What Are We REALLY Doing?

Warren Zevon's song "The Hula Hula Boys" features the Polynesian refrain
"Ha'ina I'a Mai ana ka puana." It means "Sing the chorus," or maybe "Get to the point."

In other words, just tell the damn story.

A few days go, I forgot to charge my Kindle and couldn't order another book. Obviously, in the time of Covid-19, I've had lots of time to read, but some publishers are still figuring out how to get digital copies to reviewers like me.

I went to my book case and pulled out a massive short story anthology I assigned when I taught English. This was a newer edition, but I like it because it has a mix of classic (Poe, Hawthorne, Chekhov, Hemingway) and new and multi-cultural authors (Sherman Alexie, Alice Walker, Sandra Cisneros, Gish Jen, Leslie Marmon Silko). I read some stories either I'd never read before or forgotten (Yes, that does happen).

I enjoyed them all, but I'd hate to explain what a few of them said to me or "meant." Remember getting that question on standardized tests? My first reaction then was, "Hawthorne's dead. How the hell do I know what he was trying to tell me?"

Then I made a terrible mistake. I looked at a few of the questions following stories. Some of them were so esoteric I suspect they became thesis topics when the author's first 75 better ideas were either taken or got rejected by his advisor.

Teaching literature is an odd occupation. We don't teach our students to read, we force them to read "critically," and while I was accused of being good at it a long time ago, I no longer think I could explain what it means in a way that would justify it. I thought I was teaching kids to read for "ideas" and "themes" (A term I still avoid as much as possible) and techniques. Now, I think all that matters is that we have the tools to appreciate a story and can explain why that did or didn't happen. If you're a writer or potential writer, we should understand how the choices and techniques make a story more or less effective, but that's about it.

Remember Zevon's song?

Maybe that's all we should worry about.

Does the setting help bring out the story's ideas? would it work better with a different point of view or voice? What would happen if the writer changed the gender of the protagonist/narrator? What about a different time period? Would more or less humor help? I'm not sure we can really teach any of these except by wide reading and lots of experience, much of it through failure.

Last week, the University of Connecticut announced that they are abandoning the SAT as an admission requirement. In the age of Covid-19, many students don't have access to various preparation sites and workshops, which gives other applicants a big advantage.

Wouldn't it be great if we went back to reading for pleasure and a wider vision of the world without having to take multiple-choice and essay tests to pigeonhole the great works, or even the not-so-great ones? Let Shakespeare, Dickens, Alice Walker, Amy Tan, Cervantes, and Dorothy Allison stand on their own merits instead of trying to find a sometimes arcane or non-existent common denominator?

Let young people rediscover the miracle of those funny little marks on the page, like when were were younger parents and we held our kids on our laps before bedtime, watching Paddington or the Poky Little Puppy or Curious George discover how the world worked...

My Mojo

Guest starring Steve Hockensmith

Steve Hockensmith is the author of more than a dozen mystery novels. Trust me, them hard-case crime writers ain’t so tough. Today, Steve will touch your heart. Grab a hanky. You’ve been warned.

— Velma

Monkey Shines

I wish this were my job description: Make stuff up, write it down. That’s what I enjoy about being a writer. But if you’re trying to get somewhere with your writing — having people actually read it, for instance — there’s a bit more to it than that.

That’s why I’m (sporadically) on social media and (even more sporadically) blog. Every post is a wee little flag fluttering in the breeze. It’s got writing on it, “Don’t tread on me”-style:

“Look at me,” it says. “I’m alive.”

And instead of a drawing of a coiled, bad-ass snake, it’s got this cat wearing a T-shirt that says ➜

“Ask me about my mystery fiction.”

I’m never really sure what I should be posting about, but in general I try to follow these rules:

1. Keep it fun,
2. keep it positive (which I think I’ve already broken)
3. and keep it real… but not too real (see A and B).
4. …

I guess the secret (D) — or maybe it’s another sub-clause to (C) — is “Keep it impersonal.” I don’t like to write about my private life because (switching to numbers to avoid confusion)

1. It’s private, duh, and
2. who cares?

But I set that rule aside recently because… well, I couldn’t help myself. I was feeling something and I had to share it. So I started writing a tweet which grew into a message on Facebook which grew into a blog post. And now it’s grown into a guest blog post, because here it is again.

