As we wind down the 2022-2023 school year, I am reminded all over again how, when it comes to humanity, plus ça change, plus c’est la même chose. And in recognition that some things, indeed both do and do not change, I am reposting one of my favorites from end-of-school-years-past.
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So, about my day gig.
I teach ancient history to eighth graders.
And like I tell them all the time, when I say, "Ancient history," I'm not talking about the 1990s.
For thirteen/fourteen year-olds, mired hopelessly in the present by a relentless combination of societal trends and biochemistry, there's not much discernible difference between the two eras.
It's a great job. But even great jobs have their stressors.
Like being assigned chaperone duty during the end-of-the-year dance.
Maybe you're familiar with what currently passes for "popular music" among fourteen year-olds these days. I gotta say, I don't much care for it. Then again, I'm fifty-one. And I can't imagine that most fifty-one year-olds in 1979 much cared for the stuff that I was listening to then.
And it's not as if I'm saying *I* had great taste in music as a fourteen year-old. If I were trying to make myself look good I'd try to sell you some line about how I only listened to jazz if it was Billie Holiday or Miles Davis, and thought the Police were smokin' and of course I bought Dire Straits' immortal "Makin' Movies" album, as well Zeppelin's "In Through The Out Door" when they both came out that year.
Well. No.
In 1979 I owned a Village People vinyl album ("Go West," with "YMCA" on it), and a number of Elvis Presley albums and 8-track tapes. I also listened to my dad's Eagles albums quite a bit. An uncle bought Supertramp's "Breakfast in America" for me, and I was hooked on a neighbor's copy of "Freedom at Point Zero" by Jefferson Starship, but really only because of the slammin' guitar solo Craig Chaquico played on its only hit single: "Jane." And I listened to a lot of yacht rock on the radio. I didn't know it was "yacht rock" back then. Would it have mattered?
But bear in mind we didn't have streaming music back then. And my allowance I spent mostly on comic books.
Ah, youth.
Anyway, my point is that someone my age back then may very well have cringed hard and long and as deeply if forced to listen to what *I* was listening to at eardrum-bursting decibels, and for the better part of two hours.
That was me on the second-to-the-last-day of school a week or so back.
Two hours.
Two hours of rapper after rapper (if it's not Eminem, Tupac, or the Beastie Boys, I must confess it all sounds the same to me) alternating with "singing" by Rihanna, Katy Perry, Taylor Swift, etc.
Thank God we got some relief in the form of the occasional Bruno Mars song. Bruno, he brings it.
And through it all, the kids were out there on the floor. Mostly girls, and mostly dancing with each other.
One group of these kids in particular caught my attention. Three girls, all fourteen, all of whom I knew. All wearing what '80s pop-rock band Mr. Mister once referred to as the "Uniform of Youth."
Of course, the uniform continues to change, just as youth itself does.
But in embracing that change, does youth itself actually change? Bear with me while I quote someone a whole lot smarter than I on the matter:
"Kids today love luxury. They have terrible manners, contempt for authority; they show disrespect for elders and love to gab instead of getting off their butts and moving around."
The guy quoted (in translation) was Socrates, quoted by his pupil Plato, 2,400 years ago.
And some things never change.
Getting back to the three girls mentioned above, their "uniform of youth" was the one au courant in malls and school courtyards across the length and breadth of this country: too-tight jeans, short-sleeved or sleeveless t-shirts, tennis-shoes. They looked a whole lot like so many other girls their age, out there shaking it in ways that mothers the world over would not approve of.
In other words, they looked like thousands, hell, millions of American girls out there running around today, listening to watered down pablum foisted on them by a rapacious, corporate-bottom-line-dominated music industry as "good music", for which they pay entirely too much of their loving parents' money, and to which they will constantly shake way too much of what Nature gave them–even under the vigilant eyes of long-suffering school staff members.
Yep, American girls. From the soles of their sneakers to the hijabs covering their hair.
Oh, right. Did I mention that these girls were Muslims? Well, they are. One from Afghanistan. One from Turkmenistan, and one from Sudan. At least two of them are political refugees.
You see, I teach in one of the most diverse school districts in the nation. One of the main reasons for this ethnic diversity is that there is a refugee center in my district. The center helps acclimate newcomers to the United States and then assists in resettling them; some in my district, some across the country.
So in this campaign season, when I hear some orange-skinned buffoon talking trash about Muslims, stirring up some of my fellow Americans with talk of the dangerous "foreign" *other*, it rarely squares with the reality I've witnessed first-hand getting to know Muslim families and the children they have sent to my school to get an education: something the kids tend to take for granted (because, you know, they're kids, and hey, kids don't change). Something for which their parents have sacrificed in ways that I, a native-born American descendant of a myriad of immigrant families, can scarcely imagine.
(And it ought to go without saying that this truth holds for the countless *Latino* families I've known over the years as well.)
I'm not saying they're saints. I'm saying they're people. And they're here out of choice. Whether we like that or whether we don't, they're raising their kids *here*. And guess what? These kids get more American every day. Regardless of where their birth certificate says they're from.
Just something to think about.
Oh, come on. You didn't think this piece was gonna be just me grousing about kids having lousy taste in music, did ya?
(And they do, but that's really beside the point.)
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See you in two weeks!
All immigrants to America have followed pretty much the same pattern: they come to America, with poor or no English, or at least heavily accented English. Their children become fluent in English and their parents' language, and switch back and forth freely. The grandchildren speak only English (no accent except local American) and (maybe) some key phrases in the original language.
ReplyDeleteOh, and lousy taste in music is always with us. Always depends on what's playing on the radio or, these days, the playlist. I shudder when I remember the Archies had a #1 hit with "Sugar, Sugar".
A doctor friend, a few years older than I, came here from Hungary in the 1980s & always said that whatever music a person listened to from ages 12 to 18, would be their favorite for life. That was absolutely the golden age of rock & roll for me ... the Beatles arrived here when I was about to turn 12, so we're talking about the British Invasion, Motown, & the California sounds of the Beach Boys etc., followed by Jefferson Airplane, Hendrix, et al. a few years later. I'm weird though, because I love older country music more than anything. My parents tried to get me to play & appreciate classical music but I dislike most of it.
ReplyDeleteBrian, what a poignant post. As a recently retired college prof, I can so relate. Thanks for this reminder. Melodie
ReplyDeleteAww, I had almost forgotten. Thanks, Brian.
ReplyDeleteN.B. This evening as I bought groceries, the store's 'Walmart Radio' was playing the latest girl cover of Crimson & Clover… all hits, all new.
Skateaway…
We built this city on rock 'n' roll.