04 April 2025

Have a Word With Yourself


Two writers inhabit the office where I’m sitting right now. If one of us is having a bad day, the other can’t help but notice. It doesn’t take long before the other occupant gets an earful. On one of those days, I asked my wife to pause in her exasperated recitation. I rooted around in our stash of stationery and produced a piece of textured card stock. I handed it to her, and urged her to write something in this format:
Dear (your name):

You did a great job yesterday writing (short description of the thing you wrote or edited yesterday).

Today you’re going to work on (short description of today’s goal). And you know what? It’s going to be awesome. Have a great day.

I love you,

(sign your name here)

She looked at me like I was nuts but she did it. And for weeks after, whenever I sensed or heard from her that she felt bad about the way the current project was going, I’d either present her with a card in person or leave it on her desk so she’d see it when she next sat down.

She originally thought it was a woo-woo idea, but she now has a little stack of these cards that she has written out. (I do too, because I couldn’t very well let myself off the hook when I was foisting this on her.) I bought two old-timey mail spikes so we could lend some order to our individual piles.


One day, when she resisted doing the exercise because it felt weird, she said, “Where did you even get this stupid idea?”

I did what any husband would do in such a circumstance. I blamed Lawrence Block.

Yes, fellow mystery scribes, that Lawrence Block. The MWA Grand Master. The author of the Matthew Scudder novels, the Bernie Rhodenbarr capers, the Ehrengraf stories… (Oh you don’t know them? You probably should. Very funny.) Block has written tons of books, including what his website calls “midcentury” erotica.

You can’t say this about many fiction writers, but I like Block just as much when he’s writing nonfiction. His advice books for writers, in particular, radiate a very gentle, conversational authority.
In the mid-eighties, Block attended one of those seminars that promised to change your life. He liked what he learned and thought it might even be useful for writers, except that no one had created such material. So Block created a group of exercises and a PowerPoint presentation. Then he booked ads, rented hotel conference rooms, and embarked on road trips with his wife to teach writers how to get in their right mind.

For instance, he had students pair up with another writer, sit across from each other, and recite a list of fears they have about their writing. While one person read off their list of fears, the other person’s job was to simply listen and respond as follows.

“A fear I have about my writing is that it’s all a big waste.”

“Thank you.”

“Another fear I have about my writing is that it’s not any good.”

“Thank you.”

“Another fear I have about my writing is that editors will reject it as soon as they see how bad it really is.”

“Thank you.”

Block’s logic is that fear and negativity are chickenshit. They run aground when they are exposed.
The technique reminds me of that scene in Good Will Hunting when the shrink character played by Robin Williams demolishes Matt Damon’s tough guy persona by repeating one phrase over and over again—“It’s Not Your Fault”—until Will’s subconscious finally accepts the truth about his miserable childhood.



Block and his wife presented these in-person seminars for two years. Attendees paid $100 for the one-day course. Hitting the road every weekend for three months at a time quickly got old for the Blocks. Little mistakes here and there often left them at the break-even point financially. Block hung up his spurs and got back to his writing.

But he did hear from former students who felt that the class had helped them enormously. Well, he thought, maybe I should write it all down in a book. The first book version of the Write for Your Life course ran about 60,000 words, 20 chapters, 175 pages. Back in the eighties, in the days before print-on-demand, the only way you could make a book was to order a full press run. Block printed 5,000 books hoping he wasn’t going to lose his shirt.

Far from it. He sold all but 25 via mail order. After 4,975 copies disappeared in the mail, Block allowed the book to slip from his mind. Those copies took on a life of their own, with vendors eventually hawking them online at astronomical prices. In 2013, Block says, an assistant of his found the 25 leftover books tucked in a storage facility somewhere. They slapped them up on eBay and alerted fans in an e-blast. The books sold out in three hours.

Block finally capitulated, making the text available as an ebook and a print-on-demand paperback. Though many of the exercises were originally designed to be conducted in a setting with other writers, you can easily adapt them. (Hence the subtitle The Home Seminar for Writers.) I reread the book to write this piece, and I discovered many exercises that I refused to do upon first reading it years ago, such as:

  • I never got around to meditating at several points during the day: as a prelude to writing, after I had finished my writing for the day, or when I was stuck…
  • I never got around to practicing automatic writing—putting down on paper anything that pops into my head—for 10 minutes…
  • I never got around to compiling a list of all the eduction, expertise, life experiences, and references that I have accumulated that I might draw upon for my writing…
  • I never got around to assembling a list of actions I can take to add to that “bank” of experiences…
  • I never got around to decorating my home or office with positive affirmations that I can see on a regular basis…
I’ll stop there, but the book offers at least another 15 different exercises that I—haha—never got around to doing. Because I apparently was too busy not living up to my potential.