---

Guyzos — The Three Amigos

Someone broke the passenger-side window out of my car and stole the shoulder bag I take to work every day. I guess they thought it would have a laptop in it. No such luck for the thieves. And no luck for my family. Because you know what was in that bag? Two monkeys and an owl. Bobo, Lou from the Zoo and Barney the Barn Owl, to be specific.

Every day for the last year or so, my son Mojo picked out three of his “guyzos” (his huge posse of stuffed animals) for me to take to work. During the day, I’d send him pictures of the guys helping me do my job. The makeup of the group changed every day except for one constant: Bobo. Bobo always came with me. Because Bobo was special.

Mojo is autistic. There were times a few years ago when it was almost impossible to get him to communicate or cooperate or control himself. And you know who he almost always listened to? Bobo. Bobo could calm him down. Bobo could get him to listen. Bobo could get him to talk about himself and what he was feeling.

Bobo probably would have offended my Italian friends. He-a sounded like-a theese-a. You know: He had a “Whatsa matta for you?” old school faux-Italian accent. Why? Because it’s a silly accent I can do, and a long time ago it became my job to give the guyzos distinct voices and personalities. (It’s not easy. In fact, there are several guyzos with the same voice. Baby and His Brother Baby, for instance, and they sound a lot like Ted the Christmas Bear who sounds almost exactly like Big Ears the Rabbit.)

Bobo was an upbeat, can-do dude. “Let's-a try it, my friend!” he’d say. Or “You can-a do it, my friend!” (He called everyone “my friend.”) And “I love-a you, my friend.” And Mojo would say, “I love you, Bobo.”

Bobo shared Mojo’s distaste for shows of affection, though. “No lovey-doveys!” they liked to shout when things got too icky-sentimental. So I’ll honor Bobo’s preferences and wrap this up.

My wife and I were in a restaurant celebrating our 21^st wedding anniversary when Bobo was stolen. When we came out and realized what had happened, we drove around the neighborhood looking for the bag and the guyzos, hoping the thieves would dump everything when they realized they hadn’t snatched anything of value. To them.

We were in tears. Not over an old, stained, to be honest slightly stinky stuffed monkey. The tears were for what Bobo represented. What he gave us. A narrow window into our son’s mind and heart.

That window is wider now. Mojo’s doing fine. He listens and communicates and (usually, in his unique way) cooperates. This morning, when my wife and I told him what had happened to the guyzos, he said, “Oh, no… oh, no.” His lips trembled, and tears came to his eyes. And then, after we talked about it a little longer — about how special Bobo was and how much we would miss him — he said, “Oh, well.” And he was ready to watch his Saturday morning cartoons.

He’s still hurt, I can tell. But at this very moment he’s watching Bugs Bunny and eating a doughnut. He acknowledged his pain, and then he moved on. What we all have to do all the time. Mojo can do it, too. I couldn’t always say that.

A stuffed monkey helped that happen. He’s gone now, but the window he opened remains.

Thanks, Bobo. And goodbye.

Yeah, you smelled. But I love you, my friend…

---

I got more likes, shares, hits and supportive comments from that post than from anything I’ve done on social media in a long, long time. (It also caught the attention of Leigh Lundin, who asked me if SleuthSayers could showcase it.) But the takeaway isn’t “Ruthlessly exploit your child’s pain.” (At least I hope it’s not.)

I broke my own rules. I didn’t worry about being fun. I didn’t worry about keeping it positive. I didn’t worry about getting too personal. Bobo deserved a tribute, so I wrote one.

“Look at him. He was alive (to us, anyway).”

That touched people. And many of them responded in a way that touched me. Will that help me sell more mystery fiction? No, and I don’t care.

For me, it’s a reminder that writing (and, yes, that includes blogging and tweeting) can be its own reward. Which is something we writers — particularly we genre writers worried about finding an audience — might occasionally forget.

