Linda recommended the book because of Cole’s advice about, as Linda put it, “writing from the middle.” Cole advocates that you “dive into a first draft by writing any scene or memory or passage that asserts itself in your consciousness and feels like it might belong somewhere, anywhere, in the story” (p 79). Further, you should “[w]rite the hot spots—the stuff that feels vivid and demanding of your time now—and figure out later how they flow and fit together” (p 79).
Though I nearly always write the first scene first—without it I have nothing—I often do something similar to what Cole advocates: I write scenes out of order, leaving notes between the scenes to let me know what I think should move the reader from one to the other, be it a simple transition or a complete scene or sometimes even multiple scenes.
Writing out of order is one of the ways Cole suggests that we can avoid writer’s block. Putting anything—anything at all—on a page indicates that the muse is still with us, even if not focused on what we wish it to focus on.
Cole also notes that staring at the computer screen until she “came up with a brilliant idea” was for her and is for us counter-productive because “writing is what happens when we are busy looking away from the page” (178). Many of us know this, and it’s why we walk the dog, take extra showers, rearrange the refrigerator’s contents, hang out in coffee shops, and do other things when we are vexed with a piece of writing. The solution often comes when we aren’t trying to force it.
One theme that runs through the entire book—it’s right there in the subtitle—is the belief that happiness and productivity go hand-in-hand. A happy writer produces more and better work and that, in turn, feeds the writer’s happiness. (Don’t we all feel better when we’ve had a good day at the keyboard?)
“Happiness can be an elusive goal,” Cole writes (p 219-220), “and while we have the inalienable right to pursue it, what often remains in doubt is whether we have the gumption and energy to do so. To cultivate a sense of well-being, and open ourselves up to joy, requires a commitment to positive practices.”
So, stop being a writer who claims not to be happy writing, but only happy having written.
Instead, find joy in the creative process itself.
Reward yourself for a well-turned phrase, pat yourself on the back for drafting a complete scene, and celebrate devising the perfect plot twist. In short, find happiness in each step of the process.
If you do this, you will be eager to return to the keyboard, and you will return again and again and again. You will be more productive, you will write better, and you will be happier.
Thanks for the lead, Michael. I’ve ordered the book. I’m happiest when writing. I get satisfaction from “having written,” but the actual joy is in the writing itself.
ReplyDeleteEdward Lodi
I find that a lot of this advice applies to me, too. Until health issues cropped up, I did a lot of my best planning and editing on an elliptical trainer at my health club. The repetitive action allowed my mind to roam free.
ReplyDeleteOver 40 years ago, when I was working on the novel that would become my sixth-year project in grad school, my advisor (whose wife was novelist Kit Reed) told me, "you have an outline, so don't worry about writing this in order. If you're stuck on chapter 7, write chapter 12. You'll rewrite the transitions when you edit anyway."
That was the first time I had ever used an outline in my writing, and it showed me that I work better with one...for novels, anyway. For short stories, I just jump in and revise pretty much day by day.
Yeah, happiest when I'm writing.
That's exactly the advice I give to my classes, Michael. And why the fireplace mantel beside my desk is covered in stickies with scenes I have yet to write, so I can write them when I feel like it. Don't feel in the mood for a sweet scene? In the mood to bash someone on the head instead? Go for it! This is one of the advantages of doing a modest outline in advance. You can skip ahead to scenes you feel like writing and there is no excuse for writer's block.
ReplyDeleteRight on, Mr. Bracken...sure am happy! And a big plus is when those kind of projects are accepted. Wow, there's another word for that feeling...but I'll leave it for the next story.
ReplyDeleteThanks for your input.
For me, each piece is different - I need a start, but it can sometimes go 1-2-3-4-5-6 (etc), or it can go random for a while (1-6-4-2-5 etc) - however, I always run a bible (character sketches, motivations, etc) so that when I get to the second draft (usually after a pause of several weeks or more) I have something I can refer back to should the character act out of character :)
ReplyDeleteI like this advice--it's largely how my writing process works too. Thanks for this post.
ReplyDeleteDaniel C. Bartlett
I don't randomly write a bunch of scenes--other than an opening scene--and then see what scenes go to together for a story, as Linda Landrigan suggested. I tend to write beginning to end. But like Steve I do much of my best brainstorming for scenes or a story away from the computer. Especially while driving, where I have a digital recorder close at hand. Probably not safe for the other drivers, but it sure works for me.
ReplyDeleteGood advice from you, Linda, and Ms. Cole, Michael. I need to follow it more often!
ReplyDeleteThis has been my process which until your post I considered "undisciplined." Sometimes random scenes beg to be written and when they do, they simply flow. Of course, I write to an outline or I would wander aimlessly enjoying snatches of writing and finishing nothing.
ReplyDelete