, trade some of that booze or cartons to a civilian for that freezer. You say a real ice cream factory went into operation down in the ville and they don't make their product out of reconstituted milk like the military does? Now you're trading PX items to Vietnamese workers who smuggle out gallons of whichever flavor of real ice cream you desire. This may be bartering, but it's still operating in the Black Market, only on a much lower scale.

Today's World

But then you don't need a time of war to have a Black Market in existence. I once entered a mob joint in downtown Kansas City and sat at the corner of the bar where I could watch everything going on. When I ordered my second drink, I gave the bartender some extra money and asked her to get me a pack of Winstons. My second drink came fast, then she wandered around for a while before disappearing into a back room. A few minutes later, she came out and wandered around again before finally depositing the cigarettes in front of me on the bar. I had paid full price for the pack, but it didn't have a federal tax stamp on it. She never went near the vending machine in plain sight against the wall. These smokes were contraband, smuggled out the back door of an East Coast factory or else high-jacked from a semi trailer before the government got paid and put a tax stamp on them.

Operators in this market may only make nickels, dimes or quarters on every small sale, but they are in it for the volume. In the end, all those nickels, dimes and quarters add up to very big dollars, and those are untaxed dollars not subject to state and federal sales or income taxes. Free money, so to speak.

All this merely goes to show that any economic system with man-imposed restrictions or regulations allows for the creation of a Black Market for desired goods. The schemers will find a way to operate in this environment.

There's also the underground market created between thieves and those loose-moral people who are not adverse to buying on the "midnight discount" or "three-finger discount" plan. The first refers to goods stolen by burglars and the second to goods stolen by pickpockets and shoplifters.

You've all read news articles or seen TV shows where law enforcement has run a sting operation. This usually consists of a rented storefront or warehouse where law enforcement installs concealed cameras to record all transactions, plus law enforcement personnel in an undercover capacity, or an informant, work the front counter to purchase stolen goods from criminals. After a period of time, the crooks get arrested. But, cop sponsored stings are only a small portion of the real fencing of stolen goods operations we never hear about.

And then there are those who make and sell counterfeit t-shirts, computer chips, fake brand-name handbags, etc. Don't forget DVD's of pirated movies or pirated songs from the music industry. All trade mark and copyright violations done on the sly to be sold on the Black Market.

Bottom line, criminals and schemers will keep looking for ways to work the system. Like the line says in that song, Smuggler's Blues: "… it's the lure of easy money."

---

To read about the black market with the U.S. Army in Cold War Germany, get Black Traffic, an e-novel by our very own David Edgerley Gates. (kindle, nook) It's a good one.

Black Market Money

Somewhere not too far from where you are right now, there is a person scheming on a way to make some money. It's human nature to desire an increase in our financial status so we can acquire items that we want in life or think we need. To make this money, most people go out and find a legal job, but there are always those who look to make the easy dollar, the quick buck, regardless of the legality involved. Times of war make for several opportunities.
Summer of '67

The large aircraft finally rolled to a stop. This was it, the Central Highlands. When the door opened, all passengers filed out onto the tarmac. Dressed in rumpled khaki's and low quarters, with all our allowed worldly goods in O.D. duffel bags slung over our shoulders, we lined up for the arriving green buses. Our first indication that we were now in a world different from the one we'd left behind came as the buses quickly emptied out those soldiers going back home on the same plane we'd just arrived on. Those guys in jungle fatigues, with red mud splashed up to their knees, ran joyfully screaming and hollering toward their "freedom bird." Looked like a bad omen to us new guys.

Our second indication came as other in-country soldiers, with time left before rotation back to "the World," walked down our lines quietly offering to exchange MPC (Military Pay Certificates) for good old American greenbacks. They would even pay a little over a dollar in exchange. Some arrivals went for it, some didn't. When we later arrived at the REPO Depot in Pleiku, one of the first things that happened was all U.S. currency was officially converted to equivalent MPC, all brightly colored paper bills much like monopoly money.

Here's how the system worked from then on. Come payday, every soldier reported to his military paymaster (usually a Lieutenant or a Captain), saluted, signed a pay voucher and received about fifty dollars in MPC. The rest of his paycheck got deposited in his bank account back in the States. The military didn't want any soldier to have a lot of money in-country and the also didn't want him to have American dollars, so they gave him MPC which was only good at the PX and other military stores in Vietnam at the time. If he went to the local village, he was first supposed to exchange his MPC for Vietnamese Piasters (so named as a carryover from Vietnam's days as a French colony, whereas the Vietnamese DONG was usually the denomination word printed on the bill itself). Officially, the conversion rate was one U.S. dollar to one MPC dollar and one MPC dollar for about 113 Piasters (or Dong). The Saigon Black Market exchange rate in July 1967 was 157 Dong to one U.S. dollar. A year later in June 1968, it was 180 Dong to a dollar. The entire system made for a lucrative black market in money.

Vietnamese gladly accepted MPC because they would then use it later to purchase goods from the local PX. They couldn't buy anything there directly, but it was easy to make a straw purchase through a sympathetic G.I., and there were plenty of those around. "Third Nationals" had to be careful though about how much MPC they accumulated at any one time because every year or so, the military called in all of the current issue of MPC and exchanged those bills for a new issue. No advance notice was given of the one-day conversion, but Vietnamese citizens weren't allowed to do an official conversion anyway because they weren't supposed to have MPC. Most Vietnamese caught short holding the old issue would offer to pay a commission to a sympathetic G.I. to induce him to exchange their MPC for them. After conversion day, the old bills were only good for starting fires. However, any G.I. making a large exchange came to the attention of military authorities, which meant the CID (army's equivalent to the civilian FBI) would be looking into his affairs.