Steve blogs (sporadically) at SteveHockensmith.com

What's Old Is New Again

Happy New Year. Either online or in your local newspaper, you've probably seen one of those cartoons of 2018 in a diaper and 2017 with a long white beard, so I'm going to spare you another one. It expresses the idea that the old pass the world to the young and that there's still hope for the future if we build a strong foundation in the present. One of the great practitioners of that belief was also one of my favorite writers, Mark Twain.
And to prove it, this last September saw the release of Mark Twain's newest children's book, The Purloining of Prince Oleomargarine. Yes, it's true, a new book from Mark Twain! And it's wonderful.

The Clemens family moved to Hartford, building the Farmington Avenue house in 1873-4 and living there until 1891, leaving forever after daughter Susy died suddenly of spinal meningitis. In the cigar-smoked study on the third floor, Samuel Clemens composed Tom Sawyer, Huckleberry Finn, Life on the Mississippi, The Prince and the Pauper and A Connecticut Yankee in King Arthur's Court.

He also observed the ritual of creating a nightly bedtime story for older daughters Susy and Clara.

In 1897, they made him continue a story they liked for five consecutive nights. He later jotted down notes and the first part of that story, but he never finished it. The new book includes the convoluted saga of how the partial manuscript was discovered in the Twain Archives at UCal Berkeley in 2011 and how the estate picked Caldecott winners Philip and Erin Stead to complete and illustrate the story--which they have done beautifully.

Prince Oleomargarine shows Samuel Clemens/Mark Twain at the peak of his powers, but used in a way we've never seen before. It combines elements of popular fairy tales (Jack and the Beanstalk, for one) and several quest myths with a poor boy named Jack as the unrecognized hero. We meet a chicken named Pestilence and Famine, a skunk named Susy, and a menagerie of other quirky animals, all tied together with prose that's lyrical, ironic, and often bittersweet. My favorite line: "He felt as though he carried on his back the weight of all the things he would never have."

Wow...just...wow.

I never would have heard about the book if it weren't for my wife, who has one of the coolest jobs in the universe. She is a "Living History" tour guide at the Mark Twain House and Museum in Hartford,

which held the book launch last September. She portrays the Clemens' housemaid Lizzie Wells and shows guest the house as it "is" in 1887. She got the gig because we both worked with several of the other guides (and the script-writer) in local theater for years, and the mansion wanted to increase the number of guides and tours. The offered Barbara a spot and she grabbed it.

Virginia Wolf (her real name), my wife Barbara, Lisa Steier,
author Philip Stead, Tom Raines, and Kit Webb. We worked with
all the actors at some time or another.

According to National Geographic, the Mark Twain House and Museum is one of the ten most visited historical homes in the WORLD. In the 1920s, a developer purchased the vacant mansion, planning to raze it and erect an apartment building. A coalition formed to buy the house back--for less than that developer hoped to gain--and restore it to its former glory. Middle daughter Clara, who died in 1962 at age 88, helped track down the original furniture. She also gave Hal Holbrook a private audience when he was developing his Mark Twain impersonation and approved his performance. How's that for a reliable source?

Samuel Clemens...and

Kit Webb, who portrays him at various events

Clara and Susy showed Papa pictures from a current magazine and had him tell a story inspired by those pictures. Today, we would call that a "writing prompt," but I never heard the term until near the end of my teaching career. My wife tells of writing stories to accompany the pictures in one of her favorite childhood books--when she didn't think the story already there was good enough. Do kids still do that today? Do they get encouragement?

Clemens and his children created dozens of stories involving The Cat in the Ruff, a picture in the family's library, but none of those survive. It's only through a freakish stroke of luck that Prince Oleomargarine has come to light.

The image of a busy and often irascible father spending his evenings sharing the excitement and joy of creating fresh stories for his children is one I can't stop thinking about. We all need to pass on to our children and grandchildren the magic of creating something new, whether it's stories, music, or painting. How will they discover it for themselves if we don't show them where to look? Buy them books for Christmas and birthdays, preferably with great pictures. Read them and share them. Play games that help them make things up. Let them pretend. Help them dream.

