What Goes On In Your Town?

 by Jan Grape

1960s AUSTIN GANGSTERS Organized Crime That Rocked the Capital by Jesse Sublett. The History Press 2015

I may have mentioned this book before, not sure, but I just finished it this week and am still intrigued. Mainly, I guess because I was in and around Austin, TX during the 1960s. No, I didn't moved to Austin until the last 60s and then only for about 16 months. I moved here for twelve years beginning in 1987. My Dad and Bonus Mom moved to Austin in 1957. They both worked at the State Offices of the State Employment Commission (now known as Texas Workforce Commission.) And because my family lived in Austin, I visited often. I'm sure I knew like most people that Austin had a certain criminal element, but Organized Crime?

Mr. Sublett's true crime book is outstanding for the history buff and for the crime writing gang. Okay, the Austin mobs weren't exactly like the old Italian mobs I've read about in crime stories and saw in movies like The Godfather. But the elements of crime were organized even if it could be considered a rather loose organization. Mr. Sublett says it was called a White Trash mafia.

Two high school football players, Tim Overton of Austin TX had every thing a young footballer could ever hope or dream for and yet threw it all away for a life of crime. Tim Overton a youngster from the wrong side of town whose mother died from a brain tumor when he was a senior in high School was a big offensive guard and Mike Cotton,a running back. from the more affluent side of town both received athletic scholarships from the new head coach Darrel Royal. Mike Cotton stayed out of the crime business, but Tim was drawn deeper and deeper into that world.

Tim Overton didn't just go nuts after his mother died, although some people thought he was really never the same. He did go on to college and was making decent grades that first year. After his first problems with the police, Coach Royal helped Tim and gave him more than one opportunity. Overton idolized Coach Royal and felt the coach turned his back on him. Probably harder on the coach than Tim Overton ever realized.

Before long, Tim and his associates or crew were driving Cadillacs, wearing diamond pinkie rings and running roughshod over prostitutes, pimps, banks and small businesses. Tim was involved with crooked lawyers, pimps and used car dealers. Smuggling and prostitution rings were high on the White Trash Mafia's plans and crimes. Murder often came into play and trying to outsmart the police was a big order of the day.

 Mr. Sublett has done fantastic research, with court transcripts, police files, Austin History Center files, talking to people who were around then and knew the players. He was able to also come up with photos of the players, their families, their victims and suddenly you realize while you're reading that you are totally involved with this story. Not to romanticize these criminals, but to be interested in the history of a town you've been in and around for over fifty year and a history you actually weren't aware of and in a way surprised about it.

If you have a chance and are interested in the history a small time frame of the capitol of Texas, I strongly advise you to pick up a copy of 1960s Austin Gangsters by Jesse Sublett.

A little personal note: Here's a photo of the beautiful Sage Award that was presented to me on May 17th from the Barbara Burnett Smith Aspiring Writers Foundation. It's  lucite and has a silver colored star on top and is engraved. My picture wasn't  the best but I think you can get a sense of it.

What Are You Reading?

As soon as I saw my fellow SleuthSayer, Dale C. Andrews post for Sunday, I knew I was on to something. I'd been wracking my brain for days to come up with something to write about today. Suddenly, I found myself staring at a stack of books on the lamp table next to my perch on the sofa. I'll tell you my reading pile this week and you tell me yours, Just a quick note on this Mother's Day to clue everyone in on what a fantastic and versatile group of writers who keep this site going each day. I knew there are award nominees and winners here and I thought it might be high time we tooted our own horns. So in no particular order check out these your daily sleuth sayers.

Eve Fisher: Her short story, "A Time to Mourn" was shortlisted for Otto Penzler's 2011 Best American Short Stories.

John Floyd: won a 2007 Derringer Award for short Story"Four for Dinner."
Nominated three times for the Pushcart Prize "Creativity" 1999 for Short Story
"The Messenger 2001 for Short Story and for a poem "Literary vs Genre" 2005
Shortlisted three times for Otto Penzler's Best American Mystery Stories, "The Proposal," (2000)
"The Powder Room," (2010), "Turnabout" (2012)
And "Molly's Plan" was published in 2015 Best American Short Stories

Nominated for an EDGAR AWARD for the short story "200 Feet" 2015

Janice Trecker: Nominated for an EDGAR AWARD for Best First Novel years ago,

A Lambda award for Best Gay Mystery Novel for one of the Bacon Books a year ago and a

nomination for Best Local Mystery book on the History of Hampton, CT now my home town.