The locals also gladly took U.S. dollars in payment, if they could get it, because there was no sudden call-in on those bills, plus American dollars were more secure than their own Piasters/Dong. American currency in their hands often made its way up to the Vietnamese politicians and high brass who then deposited this money into personal Swiss or other foreign bank accounts. Other American bills made their way to the Viet Cong who used this currency to purchase medical and other supplies for their own war effort. Sometimes paying it to corrupt G.I.'s who diverted our military supplies.

This should give you a good idea how money itself could become a black market item, which then led to a clandestine market in money orders. Any G.I. making extra money through gambling in the barracks, becoming an entrepreneur in the underground market, or whatever illicit activity he schemed up, soon had a currency problem. Holding large amounts of MPC was no good because those bills only had value in-country. Back in the States, they were worthless. Piasters were a little shaky and not readily convertible out of the country without drawing undue attention, unless you were a legitimate business company. But, as long as a guy was careful, he could use MPC to purchase money orders at the military post office and mail them back home to the States. Trouble was, to stay out of the lime light, he had to find a lot of friends, acquaintances and/or willing G.I.'s, not also in the same trade, to make these purchases for him so his name didn't keep showing up. And, those straw-purchased money orders then had to be spread out to friends, relatives, acquaintances and/or willing G.I.'s on the receiving end to avoid suspicion from the same name always popping up as a receiver. Of course, if you could bribe the money order guy in the military post office that solved part of your problem.

Two weeks from now, more Black Market.

Never Know Who You'll Touch

As you pass through life, you sometimes do things at the turn of a moment, whether the action springs from an emotion, a sudden thought, or maybe even a natural and common occurrence. What you can't know at the time, is what effect your action may have in the future. You never know who you may touch in some way or another......unless they contact you.
During my high school and early college years in Wichita, there were three of us who ran together: me, Steve King (no, not the famous writer) and Tom Whitehead. None of us seriously applied ourselves to our college studies in those days, too much beer, pizza, cards, girls, pool and fun in general, which soon brought us to the attention of our local Selective Service Board.

Tom was the first to go. He signed up for the Army and they gave him a couple months at home before he had to show up for Basic Training at Ft. Leonard Wood, Missouri, or as many trainees later came to know it, Fort Lost in the Woods, Misery. In the meantime, since he was part native American, the local Ponca and Osage held a pow-wow for him in the local armory one Saturday night in November of '65 in order to give Tom a good sendoff. He was on the train to Kansas City soon after, followed by a long bus ride down to the Missouri Ozarks.

Steve and I got our congratulation letters from Uncle Sam that following January and hopped a train to the induction center in K.C. for our physicals. The next day, they were kind enough to tell us we passed. They sent us home, saying that we'd probably be called up in about sixty days. Before any call up could occur, Steve visited with a sweet talking Army recruiter. Next thing I knew, I'd been talked into enlisting under the three year plan for something called the Buddy System, where you got to go to Basic Training with your buddy. Of course when you're dealing with the government, it helps to pay close attention to details.

After Basic, Steve and I went different directions. He got to Nam in January of '67 and I made the trip across the pond that July. While forted up in the Central Highlands, I got letters from Steve who was down south in Cu Chi with the 25th Infantry. Seems he had run into Tom Whitehead, also with the 25th, but stationed outside Cu Chi at a fire base. Tom was working as an armorer, keeping weapons in shape for his unit, and had made the rank of Specialist Fourth Class. Then, I didn't hear anything more until I came back to the World.

Shortly after I stepped off the plane wearing Army greens in Wichita during the summer of '68, some friends of the family who happened to be at the local Pizza Hut for lunch that day, told me Tom didn't make it. He was crossing his fire base when the VC dropped a mortar down the tube. It caught Tom out in the open with no place to go. Nobody wanted to tell me about it while I was still over there. On my way down to Texas later that July to visit my folks, I stopped off in an Oklahoma cemetery to say a few words at Tom's grave.

Bagpiper at the Moving Wall

Decades later in the 90's, the travelling Wall set up in the Black Hills of South Dakota for a few days. I found Tom's name on one of the panels, along with those of others I'd known. One of the pamphlets handed out said you could also leave an e-mail memorial comment somehow digitally attached to the full-sized Vietnam Wall in D.C. So I did.

Time passed.

Then, about four years ago, I got an e-mail from a stranger. He had read my memorial to Tom and had a few questions, if I would be kind enough to help him. Seems he was a doctor in Albuquerque and his father was dying. His father had recently told him a story about marriage, divorce and re-marriage. In the end, it turned out that Albuquerque doctor had a half-brother (Tom Whitehead) he'd known nothing about. The father had lost touch with his old family, but now wanted any info he could get about his estranged son who had died in Nam.

I'd always known Tom's father was missing from his family, but they never talked about the situation, so none of us inquired. Now, I dug into past letters and old memories for anything about Tom. Even mentioned the situation to Steve, who then e-mail attached old photos he'd converted over to his computer. Everything I had or ended up with then got e-mailed to the doctor who knew almost nothing about his older half-brother. The doc then shared that information with his dying father in a veteran's hospital down in Houston.

There was a quick flurry of e-mails back and forth. Dad was pleased to know his oldest son had been an enlisted man like he himself had been in World War Two. Doc sent his gratitude for the info. Then the lines went silent. The old man was gone and we had nothing further to talk about. But there, for a brief slice of time, someone had been touched by something I'd written about a man I'd known a long time ago. Someone was touched who I didn't even know was out there. Someone touched to the quick, who then sought me out.

As Eve Fisher quotes from Philo in her e-mails: "Be kind, for everyone you meet is fighting a hard battle."  And to that I respond, you never know who you'll reach out and touch.

Ride easy 'til we meet again.