Pass it on.

The Night the Old Nostalgia Burned Down

While working on my recent column on alternate history I was looking at my collection of science fiction and noticed a book that took me back through the decades.  Out of this World, edited by Julius Fast, was published in 1944 which means that, even as old as I am, it was a used book when I got my hands on it, in my father's personal collection.  I was probably around ten and it was already an antique.  The copy I have now is not the one I had then, by the way.  I found it in a used book store a few years ago.  (By the way, Fast edited the book while serving during World War II, using material he found in army base libraries.  He also won the very first Edgar Award for Best First Mystery Novel.)

I have fond memories of this collection of fantasy stories.   There are stories by Saki, Robert Arthur, H.G. Wells, Lord Dunsany, and Jack London to name a few.  But what really knocked me out was my first encounters with the late great John Collier.  Collier was one of the great short story authors, a master of a certain kind of fantasy and mystery. His story "Witch's Money" (not in this collection) is on my list of top fifty crime stories of all time.  There are no witches in it: it's about the disaster that hits an Italian village when a comparatively wealthy American artist moves in.

Running across that book a few days ago inspired me to go looking for another one I found in my Dad's collection when I was at that same impressionable age.  I bought a copy over the web, and the shipping cost more than the book. 

The Pocket Mystery Reader was also published during the war, and in fact, this copy was owned by Sergeant Lawrence E. Hough of the U.S. Army in 1943.  (And I can tell you Sergeant Hough took much better care of his paperbacks than I  do.)

I remember reading my father's copy mostly because I recall Rex Stout's parody of Sherlockian scholarship, his famous speech to the Baker Street Irregulars entitled "Watson Was A Woman."  It's still funny.  So are the essays by P.G. Wodehouse and Stephen Leacock.

This book was my first exposure to Dashiell Hammett and his Continental Op.  ("The Farewell Murder," not one of his masterpieces.)  In fact, while there are tales by Gardner, Sayers, and Woolrich, the only one I remembered from fifty years ago was "The Price of the Head,"by John Russell, which I recalled as being brilliant.  However, I experienced one of the downsides of revisitng a favorite old book: On rereading I discovered it was racist trash.  Apparently my memory wrote a completely different story and attached it to Russell's brilliant ending.

There is a ton of casual racism in this book which reminds me that it was published around the time Rex Stout produced a one-night extravaganza on Broadway just for writers, directors and producers, with the theme "We can't fight racism in Europe and appease it at home."

I was even younger when I ran across the Arrow Book of Ghost Stories.  I thought I read the copy belonging to my sister Diane Chamberlain but she swears she never heard of it.  What I can't forget is "The Wonderful Cat of Cobbie Bean," a lovely tale by Barbee Oliver Carleton.  Cobbie gets a talking cat, which might not be so disastrous except Cobbie lives in Salem at the time of the witch trials…

Another book I dug up because of childhood memories was The Bulls and the Bees, by Roger Eddy.  It's a novel (memoir?) in a series of short stories, narrated by the astonishingly solemn voice of a child growing up in the twenties.  His father is a stockbroker and the boy's hobby is buying a single share of stock from different companies.  He has no idea he is "investing."  He thinks he's just buying interestingly engraved paper.  This leads to a crisis after the Crash in 1929.

This has gone on too long.  Maybe next time I will talk about childhood favorites I bought my daughter when she was a kid.

But what books call to you from your childhood?  And if you reread them was it a joy or a disappointment?

Where Have All The Heroes Gone?

Memorial Day 2016

I guess I noticed it more in the Sunday Comics. Our newspaper only had one comic strip that even mentioned the True Meaning of Memorial Day. OVER THE HEDGE by Michael Fry and T. Lewis. Thank you gentlemen. They mention "Remembering Our Fallen Heroes" With the last frame showing an American Flag. Two other strips mention BBQ or grilling in the back yard. Okay, maybe the other comic strips remembering the Fallen Heroes will be in tomorrow's papers. A lot of people only take the Sunday paper and everything shows up much better in color print.

