RIP Dick Wagner

A few months ago, I wrote about Chuck Berry, a household name even if you don't like rock 'n' roll.
Three years ago yesterday, Dick Wagner, one of rock's great unsung pioneers, passed away from respiratory failure at age 71. I never saw a word about it in the newspapers or online, and only learned about it because Susie Woodman, my high school classmate and ex-wife of Dick's first drummer, posted it on Facebook.

When I mention Dick's name, most people say, "Who?" When I mention certain bands or records, their eyes widen and they say, "That was him?"

Dick played on over 30 gold or platinum albums and CDs, usually as an unnamed session guitarist, but those records include the blazing duet (With Steve Hunter) on Aerosmith's cover of "The Train Kept A-rollin'," backing Lou Reed on his Rock and Roll animal tour, and several Alice Cooper hits--most of which he co-wrote. He also played or wrote for Kiss, Meat Loaf, Peter Gabriel, Rod Stewart, Tina Turner, and Frank Sinatra.

Back in my deformative high school years, I knew of Dick as the guitarist/vocalist/songwriter/arranger of The Bossmen, a Beatles knock-off band in Saginaw, Michigan.

Dick wrote practically all their material, and you could hear him grow and develop as the Beatles did. By the time his band ended its run in 1967, it included Mark Farner, who would later perform with Terry Knight & the Pack, which morphed into Grand Funk Railroad. Dick went to Detroit and fronted The Frost, a good band that didn't make it, and started writing and producing. Other musicians and producers called him "The Maestro" because he could read music (a rarity for guitarists), write like a devil, and play guitar like a monster.

In the early seventies, he released an LP, but his label decided to call it "Richard Wagner." Of course it ended up in the classical bins and sold about twenty-six copies.

Dick's brilliance led to problems. He developed an Olympian cocaine habit--maybe from hanging out with Aerosmith--and he admitted to a sex addiction that led him to cheat on his first two wives with possibly hundreds of women. Eventually, he developed heart problems and had a nearly-fatal coronary in 2005. That and pressure on the brain paralyzed his left arm and he had to re-learn guitar after surgery and a long bout of physical therapy.

He began to tour again, often with musicians he'd known in Detroit including Mark Farner, and Dennis Burr. At about the same time, I connected with him on Facebook through my high school classmate, who still plays session keyboards and performs around Detroit. When I was looking for blurbs for my first Woody Guthrie novel Blood On the Tracks, Susie--who inspired my character Megan Traine--said I could drop her name to various Michigan musicians.
She knew or played with Dick--and Bob Seger, Ted Nugent, Meat Loaf, Alice Cooper, and members of both Savage Grace and ? and the Mysterians.

Most of them, surprise, surprise, never got back to me, but Dick said, "Send me your book. When do you need something?"

A few months later, he emailed me his blurb, short, sweet, and perfect. It's on the back of the book, and I sent him a copy.
By the time it came out, though, his health was deteriorating and he never mounted the comeback tour that was in the works. I read his memoir and found a CD of the Bossmen's songs on his old website. I was amazed how many of them I remembered from fifty years ago.

At an open mic last week, I played on of Dick's best-known songs as a thank you to a star who didn't have to give me a boost, but did.

"Only Women Bleed."

Thank you, Dick.

Into the Jungle

Khun Sa
photo by Satham Pairoah

From roughly 1963 until 1996, a man with the chosen name of Khun Sa operated as an opium warlord in the region of Southeast Asia known as The Golden Triangle. This triangle consisted of a mountainous jungle area involving three countries: Burma, Laos and Thailand. The land was populated by many people of different ethnic groups, several of which were hill tribes. For centuries, Turks from the west, Mongols from the north and various waves of Chinese out of Yunnan Province had invaded this land and absorbed the local inhabitants. As a result, a great number of languages and dialects were spoken here. Religions ranged from Muslim to Buddhist to animalistic and variations.

