10 August 2024

A Title So Good I Couldn't Use It


Years ago, I came across a great story idea. A half-idea. Okay, a title for a half-idea. For our purposes, let's say the awesome title was "I Gotta Use This." The real inspiration was way better than that, trust me. A title as spectacular as "I Gotta Use This" must surely propel an equally glorious story. I played with plots and characters worthy enough, but nothing cleared that mark. Finally, in 2022, a glimmer came--and also the notion that I'm not getting any younger. I did it. I put words to page under "I Gotta Use This." What follows isn't a tale about its glorious quest fulfilled. This is about how I had to let it go.

Rewind to me reading an article on game-playing and gamesmanship. Bam! There it was, a concept wrapped in a killer turn of phrase. That's how the spark happens, some phrase or concept grabs my attention. If the idea gels enough, I'll give it a try

I don't usually get attached to titles. "Needs A Title" has topped several early-draft manuscripts that went on to publication. My story in the MWA anthology Ice Cold started as "The Hungarian Thing." I have early manuscripts titled "Drinkin' Story" and "New Project." The final title emerges as the manuscript rounds into collective shape. More than half of my published stories had a major title change along the way. But that also leaves a chunk where the working title survived, and if words could glow on a page, "I Gotta Use This" glowed.

Cut forward to me and the title. A title about gameplaying, so the story innards needed to be about games somehow. Progress! Me and a title and a kind-of form already. And while I'd always envisioned "I Gotta Use This" headlining a Serious Achievement, my premise glimmer was hardly Serious. I was setting a goofball in motion. For the comic innards, I considered and dismissed all kinds of games that could hold a goofball slant. Cards? Too easy. Sports? Too structured. Video games? Another of my long-held ideas has dibs on gamers. Eventually, I decided on a bet. 

Other decisions sprung from there, landing on two small-time crooks making a small-time bet over who is the better small-time crook. The protagonist's specialty is shoplifting frozen foods. The antagonist buys shoes online with stolen credit card numbers. All of that is important to their story, but the important part to this story, the one about "I Gotta Use This" crashing and burning, is that I was making all those plot and character decisions. Like any idea worth the chase, their story was finding a life of its own. The author's job is to recognize it and roll with it.

Which I thought I'd done. My edit rounds sharpened things to a proper balance of goofball. I focused on depth and relatability, on local backdrop and fuller context. I didn't switch the title. Never considered it. It was, after all, perfect.

"I don't get the title," my critique group said. "It's not working for me," they said, and this was even after I explained its perfection. 

We'll skip past the stages of denial and the switching of gears. I had to confront that I'd written a solid piece with real acceptance potential. It just had the wrong title. 

Stories are singularities, and a great title springs from the oneness, frames it. Mine didn't. Titles reveal the story's core. My didn't. "I Gotta Use This" was merely catchy, something I'd read once.

So I changed it. Was I bitter about a perfect title going splat? No. Much. I was more palm-to-forehead like in those old V-8 commercials. I should've spotted the problem. Me, the guy who starts pieces with placeholders like "Vernon Story #4." But you do have to roll with it in this work, and the group did me a huge favor. If they didn't get understand the title, no editor would, either. So long, acceptance potential. 

The piece ended up titled "Bet You're Wrong." Not great, but it speaks to what the story is about, a bet, and its deeper level, that both goofballs are sure to lose. The only winner is whoever walks away. Off "Bet You're Wrong" went on blind submission. It's in the new Sisters in Crime East Tennessee anthology, Smoking Guns

As for "I Gotta Use This," it helped get another story born, so there's that. There's also the reason I haven't shared the actual title idea: Because that thing is still awesome, and as it happens, it's still available.

14 comments:

  1. I feel your pain. I have The Perfect Title but the story isn't coming along the way it should. BTW the first story I ever wrote because of a title... AHMM bought the story and changed the title.

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    1. The struggle is real. The first story I sold to AHMM probably was because of the title...

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  2. Bob, I too appreciated your story and have my own title bereavement experience. My series books and stories always start with the title. The one I loved best was for what I thought would be the second Bruce Kohler book, Death Will Improve Your Relationship. It really was perfect: obnoxious relationship guru with a toxic marriage gets murdered. Problem 1. St Martin's, just becoming Minotaur, turned it down in between the two books they accepted. Problem 2. In the ten years I lived with that title, ebooks with covers the size of postage stamps were invented. Guess what title didn't fit. An ebook publisher finally brought it out as a novella (I only had to cut 50,000 words), giving it the title Death Will Save Your Life. The climactic scene involved a capsized kayak, but it wasn't the same. On the other hand, the e-novella's still available.

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  3. Titles are hard, Bob, as you prove here. My Detroit PI "Woody" Guthrie is a wannabe guitar slinger, so I compiled a list of song titles that might work for his adventures. I've used several for both his and the Zach Barnes series and many short stories, but a lot of them remain in a file folder. Once in a blue moon (hey, that might be a good title), a title inspires a plot and I'm good to go, but that doesn't happen as frequently as it used to. Lately, I've shelved two or three stories with titles I loved. In fact, after I post this, I'll be reworking a story that seemed like a good idea when I started it, but the middle doesn't work yet.
    And neither does the title. Sigh.

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    1. Keep at it. It'll come. And "Once in a Very Blue Moon" is a favorite Nanci Griffith song from back in the day.

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  4. Oh, I sure relate to this one, Bob! I had it explained to me this way: It's one thing to come up with a title that's a perfect fit for the story (ties in with the ending, in fact.) But the title is a marketing tool. And as the reader doesn't know the story yet, they won't understand why it's so clever a title. That was an aha! moment for me. So now I focus on a title that will best grab a reader's interest (or at least I try to...) Melodie

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    1. Titles very definitely have a marketing factor. I try to make sure they're lively in addition to fitting.

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  5. Titles are hard - I, too, have written a number of stories temporarily titled "Needs A Title".

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  6. Elizabeth Dearborn10 August, 2024 14:21

    I seem to be better at thinking up titles than the stories to go with them ... that said, I can identify with your article today because I have a couple of titles that are so good I've put them aside until such time as I think I can write the stories to go with.

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  7. I just had a story accepted by a magazine but only after the editor convinced me that my title needed work. Fortunately, my first alternative suited him as well!!

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  8. A real-life incident sparked a title and for the first time, I used it to inspire a title. I still like the title, but an editor chanted it. Fine with me… the story was the important thing.

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