When did this just become a day to grill out doors, buy a new mattress or travel on the first official day of summer? Maybe I'm just getting too old and a little cranky. But I remember when all the comics would do something special to bring up the fact that the day was set aside to remember those we've lost in war.

We still are involved in wars going on all over the Middle East. Undeclared wars for sure but American Military young people, male and female are still coming home in body bags.  Maybe nowadays we don't like to think about war. Congress won't even bring it up for debate. Almost every town and many big cities usually had a parade. I guess I'll check on the news tonight and see if any parades took place.

I was born in 1939. Okay, you do the math. For the next few years War was almost all people talked about or thought about. I was a teen in the 50s the time of the Korean War and a young mother during Vietnam. But people still talked about it. Young people protested it. Young men burned their draft cards and fled to Canada. Then the first Iraq war happened and suddenly the military was honored again. But our now those wars have been going on so long that maybe people have become complacent and jaded.

One of the first big memories of my dad happened when I was six years old and living with my grandparents in the Houston area. We actually lived ten miles from the Houston City limits. I was home from school, first grade, because I had chicken pox. My mother worked at the Consolidated Aircraft factory in Ft. Worth and it was too difficult to be absent from your job. In fact, you could be fired if you were absent without a doctor's written excuse.  Mother sent me to live with my grandparents for a few months.  I was mostly over the pox but had not gone back to school yet.

 Suddenly, my grandmother said, "There's a Yellow Cab driving up to the front of our house."
I ran to the window and saw this tall man in an Army uniform getting out of a taxi. My grandmother threw open the door. "Tommy Barrow, come into this house." It was my dad. I don't remember much about what we said or how the whole visit went although I'm fairly sure he spent the night. I do remember looking at my arms and legs and seeing all these little pale pink spots. I thought my chicken pox had come back. But I was assured it was only my excitement that made the pox shine through.

 I also remember my grandfather and I driving with my dad out to the Dallas/Ft. Worth Highway. My dad had on his uniform again and he kissed me good-bye. He was going to hitchhike to Ft. Worth and in a couple days be off to the China Theater. Dad only stood there about five minutes when a car stopped to give him a ride. Folks back then would nearly always stop for anyone in the Military. This was long before we ever thought about stranger danger and hitchhiking by bad people.

 My dad was lucky in many ways. He had been to college and could type so he was usually assigned to be an officer's aide or secretary (or whatever they were called.) Like being "Radar" in the TV show. And wasn't out on the battlefield. He did tell me a few years before his death that he was in charge of setting up a medical mobile unit in India. These were the forerunners of MASH. It meant that he wasn't in grave danger. It also meant that my father came home.

Today is the day we honor those fallen Soldiers, Sailors, Air Force, Coast Guard and Marines who never got to come back home. These are our TRUE HEROES and many of us shall never forget them: NEVER.

A Question of Identity

by Eve Fisher

Amalfi Coast, © Wikimedia Commons

With any luck, by the time you read this, I'll be on vacation with my husband, taking a Mediterranean Cruise. I love cruises: I find it infinitely relaxing to unpack once, and then do pretty much whatever I want to do for the duration. I love the Mediterranean: the food, the scenery, the history, the artwork. I love vacations: it gives me time to think, the long-houred, idle thinking (sometimes drifting, sometimes racing) that I don't often have time for at home. This is the kind of thinking /dreaming / drifting that came with childhood and is one of the main reasons for nostalgia about childhood. Time. An idea. A thought. A question. And you're off…

And currently, I've been thinking about a lot of things: identity, mortality, friendship, relationships, because of the death of one of our very best friends, Frank Senger. He was only 61. A wonderfully talented actor, who appeared in (among other things) The Professional, Maximum Risk, a number of Law & Orders and Oz. He also wrote and performed poetry and performance art pieces. He was the best man at our wedding, 37 years ago, my husband's best friend, and my best improv partner ever.

