Fact #1: Like many other artists (musicians, scupltors, painters, actors, etc.), most writers can't subsist on what they make by writing alone.
Fact #2: Like so many other artists, most writers have either a side hustle or a full-on day gig (or both) to make ends meet.
Fact #3: Juggling the writing career and the side hustle can be draining.
Fact #4: Sometimes the day gig/side hustle can take so much from you that you've got nothing left for the writing.
Fact #5: The above four facts are a pretty good thumbnail of my COVID Year-From-Hell.
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Amazingly enough, this is NOT a recent selfie. |
Those of you who follow my rotation in this blog (
BOTH of you!
*RIMSHOT*) know that my day gig is (and has been for decades) teaching history. And I love my day job.
That said: "COVID."
Let me repeat for emphasis: "COVID."
I'm not here to gripe about my COVID experiences. Other teachers elsewhere have done a great job laying out the challenges teachers across this country faced during the past fifteen-to-sixteen months. You can read some of their stories
here.
Instead, I'm here to talk about the resulting burnout, and its impact on my writing. And also about what I did to counter the effects of said burnout.
Truth is, in this case, it was a simple choice. Allow me to illustrate with a visual aid:
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Just in case you needed directions. |
And yes, it really is all about "Balance."
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Not THIS kind of "balance." (Crappy album, by the way. Avoid it if possible.) |
So what did I do? How did I achieve this "balance"? Well, it wasn't easy. Basically, I had a four-step process:
FIRST: Commit to whatever is right in front of you.
When I was in college, I had a terrific professor. Really engaging lecturer, tons of charisma. He also happened to be assigned as my academic advisor. And in between funny stories about his time as both an undergraduate and a graduate student at a prestigious university that shall remain nameless, he gave me a single piece of advice.
"I found this great job working as a night-time security guard. I was manning a desk all night and it gave me so much time to study while getting paid."
Now, I worked a lot different jobs in college, including several that were part of the campus "work-study" program. At exactly NONE of them did I get a single opportunity to crack a book and catch up on my homework. I know there are jobs out there like this (and I believe my advisor was telling the truth about his own experience), but it has never been my experience that you can do one thing well stealing time from something else you're obligated to succeed at.
So what I'm saying is: "Lean IN." Give it your all. Leave everything you've got at whatever you're working on, on THAT particular playing field.
In a conversation with my agent the other day, she told me how she's more swamped than ever, because so many people, while cooped up during COVID, have been writing books. That doesn't surprise me.
But the day job I work isn't the type to which I would feel good about phoning in the work. It's just not a job you can do well if you're half-assing it. On top of my day gig, I have a mortgage and a marriage and a child.
So how much writing was I going to get done during COVID? I published this, and I'm pretty proud of it:
In fact, I used COVID to finish up several project I'd left in various stages of completion during the previous couple of years. I've also written and placed three short stories (so far) this year (2020-2021). Three stories, three different anthologies. Publication dates forthcoming.
And yeah, I know, three short stories in a year might sound like light output, but a couple of things:
1. I write VERY slowly.
2. If I write it, it sells, it gets published and I get paid.*
(*with the exception of my first "mistake" novel, and a few early dry runs of short stories that have really not progressed much past the "rough sketch" stage.)
How did I manage this? Simple: when I was at work, I worked. When I was playing with my son, I played with my son. When I was spending time with my wife, I spent time with my wife.
And when I wrote, I wasn't worrying about my day gig. Or my mortgage, or my family. Because, by leaning in and taking care of business on each of these fronts, I was able to clear my mind and better focus/be way more productive than I had any right to be.
Second: Find a way other than writing to keep your subconscious working on your writing.
I keep a writing journal in which I write about my creative process, into which I transcribe story ideas, snatches of dialogue or narrative as they come to me, and I make a point of writing in it three to five times per week, writing day or not.
Find your thing that helps you continue to churn. Keeping out heads in the pensieve (I know, I know, Harry Potter reference) is part of makes us successful.
Third: Be kind to yourself.
This is a tough one. It means not kicking your own ass if you don't write for a day, or a week, or a month, or even a year. There were several months while trying to teach during COVID that I was so stretch so thin and so stressed and so gassed, that I was lucky to journal a couple of times per week.
Whoever said, "Life is what happens when you're making other plans," boy, did they have that right. Beating yourself up about not writing just takes time and energy away from where it is better spent: getting your butt into that chair and getting to work. Work now. Recriminations on the way up the aisle to accept that Lifetime Achievement award.
This one is essential to combat the burnout that is an inevitable portion of most of our professional lives during the Time of COVID. You want to finish that novel? You're not gonna get it done kvetching at yourself about it. In fact, your work is likely to suffer all the more if you're playing these sorts of mind games with yourself.
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Or better yet, don't! |
Fourth: Build in transitions!
With the challenging day-gig year that I just wrapped up on June 25th (you read that right, June 25th!), I'll admit that I ended the school year pretty danged fried.
Which was why I cut a deal with myself: I didn't even think about writing until I'd had two weeks' distance from the end of the school year.
I did other things: read. Organized my stuff at home. Played with my family. Slept. A LOT.
Transition time helps the brain reset itself. I've never regretted down time in my writing schedule. My work is always the better for it.
And that's it. My four step process for coping with, and transcending, burnout. What's yours? Let's hear from you in the comments!
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Now that's more like it! |
See you in two weeks!
Good advice, right across the board.
ReplyDeleteDo what you can do, when you can do it.
ReplyDeleteI enjoyed the three novellas, but Suicide Blonde was the best.
An instructor advised we not confuse our goals with our purpose. That's helped me.
ReplyDeleteI had the same work-study college experience– no study during the work. I also considered a security guard gig to allow me to study, but NOT as a factor day guard during a strike– not an auspicious time or place. But luck intervened with a 2nd shift supervisor job at IBM. It gave little time to study, but offered unfettered access to computers thus advancing my com-sci courses.
Congratulations on the book and stories, Brian!
Yup. If I can get out of driving Uber because the dollars align right, I do it.
ReplyDelete