Dale Andrews: My first Ellery Queen Pastiche, "The Book Case," won second place in the EQMM 2007 Reader's Choice and was also nominated for the Barry Award for Best Short Story that year.

Rob Lopresti: I've been a finalist for the Derringer three times, winning twice.

I won the Black Orchid Novella Award.

I was nominated for the Anthony Award.

Paul D. Marks: won the SHAMUS AWARD for White Heat.
Nominated this year for an ANTHONY AWARD for Best Short Story for "Howling at the Moon."

David Dean: his short stories have appeared regularly in Ellery Queen Mystery Magazine, as well as a number of Anthologies since 1990. His stories have been nominated for SHAMUS, Barry, and Derringer Awards and "Ibraham's Eyes" was the Reader's Choice Award for 2007. His story "Tomorrow's Dead" was a finalist for the EDGAR AWARD for Best Short Story of 2011.

David Edgerley Gates: has been nominated for the SHAMUS, the EDGAR (twice) and the International Thriller Writers Award.

Melissa Yuan-Innes: Derringer Award Finalist 2015 for "Because" Best Mystery Short Fiction in the English Language
Roswell Award for Short Fiction Finalist 2015 for "Cardiopulmonary Arrest."
Won the Aurora Award 2011 Best English related Work and her story " Dancers With Red Shoes" is featured in Dragons and Stars edited by Derwin Mak and Edwin Choi. Her story "Indian Time was named one of the best short mysteries of 2010 by criminalbrief.com
Year's Best Science Fiction, Honorable Mentions for "Iron Mask," "Growing up Sam," and "Waiting for Jenny Rex."
CBS Radio Noon Romance Writing Contest- Runner-up
Melissa has also won Creative Writing contests and Best First Chapter of a Novel in 2008 and second place for Writers of the Future and won McMaster University "Unearthly Love Affair" writing contest.

Melodie Campbell: is the winner of nine awards: 2014 ARTHUR ELLIS award for (novella) The Goddaughter's Revenge. which also won the 2014 Derringer.
Finalist for 2014 ARTHUR ELLIS award for "Hook, Line and Sinker" and this story also won the Northwest Journal short story.
Finalist for 2013 ARTHUR ELLIS award for "Life Without George." which took second prize in Arts Hamilton national short fiction.
Finalist 2012 ARTHUR ELLIS award for "The Perfect Mark" which also won the Derringer award.
Winner 2011 Holiday Short Story Contest for "Blue Satin and Love."
Finalist for 2008 Arts Hamilton award for national short fiction for "Santa Baby."
Third Prize 2006 Bony Pete Short Story contest "School for Burgulars"
Winner 1991 Murder and Mayhem and the Macabre, "City of Mississauga, 2 categories
Third Prize 1989 Canadian Living Magazine, Romance Story "Jive Talk."
Melodie is also a finalist for the Arthur Ellis Award for best short story for 2015 which will be announced on May 28th.

Robert Lawton: nominated for the Derringer Award for "The Right Track" in 2010
Nominated for the Derringer Award for "The Little Nogai Boy" in 2011.

Jan Grape: Nominated along with my co-editor, Dr. Dean James, for an Edgar and an Agatha Award for Deadly Women for Best Biographical/Critical Non-Fiction. 1998
Won the mccavity award along with my co-editor Dr. Dean James for Deadly Women for Best Non-fiction.
Won the Anthony Award for Best Short Story, 1998 for "A Front-Row Seat" in Vengeance is Hers anthology.
Nominated for Anthony for Best First Novel, 2001 for Austin City Blue.
Jan will receive the Sage Award from the Barbara Burnet Smith Aspiring Writers Foundation on May 17. This award is for mentoring aspiring writers.

We all have to admit, our SleuthSayer authors are a multi-talented group.

On this Mother's Day, one little personal note, my mother, PeeWee Pierce and my bonus mom, Ann T. Barrow, both taught me to be a strong, independent, caring woman and I was blessed to have them in my life and I still miss them. Both were able to read some of my published work and I'm glad they were.

Happy Mother's Day, everyone.