Frank Senger

Allan and I and Frank and his wife, Theresa (a wonderful visual artist), hung out well together: we talked constantly, vacationed, cooked and ate extremely well, hiked, laughed, watched movies and TV shows, went to art exhibits and performance pieces, and anything else that struck our fancy. Frank was a great friend, a great listener, a great person. His death was sudden, tragic, comic, and pure Frank: he was teaching an acting class, doing a death scene, in which he fell down... and did not get up... (A friend of mine heard that and said, "he'll haunt that theater forever - in a nice way", and she's probably right.) He suffered a massive coronary. We still can't believe that he's really gone.

Deaths are hard. Every time you lose someone important to you, you lose not only the person you were, but the person you were with that person. And the person they were with you... For example, whenever we all got together, sooner or later Frank and I would go into improv: Bad Kabuki Theater, Bad Greek Theater, Hillbilly Hamlet, and many, many others. I could be absolutely fearless with Frank, because no matter what I said, he'd catch it, play with it, tie a bow in it, and throw it back. I can't imagine anyone else triggering the Eve who did that fearless improv at PS1 in NYC. We'd gone to see an installation piece that was pure crap, so Frank and I started doing Bad Greek Theater, with Frank orating a mixture of artistic / political / social satire and gobbledegook while I was his Greek chorus, waving my arms while chanting, among other things: "Orestes! You've lost your testes!"

Allan... well, to Allan, Frank was his best friend and his brother. And Theresa... it's unimaginable what she's going through.

C.S. Lewis
By Source, Fair use,
https://en.wikipedia.org/
w/index.php?curid=7049156

Friendship is a great mystery, and only deepens the great mystery of identity. None of us will ever be again who we were with Frank, because that special chemistry only existed when we were with him. Not only do we not live in a vacuum, but we (literally, in all conjugations) ARE not in a vacuum. Who we are is dependent, in large part, on who's around us, and changes accordingly. C. S. Lewis explained it on The Four Loves:

"Lamb says somewhere that if, of three friends (A, B, and C), A should die, then E loses not only A but "A's part in C," while C loses not only A but "A's part in B." In each of my friends there is something that only some other friend can fully bring out. By myself I am not large enough to call the whole man into activity; I want other lights than my own to show all his facets. Now that Charles is dead, I shall never again see Ronald's reaction to a specifically Caroline joke. Far from having more of Ronald, having him "to myself" now that Charles is away, I have less of Ronald." (p. 96)

And less of myself as well, because I'm also not large enough to call MY whole person into activity. Contrary to egomania and other common disorders, I want and need other lights than my own to show all my facets as well. I believe that's part of the reason that people, as they grow older and their contemporaries die, retreat into memory. To recapture not only their friends and family, but themselves. Because half of what we talk about with family and friends is the past, the things we did together. We reiterate, play back the past over and over again to make sure that not only we remember, but the next generation learns it as well, so that they can remember, too.

That's why we have things like history, diaries, Gilgamesh, the Iliad, and Icelandic Sagas. If you can't pass down the memories one way, pass them down another. Because when there's no one who remembers but you... well, that gets tough. And strange. I know. My parents have been dead for 16 years, my grandparents for over 30 years. I have no other living relatives. So I have no one to reminisce with about my childhood, not to mention the stories they told me about their lives, and other relatives' lives. Thank God for writing…

Back to friendship: Lewis also wrote, "Friendship is unnecessary, like philosophy, like art... It has no survival value; rather it is one of those things that give value to survival." (And God knows, as Emily St. John Mandel said in Station Eleven, "Survival is insufficient.") But I disagree with Lewis: Friendship IS necessary. It DOES have survival value. Art, philosophy, music, friends, lovers, family - everything that touches us, mentally / emotionally / spiritually, goes into making us who we are. To lose any of that is to lose a part of ourselves. To change ourselves. To gain any of it is to enhance ourselves.

“No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.” John Donne, Devotions upon Emergent Occasions, 1624.

John Donne is always right on the money.

R.I.P., Frank Senger, and all the people I have loved, now no longer.

Back in a week. Love to all.

The Revolt of The Oyster

Don Marquis, who died seventy years ago, is probably best known for ARCHY AND MEHITABEL, but he published some thirty-five books, and his daily newspaper columns were widely read. THE REVOLT OF THE OYSTER came out in 1922, a collection of what are best described as Shaggy Dog stories (some of them in fact told from the dog's POV).

