16 December 2024

A curmudgeon’s guide to erudition.


             I read an engagingly relevant article by Nick Hornby in Lit Hub, by way of McSweeny’s, about how his reading habits had changed as he’s aged.  Lamenting almost turning 60 (which made me yearn earnestly for this dubious misfortune) he went on to write about loads of obscure books, that all sounded great, and also reminded me there are far more well-read people in the world than I will ever be.

            But his greater point resonated – that ones tolerance for bad books wanes considerably as our allotted time on earth narrows.  I once felt a moral obligation to read a book I’m not enjoying to the end, especially works others had praised, assuming those judgments would prove out in the end.  They rarely did.  Now I drop a stinker faster than a hot skillet without a potholder, swifter than Usain Bolt on amphetamines, speedier than the electro-chemical arc between a pair of synapses, quicker than a guy caught in bed with his boss’s wife can make it to the window. 

            I did the same with a very well-written book, by an acclaimed author I like, not because it was bad, but because the story was just too dreary.  I looked at the remaining 200-plus pages of sadness and tragedy and said to myself, nah. 

 

            I also occasionally reread a book I know I’m going to like.  This is the equivalent of eating comfort food, say my wife’s chicken piccata, or turkey stuffing with homemade gravy or a cheese steak from Vito’s in Gulph Mills, Pennsylvania.  Though I do resist this urge, since there is likely another promising unread book waiting in the wings, specifically on my nightstand, that might add to my preferred canon.

            I read as many articles and commentaries as books these days, and apply the same rules.  If it’s poorly written, I move on immediately.  If it’s a bit clunky, but teaching me something, I hang in there, though only for so long.  Enjoying fine writing, while simultaneously learning something and feeling validated in ones own opinion, is a marvelous pleasure. 

            Hornby also noted that contemporary nonfiction can elicit the same joy and fulfillment as any splendid novel or short story.  Again, I agree whole-heartedly.  With the advent of New Journalism back in the 60s and 70s, nonfiction writers are now much better story tellers, and the reading public has rewarded them with strong enough sales to encourage the practice. 


          Though if you want to learn more about their progenitors, I recommend Winston Churchill, Freud, De Tocqueville and even Charles Darwin, who often got a bit in the weeds, but had a gift for narrative.  More recently, Stephen Jay Gould, Oliver Sacks, (Simon Winchester, Walter Issacson and Bill Bryson, still with us), Norman Mailer (Armies of the Night – his fiction stinks), Hunter Thompson and Tom Wolfe.

             If you’re a young person trying to understand the vaunted world of great fiction, you might read things like Gravity’s Rainbow or Finnegan’s Wake.  These are books that make little sense to anyone but the authors, and for me, not worth the precious time to prove otherwise.  You can read The Crying of Lot 49, or Ulysses, and be better for it.  It’s a matter of wise curation.  I read all of Faulkner, and am glad about it, though I feel no irresistible urge to reread Absalom, Absalom! The time is better spent with Lee Child or Gillian Flynn.  Or Amor Towles.

            As with the depressing book by the fine nonfiction author, I just don’t want to slog through giant, dense tomes by towering heroes of Western literature.  I’m too old for that stuff.  Though I’m glad I did when I was still able to swim miles in open water, carry a full keg across a bar room floor and split two cord of wood in a few hours.

            I’m still very much in the market for enthralling books by people I’ve never heard of.  My hope is they’ll appear before me without too much searching, since I need to meter out my discretionary vitality.  Let me know if you have any suggestions.  If I don’t want to read the book, please don't hold it against me, and I'll return the favor.  You might even like Norman Mailer’s fiction, and that is your prerogative.  I might be fussier about books as I age, but my tolerance for other’s tastes has only become more expansive.  I’ve learned it’s a more pleasant attitude. 

Though at this point, I’ll politely acknowledge your enthusiasm for stuff I don’t like, and just move on.  Youth may be wasted on the young, but neither should one squander old age.   

           

12 comments:

  1. I had an English professor who quoted a professor of his own: "Finish every book you start until you're fifty."

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    1. Wise advice, since before then you probably haven't read enough to be that picky. I still haven't read enough, but I need to leave time for walking the dog and running out for gratuitous errands.

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  2. In my dotage, I still read very, very bad books and enjoy them. A deficiency in my personality, I suspect.

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    1. I think an important distinction is you enjoy some really, really bad books. So do I, though I might argue if they're enjoyable, than not really bad.

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  3. I entirely agree. My favorite line from "The Great Beauty" (film) is "The most important thing I discovered a few days after turning 65 is that I can't waste any more time doing things I don't want to do." (Jep Gambardella) I have been known to throw books across a room without hesitation.
    As far as the classics go, rather than James Joyce, who hogged all the attention, my favorite stream of consciousness author is Joyce Cary. His First Trilogy (Herself Surprised, And Be a Pilgrim, and The Horse's Mouth) is a master class in writing, humor, and characterization. (If you've never met Gulley Jimson... well, you just haven't lived enough yet.)
    And we all have our favorite paperbacks - those books which aren't great enough to get into any canon, but are a place to warm our hands by the fire on those hard days.
    When the days get REALLY hard, I go back to the Victorians.

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    1. A fellow Joyce Cary fan! I was probably the only high school student in the Greater Philadelphia Area who gobbled up Joyce Cary books like bags of popcorn. Gulley Jimson was my hero and I still think about him frequently. And the sad little art supply shop that he constantly stiffed till they went out of business, or the agent (art dealer?) that he would harass over the phone. You probably know that Joyce Cary was pals with Lawrence Durrell, another wonderful writer, though not as funny.

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    2. Oh, Chris! Another Joyce Cary fan! Huzzah! And following the career of Sara Monday - oooh, she fooled him at the end, didn't she? Wow.

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  4. I smiled all through this, Chris! I am currently reading a book by an important author whom I like very much, but oh, the story is so dismal, I keep putting it aside. I am rather obligated to read it, so will finish it, but must do it in small amounts. That reminded me of the quote I heard recently (which I will probably butcher) that: Rather than the goal of leaving something beautiful on a page, writers should aim to give people hope. Certainly, that is my goal in writing fiction. A good escape, with a smile at the end.

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    1. One of the reasons I avoid freelance editing these day is I'm obliged to finish the book. Then I'll kill myself to help the person, but there's only so much one can do.

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  5. I've felt that way about novels, movies, YouTube, and especially television. Oddly though, I recall a novel so horrible, I picked up the book to finish it. Our detective protagonist had a degree in nuclear physics, owned a famed dress boutique on 5th Avenue, and solved baffling mysteries in her spare time. Turned out, it wasn't so much a train wreck as a pain wreck.

    But yeah, if a device doesn't come with an off switch, heave it across the room.

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  6. Just check to see if the cat in within the trajectory.

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