Meet My Character Blog Tour

I've been tagged and invited by my friend, Paul D. Marks, Shamus Award winning author of White Heat, to join the Meet My Character Blog Tour. Each author who is asked writes about their character answering questions on their blog, then tagging one to five other authors to join. Not only do you find out about interesting or intriguing characters you also learn a little about an author. One you might not know anything at all about, you also promote your work and their work on your blog and then they promote it on their blog site. It sounds like fun so I agreed to be tagged. I think it would be best if you contact the person you plan to invite to see if they will agree. Also you can only invite one person if that's what works best, but it's going to be more fun if you at least invite two or more.
Paul recently posted his and you should check it out: www.pauldmarks.blogspot.com
Paul's website is: www.pauldmarks.com

Here goes:

1. What is the name of your character? Is he or she fictional or a historic person?

My Austin Policewoman is named Zoe Barrow. Barrow is my maiden name and I chose it to honor my late father. She is fictional but a little of several female police officers that I met while attending the Austin Citizen's Police Academy. Austin was one of the first cities to have an academy for citizens to learn about the police department and understand  a bit of how they worked and the problems they faced. Most of the people who attended were folks who were going to be watch captains in their Neighborhood Watch Programs and were held back then out at the Police Academy. The classes were held once a week for ten weeks, each program was one and a half long with a break, then another one and a half hour and taught by either the head of the department or the second in charge We had classes in Bunko-fraud, Firearms, Robbery-Homicide, Fingerprints & Ballistics, Sexual Crimes, SWAT, Victim Services, District Attorney, etc. We took a field trip to police headquarters to see all the division offices and to learn about Fingerprints from their AFIS computer, automated fingerprint identification. We saw how weapons and firearms and bombs were handled. We saw how the K-9 unit worked, watching the dogs work, outside on their training grounds. One of the final classes before we got to ride with a patrol car for a full eight hour shift was the Firearms Training Simulator aka FATS. These were "Shoot, Don't Shoot" scenarios, a video of a person plays on the screen and you have a laser gun. The person can be a good guy or a bad guy and when the action starts you must shoot or don't shoot by whatever the action is. I did quit well until my last scenario and I shot a guy in the butt. The patrol ride was especially enlightening as the officer never know when getting as call what can or will happen. We went to an abandoned Winnebago type trailer on a neighborhood street. A dog was tied up outside. The officer I was with made me stay in the patrol car while he checked the place out. No one was in the trailer but there could have been and someone could have come out shooting. My officer had given me instructions on how to operate the vehicle's radio if he got shot and needed help. Many of my readers have asked if I ever was a police officer after reading AUSTIN CITY BLUE the first in the series. I never have been, but besides the Citizen's Academy training, one of my officer friends read and vetted my manuscript.

2. When and where is the story set?

Guess I pretty much answered this in the previous answer. Austin, Texas in the present day.

3. What should we know about him/her?

Zoe is dedicated to her job and to helping people. She works with other officers who are also dedicated and their main object is to keep their city safe. Austin is a great place to live but I have to admit since I first wrote these two books, ACB and DARK BLUE DEATH, Austin had grown by leaps and bounds. The police department has undergone many changes. I hope most of them are to help the citizens and police to work to keep crime and the bad guys out of our city and that we have a safe city that is as safe as possible. I have a huge respect for our law enforcement officers and I do understand a tiny portion of what they deal with every day, every hour.

4. What is the conflict? What messes up his or her life.

At the beginning of the book, Zoe has had to shoot a suspect. She didn't know it at the time but he is the gang-banger who accidentally shot her SWAT officer husband, Byron Barrow, in a drive-by shooting. Byron took the bullet in the head. It didn't kill him but left him in a vegetative state. He resides in a nursing home. She has to try and deal with the Internal Affairs Division who sound as if she knew this suspect and killed him out of revenge. Then she has to deal with the guilt of killing a young man.

Her personal conflict, is in dealing with her husband and the semi-coma state that he is in. How she visits him almost daily, talking to him, but he doesn't answer back. (This relationship was my tip of the hat to my friend Jeremiah Healy, who's private eye character, John Cuddy goes out to the cemetery and talks to his dead wife.) Besides dealing with her work and her husband Zoe meets a man who is a private investigator that she's somewhat attracted to but she still feels married although everyone including the doctors tell her that for all practical purposes her husband Byron is dead.

5. What is the personal goal of this character?

Besides trying to resolve her guilt and deal with her husband.  A friend of her father-in-law asks her help because he thinks his wife is trying to have him killed.  Dealing with the pressures of her job each day she's just trying to survive it all.

6. Can we read about this character yet?

Both of the Zoe books have been published, AUSTIN CITY BLUE and DARK BLUE DEATH are
in hardcover from Five Star/Cengage. They both were published in audio form from Audiobooks. They're available in libraries and in some mystery bookstores. I'm trying to get them formatted to e-books so more people can read them since they are out of print. ACB was also published in paperback and you might find copies in a used book store. I'm hoping one day to finish the third in the series, BROKEN BLUE BADGE. After my husband passed away, I had a number of health problems and am only now getting back to writing again. I'd like to finish that Zoe book and sorta wrap things up for Zoe Barrow, Austin Policewoman.