This post, though, isn't really about Don Marquis, that's just a loose hook. I first ran across THE REVOLT OF THE OYSTER in my grandmother Ada's summer house on Salters Point, near New Bedford, on Buzzards Bay. Anybody who's ever rented a vacation cottage remembers that they're often furnished with old Agatha Christie paperbacks, say, or Louis L'Amours, or the Hardy Boys, and I remember going down every year to Ada's house, until I was maybe fourteen or fifteen, and every year I'd go straight to the bookshelf and take out the Don Marquis again. I never took it home with me. I always left it there for the next summer, a talisman, or a touchstone, if you will. I associated the book with that particular place, the smell of the ocean, the light on the water, the house itself, with its porches overlooking the seawall, my grandmother's sister, my Aunt Al, sitting in her room by the windows, playing her endless games of solitaire.

Hancock Pt. library

My other grandmother, my mother's mom, had a cottage up in Maine, at a place called Hancock Point, across from Mt. Desert Island. The way it seems to me now, although I may be misremembering those long-ago summers, is that we'd spend July at Salters, and August in Hancock. Hancock had a little seasonal library, most of the books out-of-date, on loan or donated, and there was a children's wing on one side, a great place to spend a rainy day. The book I checked out every year was THE BEARS' FAMOUS INVASION OF SICILY, and again, I connected it particularly to Hancock Point. I never thought to read it, or even try to find it, anywhere else. It was that physically specific.

Memory is of course inexact, and it shifts under our

feet. Also, we invest old favorites with our own imagination. Was the BEARS book really any good? I really only remember the drawings, which were wonderfully evocative. You could probably say the same thing about the Babar stories---if you look at them from a grown-up perspective, are they an apology for French colonialism? I'd rather no project this kind of moral re-reading into them. It stifles delight. And we were innocent of politics, then. We were kids, after all, and maybe less demanding. We satisfied ourselves by entering an unfamiliar world, one that we inhabited, and populated, that became more familiar over time. If, in fact, not the books, per se, that sense of wonder we recall, that first encounter. It brings back to me the smell of the piney woods, or the salty rocks, or a fire in the fireplace, on a stormy night. My childhood, in a word, a time and a place that no longer exists.

This isn't loss, or regret. It's more a kind of conjuring trick, an act of reimagination. We're never going to be nine years old again, but we can visit, and when I read THE REVOLT OF THE OYSTER, it becomes, for me, a trip to Ada's house by the shore and the world of summers gone, a game of solitaire, shuffling the cards.

All Hallow's Eve

by David Dean

Before we begin I have a very important announcement: We here at SleuthSayers love our readers, so we are going to offer a special treat. We authors are going to give away copies of our books (or similar goodies), one a month, starting now, and continuing until we run out of gifts or readers. This month's prize will be a paperback edition of my book, "The Thirteenth Child", signed by yours truly. All you have to do is email us at Velma(at)secretary(dot)net by midnight, November 3. The winner will be selected at random. Please put the word "Contest" in the subject line. Best of luck...and now back to our regularly scheduled blog.

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Halloween has always been one of my favorite days on the calendar. It falls during one of the most beautiful times of the year, involves costumes, the chance of being frightened (and hopefully nothing more), running around at night, and at the end, actual rewards--candy! What's not to like? Of course, some of those enticements are more meaningful when you're a kid, but I guess the spooky charm of it all has never lost its appeal to me--or my wife, for that matter.

When I was a boy growing up in Georgia, I thought it was the next best thing to Christmas. During that long-ago time and in that far-away place, we kids were allowed to pretty much roam at will for blocks in every direction during the daylight hours. It was generally understood that grown-ups would keep an eye on you wherever you went, and certainly report to your parents any code-of-conduct violations they observed. At least this was what we believed and trusted in at the time. But even with this almost unfettered freedom, we seldom ventured beyond our own neighborhood. I think we had a "Beyond this be dragons," philosophy as children. Halloween night, however, all this changed, if only for a few brief hours.