#1 "Across the Salween"
AHMM Nov 2013

Khun Sa, which means Prosperous Prince in the Shan language, was a man with a murky past and a strong future. Most historians agree that he was born of a Chinese father and a woman from the Shan hill tribe in Burma. He lived in an atmosphere of treachery and shifting alliances among the various opium armies where only the strong and cunning survived. And, he was a survivor, but like the Germans in World War II, he eventually found that he couldn't fight a war on two fronts at the same time. The Burmese Army had finally squeezed his Shan Army into a small area where he had his back to a river. Being a survivor, he surrendered to the Burmese government and went on to become a thriving businessman in his retirement from opium warlord status.

opium field in Burma

After creating four successful series for Alfred Hitchcock Mystery Magazine (two other potential series didn't make the I'd-like-to-buy-it list), I was searching for something new to write. My first acceptance with AHMM ("Once, Twice, Dead")  had been set in the Golden Triangle at a time when the magazine's previous editor was looking for stories with an exotic background. This one was written as a standalone  with the protagonist not being a good candidate to start a series, however, the Golden Triangle was an intriguing background for a series. I'd been to Vietnam in 1967-68 (in-country in the highlands), so I had a feel for the area, plus reports on the mountain opium smugglers had crossed my desk over the years during my main career, and I now had a Chinese historian living next door at my current residence. True, his English isn't always the best, but his wife who speaks five languages, to include Mandarin and English, makes for an excellent translator when he looks up internet facts for the Chinese version of history's events, which are not always the same as the English version of the same happening.

#2 "Elder Brother"
AHMM Jan/Feb 2015

Then, I began brainstorming to come up with characters and story lines conducive to the Golden Triangle. With such a background location already rife with treachery, corruption and violence, it was easy to implement our frequently used writing technique of What If?  Since he real opium warlord supposedly came from a mixed race family, what if my White Nationalist Chinese (KMT) story warlord had two sons, one half-Chinese/half-Shan hill tribe and the second son was pure-blood Chinese. In oriental culture, the elder brother tends to have dominance, but a pure-blood considers himself as better than a mongrel half-breed. It now becomes a conflict between Elder Brother (the half-Chinese/half-Shan) and the younger pure-blood Chinese.

poppy dripping opium sap
from cut during harvest

Naturally, the elder brother is raised in the jungle and is comfortable in those surroundings, while the younger brother has grown up in the British school system in Hong Kong. The younger brother, our protagonist for this series, has studied Julius Caesar, Machiavelli and Sun Tzu, yet has no knowledge of jungle survival. After his mother died in Hong Kong, the younger son (as a young adult) finds himself taken out of the civilized world and transplanted to a jungle camp in the mountains of Southeast Asia. As his opium warlord father says, it is time he learned the family business and made his own way in the world.

#3 "On the Edge"
AHMM Oct 2015

Elder Brother has the position of Staff Captain and is in command of some Shan Army troops, part of his father's army. The younger brother has the rank of Sub-lieutenant and is in command of some of his father's Kuomintang troops (KMT), the old White Nationalist Chinese soldiers originally under Chiang Kai-Shek that went south out of Yunnan Province after Mao's Red Army chased them out of China during their civil war. And, as the KMT generals said after being stranded in Burma, an army needs an income and opium was handy.

Woman of the Mon tribe

Thus, we are presented with two half-brothers from different backgrounds, who have no love for each other, not to mention that only one of the brothers can inherit the position of opium warlord upon their father's demise. The competition begins and the reader has a front row seat on the safety of the sidelines to see every move made by the warring brothers, though sometimes the reader should look below the surface of what appears to be happening. Not all the enemies are within the family; other organizations and opposing opium warlords are also seeking any advantage they can take.

#4 "Making Merit"
AHMM July/Aug 2017

So far, AHMM editor Linda Landrigan has purchased five stories in the Shan Army series with #5 being "The Chinese Box", while one more manuscript, #6 "Reckoning with Your Host," is soon to be submitted to her e-slush pile.