7. A stand alone mystery that I had published, also from Five Star/Cengage is WHAT DOESN'T KILL YOU. The main character is Cory Purvis.  A sixteen year old girl who lives with her uncle in a very small town in west Texas. (think not far from Big Bend.) She and her friend who is half-white and half Native American find the body of a young woman who had been a classmate of the two. The dead girl is in an old abandoned mansion which is supposedly a haunted house. The dead girl is naked and tied up. Almost immediately Cory discovers her friend, TyTy had a brief sexual with Vickee the dead girl and he is put in jail for the murder. Cory doesn't believe TyTy killed the girl and she goes against her uncle and the county sheriff and tries to find out who did kill Vickee.  Although the heroine is only sixteen, this is an adult book, not for very young people due to explicit language and scenes.

This book may be available in mystery bookstores also.

(A note regarding the FATS system you can look online and find short videos on YouTube showing some of the training the officers get.)


My plan now is to invite Fran Rizer, Bill Crider, Alafair Burke, Jinx Schwartz, Kaye George. I haven't had a chance to get in touch with any of these authors so please excuse me if it doesn't work exactly. But I will include them in my next blog time.

Are You A Cop?

People often ask if I am or was ever a police officer since I write a policewoman series. My answer is "No." However, in 1991 I took some classes offered by the Austin Police Department. It was the Austin Citizen's Police Academy. The training was a four-hour, once a week for twelve weeks program, set up mainly for people wanting to belong to their Neighborhood Watch Program. When I filled out my application for the classes I said I wrote mysteries and was interested to learn more about policing in order to write more realistically. That got me into the classes and I enjoyed them a great deal. So much so, that I encouraged my husband to attend, which he did and I also joined the Citizen's Police Academy Alumni Association or the CPAAA.

The instruction was comprehensive and each week different departments were covered by either the head of the department or the next person in charge. The sessions covered Communications, Patrol, SWAT, Robbery Homicide, Fire Arms, Fraud, Canine Units, and General Training. Each session consisted of lectures, demonstrations, tours and the last session was a riding in a patrol car with an officer for a ten hour shift. Mine was a fairly easy shift but I did soon realize that every single call an officer responded to could be dangerous. Even the ones that were supposed to be nothing more than a suspicious vehicle parked on a neighborhood street.

The CPA's slogan was "Understanding through Education." The goal was to provide enough information to help dispel misconceptions about policing and establish rapport between citizens and the police officers. Besides the knowledge and understanding I gained, I also met several officers I was able to call on when I needed detailed information on a particular subject.

Once the training program was complete we had an actual graduation ceremony and were given a diploma. We were then able to join the Alumni Association if we wished to do so. I did and one of the perks for alumni members we were called out during at least one of the regular police academy sessions to be a "bad guy" in a practical exercise training. To me, that was great fun to pretend to be a scumbag, and really  get a cadet into a situation. They knew they weren't gong to actually get hurt but we could rag on them and cuss them out. The only time in my life I was able to cuss out a police officer and get away with it. I had a training officer tell me to get really mouthy with some cadets to see how they would react… especially if there was a cadet the T.O. needed to be sure that cadet would be able to keep their cool and handle the situation correctly.

In my book, Dark Blue Death, I wrote the first chapter of a scene that took place almost word for word in a training session. My training officer that day was a outgoing, very personable female officer who had been on the Austin police force for several years and in fact, was one of the first female patrol officers. She told me "war stories" of stopping a car for speeding and putting her police hat on. Her hair was pulled back in a pony tail and she had a bit of a deep voice. The culprit would be shocked to discover she was a woman. Sometimes walking up to the car, with a female driver, that female would be all ready to flirt with the officer, maybe pulling her skirt up a bit to show her legs. The idea being to get out of getting a speeding ticket. More than one driver showed real disappointment when the officer stopping her was female.

I actually went on a drug buy with an officer who told her Confidential Informant that I was a DEA agent helping on a special task force. The CI was given money by my police officer buddy and told what to buy. The CI went inside the suspect house and made the buy. The CI came back out with the drug and was sent on his way. The police officer put the crystal meth rock in an evidence bag, labeled and dated it, then she and I returned to headquarters and she showed me how they stored the drug in the evidence locker, marking the time and place and the action. It was all totally fascinating to me and still is. Unfortunately, it's nearly impossible to get to accompany an officer in that manner nowadays. The CPA still exists but now is a fourteen week program and a number of the alumni work in a volunteer capacity where needed.