Donning masks, that today would be laughably simple and unfrightening, we gathered into packs with our friends, snatched paper grocery sacks, or old pillow cases, from our moms' hands, and tore off into the darkness--even if it fell on a school night! Besides being a genuinely scary sensation, this roaming through the night, it was also a race with consequences. Every other kid in the known world was trying to get the last of the candy at the next house along your way! An intolerable possibility! When we would begin our scavenging, porch lights winked like a vast constellation across the city, but within a scant few hours, those same lights began to vanish, one by one, returning the world to its previous drab and unmagical state--they had run out of candy. Intolerable, indeed.

This inevitable consequence would force us to race from house-to-house, and eventually to leave our neighborhood for parts unknown. There was no need to discuss our direction of travel, as only one direction made true sense--east. To go west was to cross Hamilton Road and venture into a vast shanty town of mill-workers and their very tough kids. As these same kids were running roughshod over our own neighborhood, their sheer numbers and determination an unstoppable force, Gothic in both number and consequence--we flew east ahead of them. A neighborhood called "Winchester" was our bountiful target. I think they viewed us kids from "Lester's Meadows" in the same fearful light we did the trolls from "Bealwood"--Beal as in Beelzebub. But no matter, we were swift and artful, and returned to our homes laden with booty!

Dumping all the goodies onto the floor we would sort through the takings, setting aside treats that did not suit our particular palate. Then, using these as barter, we would engage in furious trading sessions--you would have thought we were young Wall Street brokers--hard-nosed and keenly avaricious. It was a great night!

This was all vastly different from the true origins of All Hallows, or its earlier incarnation of Samhain. Samhain was an observance by the ancient Celts of Gaul and Britain commemorating the loss of the sun with the coming winter and celebrating its eventual return in the spring. Perhaps because of that descending darkness, this was also the night that the dead returned to walk among the living. Encounters with the dead were not generally considered a good thing, as it could signify that your own time amongst the living was at an end. As if this was not a frightening enough situation, the Celtic priests (Druids as they were called), made this a night of human sacrifice, piling prisoners-of war, criminals, and other undesirables, into a wicker framework designed to resemble a giant man, and setting them ablaze. By the light of this titanic, and gruesome, torch, everyone feasted and danced the night away. I often suspected the kids from Bealwood had similar plans for me and my friends. Even Julius Caesar, not known as a squeamish man, was affronted by this practice, which apparently he witnessed during his invasion of Britain in 54 BC. In a righteous fury he had thousands put to the sword--much better; more civilized certainly. When one pines for "the good old days" one should be specific...and careful.

With the coming of Christianity, and the adoption of the cross by various Irish, Scottish, and British (not to be confused with English) kings, things began to change--but not quickly. Old habits die hard as they say, and the Celtic belief that Halloween was a night when the spirits of the dead walked amongst the living, just would not die a natural death. Not wishing to alienate these new Christians, the Holy Roman Church did something smart--they just co-opted the occasion. Making the day after Samhain a church feast (Holy Day) to celebrate the unknown saints--All Saints (as opposed to a specific saint), the evening prior became All Hallows Eve, or in the vernacular of the day, Hallow e'en.

"It Is Dawn; We Go"

It only took a millennium or so, for the terror of Samhain to be tamed into the costumed trick-or-treating we know today. Treats were often left to propitiate wandering spirits, as well as ancient gods and monsters, and certainly my friends and I were often labeled little monsters even when out of costume. Failure to play by the appropriate rules would lead to tricks being practiced on the un-believers. A just arrangement, in my opinion. Costumes of demons and ghosts incorporated some of the darker elements of the earlier pagan practice; being also useful in avoiding identification as regards the aforementioned tricks, and therefore practical, as well.

So, from dark and bloody beginnings, children now cavort through the evening in the service of their sweet-tooth, their costumes giving them a sense of anonymity, and therefore, freedom, even as their parents trail mere paces behind ( a concession to a different, and once again, darker time). The night is filled with laughter, and not screams, or at least not ones as fearful as Caesar must have heard issuing from within the wicker man. The dark side is held at bay, even on the eve of its commemoration, and I, for one, am not sorry. Happy Halloween!