To add spice to each story, old Chinese proverbs are often quoted in dialogue by our protagonist. Sometimes these sayings can be taken at face value, other times the wording may be twisted to fit the circumstances. Any way you look at it, the ride should be a new adventure for readers into a world that once truly existed. Root for whichever side you like, they are still people you wouldn't want to marry your sister or daughter. And if you should be unwise enough to take one home for supper, be aware that the pain between your shoulder blades could be the steak knife missing from your silverware.


Sleep well, and be glad these real life characters are on the other side of the world.

Four Stories

July has been a busy month for me, in terms of the SleuthSayers blog--it has five weekends, so it was my duty to post three columns, on the 1st, 3rd, and 5th Saturdays. For this last assignment, I thought it might be fitting (and, yes, easy) to talk about four of my short mystery stories that appeared in publications with a July 2017 issue date. Three of them were in magazines, one in an anthology.

Hitched with the team

First, I was fortunate enough to be featured alongside three of my fellow SleuthSayers--R.T. Lawton, O'Neil De Noux, and Steve Liskow--and two of my old friends--Joe D'Agnese and Robert Mangeot--in the July/August 2017 issue of Alfred Hitchcock Mystery Magazine (which actually went on sale last month). My story there, called "Trail's End," is the first of a new series featuring rural sheriff Ray Douglas and his lawyer/mystery-writer friend Jennifer Parker. The two of them are in sort of an on-again-off-again relationship and, not surprisingly, wind up in the middle of a murder investigation on their way back from a trip to New Orleans.

NOTE 1: After finishing several drafts of this story, I was having a hard time coming up with a suitable title, so I changed the plot around a little, placed the murder scene at a motel, put it at the end of a road at the edge of a swamp in the middle of nowhere, and named the motel the Trail's End.

NOTE 2: Someone recently asked me why the women in my stories are usually smarter than the men. I replied that I try to write fiction that comes close to the way things are in real life.

One more thing about this story. An old friend from my hometown named Cheryl Grubbs told me a couple of years ago that she hoped I would one day use her as a character in one of my creations. As fate would have it, Sheriff Douglas's deputy in this story is named Cheryl Grubbs. And by the way, the second installment in the series has been purchased by AHMM and will appear sometime in the coming months, so Deputy Grubbs will be back again then. Cheryl, if you're reading this, I hope you'll like her.

The book thief

My second July story, "The Rare Book Case," also came out in late June, but appeared in Woman's World's July 3 issue--WW copies go on sale almost two weeks before the issue date--and is an installment in my series about retired schoolteacher Angela Potts and her former student Sheriff Charles "Chunky" Jones. Most of the stories in that series were written for Woman's World, but other Angela/Chunky adventures have appeared in Amazon Shorts, Flash Bang Mysteries, Rocking Chairs and Afternoon Tales, and my short-story collection Fifty Mysteries: The Angela Files.

This one is set on the Fourth of July, and involves the theft of a rare first-edition novel from a locked case at Abner Smith's bookstore. The thief, long gone now, was seen by one of the store's customers but not by the owner, and when the sheriff is summoned certain things in the customer's description of the suspect don't seem to add up. Fortunately the bossy Ms. Potts--who as usual is on the scene even though she probably shouldn't be--is especially good at that kind of math, and saves the (Independence) day.

Maintaining law and daughter

My third story of the month, in the Summer 2017 issue of B.J. Bourg's Flash Bang Mysteries, is a new episode in a series I've been writing for a long time, featuring Sheriff Lucy Valentine and her mother Frances. Fran usually helps her daughter solve mysteries (whether Lucy wants her to or not), but her main goal is to get Sheriff Valentine married so Fran can become a grandmother, a mission that has so far been unsuccessful. Other stories about these two, which I've named the "Law & Daughter" series, have appeared in Sherlock Holmes Mystery Magazine, Mysterical-E, Woman's World, Futures, Mouth Full of Bullets, Seeds, Kings River Life, my short-story collection Dreamland, and several anthologies.