To be honest, I don't think I'd like to be a police officer but it's fun to write about being one. Strangely enough, I was writing Private Eye short stories before I wrote my first Zoe Barrow novel. And even after becoming an alumni of the citizen's police academy I still was working on a PI novel. I was out at the academy, getting ready to participate in a practical exercise when this policewoman character began talking to me.  Yes, I'm one of the weird ones who often hear voices in my head. My characters start talking. Zoe began talking and she was very determined that I tell her story. So I did. The first is Austin City Blue, and as I mentioned earlier, that Dark Blue Death was the second.

 Oddly enough when my husband passed away and I had a number of health problems, Zoe quit talking. She does have one more book to tell and it was half-way complete when my life changed. It's even got a great title, Broken Blue Badge. I just have a strange feeling that she's on the edge of my conscious and will show up one day soon and begin taking again.

Until then, I'll keep seeing all y'all fairly regularly.

Research and Location

In a weird sense this is extra to Dix's blog on daydreaming. The topic of research has been on my mind for a couple of days and after reading about daydreaming and play acting I realized it more or less fit in the same category.
To learn where you characters are going to be located in your book. How much or how little do you research? For my first book, Austin City Blue, I visited the Austin Public Library's History Center. I read all the wonderful stories and newspaper clips that told of murder and mayhem in Austin in the beginning days of recorded records. I was mainly interested in the records of the police department. I used a little historical paragraph before each chapter. It wasn't a clue but I tried to make it relate to something that was going on in each chapter.

For instance, prior to Chapter Five I wrote:
             In May 1904, the police chief announced compliance with a city-ordinance requiring new uniforms for his force. The ordinance stated: "the dress of the patrolmen shall consist of a navy blue, indigo dyed sack coat with short rolling collar, to fasten at the neck and to reach half-way between the articulation of the hip joint and the knee, with four buttons on the front. The pantaloons have to have a white cord in the seam. The cap to be navy blue cloth with a light metal wreath in front." The chief instead ordered felt hats and requested helmets for foot police, making them look like "real city policemen." The police clerk refused to wear his uniform-- blue trousers, yellow coat, and green cap--saying it made him look like an organ-grinder's monkey.

The chapter briefly mentions wearing the dress blues and/or dressing plain clothes in homicide.

Towards the end of the book, I wanted a neighborhood in a specific area that looked a bit seedy but not totally undone. I got in my car and drove around and found exactly what I wanted. It was a neighborhood filled with double-wide and single-wide trailers but not really considered a trailer park. The manufactured homes in the front part of the neighborhood were well kept and tidy, with nice lawns, gazebos, flower gardens and white picket fences. As I drove back into the neighborhood there were unkept yards, a car upon blocks in a driveway. Peeling paint on the houses, children's toys scattered and looking abandon. It was exactly what I needed and I used it in the book.

For Dark Blue Death, I used information I had learned from some classes I took that were presented by the Austin Police Academy. It was called the Austin Citizen's Police Academy program and mainly used for teaching neighborhood watch programs all about the various police divisions. Fraud, Robbery Homicide, Firearms, Victims Service, SWAT, etc., and was a 10 week, 3 and a half hour class session. Each division sent a department head to talk to us and explain what their units did. It was very informative and I met several officers that I later could contact and pick their brains more.

I also drove around Austin and took photographs of a location or a building I wanted to specifically mention. I went inside buildings to the 3rd or 10th or 14 floor to see exactly what a person might see from the windows of that building. Of course, I didn't use all the information I learned. Sometimes my book location changed and I didn't need a particular view or interior decoration.

A writer doesn't always write about the town they live in or even a place they've ever been inside of and sometimes just have to use their imagination. Once I wrote a short story about President Grant's wife, Julia Dent Grant inside the White House. I did a Google search and found pictures of the WH along with some floor plans. I managed to have the story take place in two or three different rooms and felt I did make it sound like the WH in President Grant and Julia Dent Grant's tenure there.

To me it's always fun to research and locate where I'm writing about. Someone several years ago, and I think it was Mary Higgins Clark, told of buying local newspapers of the town you're writing about even if you lived there four or five years ago. You are more likely to get the essence of the town and the people there. And if you're writing in the past, look up newspapers from that era and you'll discover the prices from the ads, what people wore, what entertainment people attended and a myraid of intriguing things.

Like the old real estate sales slogan: Location, Location, Location. Your book or story will definitely sound more authentic if you Research, Research, Research.