I'll take that with a side of crazy. |
Fans of the Joe Show will recall that I have written about the dangers of offering your writing/editing expertise for free to writers who don’t do the requisite work. Since I wrote that post on the topic, I have attempted to change the error of my ways. When a close college friend asked me to read and comment on her nonfiction book proposal, I declined, saying that I didn’t feel comfortable working with friends that way. I referred her to the website reedsy.com, a wonderful organization, which, among other things, allows editorial freelancers to hang out their shingles offering services to authors, most of whom are intending to self publish. My friend did find an editor who had expertise editing titles on the geopolitical subject of her book that I was unqualified to judge. So, in that case, my brush-off was a win-win-win—for my friend, the hired editor, and me.
Years ago, as part of a class my wife and I taught on nonfiction book proposals, I offered to read any resulting proposals the students generated. Only two or three followed through on writing their proposals, and availed themselves of our offer. Which we sorta, kinda predicted. Oddly, the student with the best idea did not contact me until this past spring, a full seven years after the class ended. He offered to pay me to read, since he’d clearly blown through the window of opportunity. But I did not feel good accepting payment since I’d read the work of his classmates at no cost. Before I made a decision, I asked him to send me the first three pages of his proposal.
Holy cow, what a beautiful writer. He had absorbed all the lessons of the class, and applied it to his 19th century true story, and I knew my time would not be wasted. He’s close to submitting to agents, and I’m genuinely looking forward to reading the final draft.
But for every win, there are people like this fellow, who wrote last week. All you need to know before you read his email is that back in 2009 my wife and I traditionally published a book about the Signers of the Declaration of Independence, which has since sold more than 100,000 copies.
Subject: Creating the index for my bookExcuse me while I pick up the pieces of my skull off the floor, and bind my wounds. I don’t know where to start with this. Now, I’d be the first to admit that our big ol’ book of 56 biographies of the Signers is not a terribly original idea. Indeed, the first books of this type were published in the 1820s, when some of the Signers were still living. But still—who writes the author of a competing work with a manuscript formatting issue, and expects a helpful response?
Message: Hello, I am writing a book about the Signers of the Declaration of Independence. Naturally, your book has been a valuable reference. I’m to the point of creating the index and I am flummoxed amount [sic] how to do this. So far I have 380 entries in the index. The book has not been paginated yet, but, thinking ahead, is there an easy way to make the page assignments? BTW, I have a PhD from [REDACTED]. I would greatly appreciate any advice you could give me on this. Thanks.
Imagine writing the following email:
Dear Mr. McCullough:
I greatly enjoyed your book 1776, about Washington’s leadership of the Continental Army during the pivotal year of Independence. In fact, it inspired me to write a similar book on the exact same topic, which is also called 1776! The only trouble is, I am having trouble the setting the margins in my MS Word document, so I cannot transmit the book to my editor. Misery me, lack-a-day-dee! If you can help with this, or make time for a Zoom call to discuss, I’m free on the following days…
Holy freaking bananas.
Then, recently, there was the guy who attended one of my wife’s book events, complimented her on her boots, and thus felt entitled to write asking if we could recommend a) an editor who could read his pandemic year memoir and offer advice, or b) a literary agent who could do the same thing. The kicker: He wasn’t sure the book was ready for submission, but he felt if these fine contacts of ours read the book in its entirety, they would know exactly what do with his manuscript.
As it happens, I knew exactly what he should do with his manuscript, but I was too much of gentleman to spell it out in an email.
I know by now that I should not Engage With Crazy but how else could I come up with columns for you lovely SleuthSayers people?
So, yes, I wrote both of these guys back, politely suggesting they consider hiring editors and indexers via the site I mentioned before. (Reedsy, I’m sorry. I love you, but you’ve become my go-to brush-off suggestion.)
To my Declaration of Independence doppelgänger, I wrote saying he could hire tons of freelancers to work on his projects, including—haha—someone who could run a plagiarism check on the doc before it went out the door. Haven’t heard back, so I don’t know if he appreciated my wit.
As for the Covid memoirist, he wrote back saying he liked the online database I recommended but he was a little annoyed because he could not tell if the freelance editors on offer had decent connections to agents. What good was hiring a freelance editor, he asked, if they can’t refer you to an agent?
Did not respond. I can only afford one brain hemorrhage a week.
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See you in three weeks!
Joe
Your amusing column made me happy I stuck to teaching things like page layout and formats for interviews and press releases!
ReplyDeleteIt's definitely a skill---and important!
DeleteI feel your pain, Joe. A year or so ago, a friend of a friend I knew from theater asked me to "take a look" at her one-act play and offer suggestions. I gave her my card, which, of course, has my website on it. The website has my editing fees and requirements, too (DUH).
ReplyDeleteThe friend who was the go-between sent me a FB message that her friend was pissed that I treated her that way. I sent her the link to an article called "No, I will not read your script," which you can Google. It originally appeared in The Village Voice about 15 years ago and says it all more eloquently than I could.
Basically, I taught English for 33 years, have three grad degrees in literature and theater, and directed, acted, designed, or produced for 100 theater productions. I've published a lot of stuff, but I also have over 800 rejections that taught me more than the successes. It took me over 50 years to accumulate that experience, not to mention the money. I don't give it away for free.
Steve: That essay is justifiably famous, and my wife and I read it once a year just to re-engage with its wisdom. Such a wonderful look into how much work goes into carefully considering another person's work, and how much time of your own you give up in the process.
DeleteJoseph, I didn't know whether to laugh or cry reading this! It so mirrors my own experience. In my younger days, I did help 'friends'. But then I found, I ended up teaching them my entire 14 week Crafting a Novel course, for free and on my own time. And I greatly fear it wasn't appreciated. I truly do find that people believe something is worth what they pay for it.
ReplyDeleteNow, when aspiring writers ask if I could show their work to my publisher or agent, I tell them "I've done this three times, and every time, the work was rejected. Now they've asked me not to put them on the spot like this." The other thing I've said who want me to read their unpublished work is, "My agent won't allow me to do this due to the possibility of future lawsuits."
Melodie: You have given me a great new line to use, thank you so much! And yes, every single time I offered to connect someone with my agent, nothing ever came of it, and that's instructive. Also, people think they just need "an agent, any agent," as if they are interchangeable. What you want is an agent who likes your work and thinks they can sell it. It's like looking for the owner of Cinderella's slipper. Only one will be a right fit, so why waste time putting all your hopes on the agent of a friend?
Delete(1) Dear Sir. You've inspired me to write my own novel, A Study in Crimson by A.D. Coyle. That's a pseudonym, you know, and the book is fiction. It remined me of something else I read once, Crimson Wind, or The Crimson House, The Crimson House Mystery, The Name of the Crimson, or The Hunt for Crimson October. My mother tells me it's terrific, once an editor touches up the grammar, punctuation, spelling, characterization, and the plot.
ReplyDelete(2) My frenz luv my D&D pub cuz I haz wryte in modern English wid slay rizz names like Mary Sue Killr n Pukey Pokeman. They smash and nut with high 304 body kounts, so I (he/she/it/they) need help tea & translate into old people talk.
ReplyDeleteY'all got mad rizz, bro.
Delete