This story in Flash Bang is called "Ace in the Hole," and involves the gangland kidnapping of a guy named Ace McGee, who seems to be destined for a late-night burial in a pit at a construction site. Working with Fran and Lucy to try to keep Ace alive and above ground is teenaged genius Donna Fairley, which is also the maiden name of one of my old IBM co-workers. (Warning to my family, friends, and acquaintances: you guys have a way of showing up as characters in my stories, so you better be nice to me . . .)

A neo kind of noir

The last of my July-dated publications, "The Sandman," is a standalone story included in the anthology Noir at the Salad Bar, from Level Best Books. (Actually this isn't the last one, but until just before time for this column to post, I thought it was. My fifth publication with a current date, a story called "Crow Mountain" in Strand Magazine, is described below. Hang on . . .)

"The Sandman" is possibly the most intense of the stories I'm discussing here, but I still tried to plug a bit of humor in. The title refers to a character named Sanderford, and the plot involves a couple of underworld loan-sharks who target the owner of a local bar. This mystery is more of a howdunit than a whodunit, with a few twists thrown in (I can't seem to resist that), and was great fun to write.

I'm especially honored to have been featured in this book alongside friends Michael Bracken and Alan Orloff. Noir at the Salad Bar was released on July 18.

Getting lucky at WW

I also have another Woman's World story, called "Mr. Unlucky" out right now, but its issue date is August 7 so I'm not counting it as one of my July stories. (That issue appeared at our Kroger store on July 27, so I picked it up yesterday along with a jug of milk and a loaf of bread. Seriously.) This was my 89th story to be published in Woman's World, and in recent weeks I've sold them #90 and #91. So far, 82 of those have been installments in my Angela-and-the-Sheriff series.

"Mr. Unlucky" is a whodunit about a robbery at a local furniture store, and involves a mysterious note on which is written the name of an old TV show and movie called Mr. Lucky. I'm a certified, card-carrying movie addict, so anytime I can work something cinematic into one of my stories, it makes it even more fun to write. Upcoming is a Labor Day story scheduled for the September 4 WW issue (on sale August 24) and a murder mystery in the September 18 issue.

Breaking news . . .

I only just found out that I also have a story in the current (June-Sep 2017) issue of Strand Magazine, just released. Yes, as I said, I know that makes five stories rather than four, but instead of changing the title of this post at the last minute, I figured I'd tack this onto the end. The story is "Crow Mountain," about a fisherman who encounters an escaped convict deep in the woods, and what happens as a result. If you pick up this issue, I hope you'll like the tale--it's a little different. And I'm proud to have been featured alongside one of my longtime heroes, Max Allan Collins.

Anyhow, that's my midsummer report. (You might notice I didn't mention my rejections, which are many.) If any of you have recent--or not-so-recent--successes to announce (publications, acceptances, completions, etc., of either shorts or novels), please let me know via the comments section below. Everybody likes hearing that kind of news.



Speaking of fortunate events, today is our wedding anniversary. Carolyn and I were married 45 years ago in a galaxy far, far away (Oklahoma), and tonight most of our kids and grandchildren will be here at our house for dinner. I can't think of a better way to celebrate.

Familywise AND writingwise, I wish all of you the best.

No, No, Not Bootlegging... But Maybe Booklegging Or...?

By Art Taylor

As I'm writing this, here's what our dining room looks like:

But despite all the liquor brands you see here, I promise we're not bootlegging, we haven't robbed a liquor store, and we aren't planning a big party (at least not yet, and not a chance it'll be this intoxicating if we do).