Oh—it turned out that the exercise I asked my wife to do is not in Block’s book. The closest is an exercise in which Block asks you to sign and date a letter to yourself in which you state that you no longer need to believe the aforementioned negative thoughts about your writing.

So it turns out that I, Joe D’Agnese, am also a self-help author!

You wouldn’t know it to look at me. I am not alone in buying such books and then not taking their advice. The entire self-help genre would die tomorrow if people did. At one point in the course’s history, Block realized writers so hate saying affirmations that he created and sold audiotapes where the affirmations were spoken aloud and you merely had to listen to them.

For me, what has become interesting about the “love letters to yourself” technique is noticing the negative reactions I have while doing it. I tell myself it’s stupid. I feel uncomfortable, almost sick, at the prospect of praising myself. In fact, I have already judged writing this very column about my experience to be a worthless and egotistical endeavor.

To which I can only respond: Thank you, Joe. Thank you very much.

But what does that mean for you?

Well, some morning soon, I hope you will rise, look yourself in the mirror, and say, “You know what, INSERT NAME HERE? You done good.”

If even thinking about such a thing makes you feel icky or weird, interrogate the feeling. That’s all I’m asking. And if it does make you icky, maybe you ought to check out Block’s book to see if it’s for you. Think about getting a paper copy so you can dog-ear pages or mark your progress as you work through the exercises.

Oh…and while you were looking at yourself in the mirror just now, I left this card on your desk. 


I use these Avery postcards
because they offer nice texture at decent price.


You know what to do with it. If following the instructions makes you feel weird, ask yourself why. Carry that question around with you for a few days as you go about your other projects and errands.
Not because it’s a big deal. Not because it’s supposed to change your life. Do it for yourself. Because it’s worth getting to know an interesting, creative person who builds such marvelous worlds.

* * * 

See you in three weeks!
Joe
josephdagnese.com




10 comments:

  1. Gee, maybe I should sell my first edition of that Block book? Don't think so. LB is one of my heroes.

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    Replies
    1. That's cool. Do you mind sharing how you bought it? Was it from him back in the day, or did you pick it up used?

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    2. The question is how I heard about it. His column in Writer's Digest? At one point he said he had been told he had written more about writing fiction than anyone else ever. Anyhoo once I knew about it I sent him a check and he mailed it to me.

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    3. I don't know how anyone could calculate that exactly ,but I agree with the gist of that compliment. It's hard to explain to other writers how valuable those columns are even years later. They go down as easy as potato chips, and his descriptions of the writing process has always rung true for me.

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  2. I guess this proves that I'm an egomaniac, but when I am in the depths of doom, gloom, and despair about my writing, I go downstairs and dig out one of my old AHMM's with one of my stories in it and reread it. And I tell myself, "There, you see? You wrote that. You can do it again." And I feel better.

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    Replies
    1. Looking at the magazines makes me feel so happy. I remember seeing "library-style" bookshelves at IKEA that allowed you display magazines or books on slanted shelves. That seemed like the best way to have my work on display but of course they don't fit in the office.

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  3. Having a wife you can write with—priceless. On the other hand, every time I say, "I can't," my non-writing husband says, "You always say that, and you always do." My favorite affirmations? "I'm a terrific writer at the height of my powers, no matter how much publishing sucks." "I know what I'm doing—don't touch my commas!" And my current mantra: "I'm so glad I'm old."

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    Replies
    1. I like those mantras very much. They make perfect sense, and the older I get, the more I realize that my strengths lie in what I've collected over time.

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  4. Joe, I've been a published writer since I was 18, and I don't think you ever get over the doubt! I read a few writer self-helps when I first started teaching writing (35 years) ago. Now, I've just faced the fact that I'm going to write because I always have, and can't envision a life where I don't, and that some people are not going to like what I write, no matter what. So I'm back to my old view: "write the book you wish someone else would write, so you can read it."

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    Replies
    1. All true, Melodie! The work has to be the best and greatest reward, because so many interactions in publishing seem designed to remind the writer how truly worthless their contributions are to the larger monetized publishing model.

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