Instead, we're packing—and when we needed boxes, I thought, "Where would be a place that gets plenty of packages, where the boxes are strong enough to hold fragile material and where they're also small enough that they won't be too heavy?" When the answer came to me, I felt like I was a genius—but since then, I've learned that a lot of people grab moving materials from their local ABC store. So much for genius.

My wife Tara and I are currently in the midst of a big move—not big in terms of distance (we're staying in our general area here in Northern Virginia) but it feels big, given the amount of time and energy we've put into staging our own home (packing, decluttering, cleaning, etc.) and the amount of work ahead before our moving day next Friday. One of the biggest things to consider are the books we have in nearly every room of the house—a problem I think most writers and readers share, of course, and which Tara wrote about herself in a recent column at the Washington Independent Review of Books. The weight of books is, in fact, one of the main reasons to use smaller boxes; it's back-breaking otherwise.

I don't want to simply repeat Tara's points, all of which are good ones—focusing on choosing a home based on space for shelves, on the hard decisions about whether to pack a book or purge it (ouch!) as we pack, or on the way the stager for our own place waved her hand and basically suggested "books begone" as we prepped it to sell! (We didn't take her advice.)

But Tara's column at the WIROB and my own last column at SleuthSayers a few weeks back, looking at books as objects, have gotten me thinking in another direction about books and moving.

In considering why she's been saving certain books and giving others away, Tara gauged several questions, including "Does it bring joy? Will I ever read this again? Where did I get it? Do I remember reading it?" and the kicker: "What if I need it again?"

As I'm packing books and considering potential donations to the local Burke Centre Library (which runs a great book sale, I should stress!), I've been working through the same questions and making some of the same choices—but I've also been hung up on a couple more: What does it mean that I insist on lugging from this place to the next (and in some cases have already lugged other times from place to place) books that I still haven't read and that, thinking logically, calculating time (and yes, mortality), I will likely actually never read? And why is it I'm still buying books at such a clip as well, even as I'm moving these and discarding others and....?

Those comments above about the physical weight of books take on a different weight here, I recognize—lugging unread books toward eternity.

I don't mean to be a downer here, and I've actually heard it said just the opposite: that buying more and more books actually represents a form of optimism—the ambition and expectation that you will indeed read them, despite the odds. And ambition and intentions can indeed work out that way: I've mentioned elsewhere my year of reading War & Peace from an edition that I carried from one house to the next after a failed attempt many years ago. And when I look at other books on my shelf, I see other similar projects ahead: I'm behind on the books by one of my favorite authors, Tana French, so those last two titles need to come along, of course, and then it would indeed be nice to spend a year working through all those Graham Greene novels, and there are so many of my friends in the writing community whose recent books I need to catch up on, and there's never any lack of anthologies and back issues of EQMM and AHMM and....  And so many books I'd love to reread too—so I can't get rid of them, can I? even though the newer, unread books should probably come first, so...?

I know this discussion veers once more into the question of books for reading versus books as objects—the overlap there—and I'll stress that I do use the library too rather than just buying indiscriminately. But I'm curious: How many books on your own shelves are unread? How many might you anticipate never getting around to reading? Do you hold on to them anyway? And if so, why? 

While you answer that, I'll be packing—bourbon boxes and vodka boxes and tequila boxes and....

Anthony-Nominee S.W. Lauden Weighs In On The Novella

by Brian Thornton

As my faithful readers (BOTH of them) on this blog well know, I spent the first part of 2017 expanding a short story I sold to Alfred Hitchcock's Mystery Magazine into a novella. The process of expanding an existing work inspired me to ruminate on recent revival of the novella as a viable art form. All this ruminating has been great fodder for my recent blog posts. I've talked about my own fumbling toward something resembling a process when writing a novella-length piece, even interviewed Down & Out Books' executive editor Eric Campbell about the viability of the novella (That post can be found here).

Last go-round I posted the first round of my interviews with two Black Orchid winning novella writers, fellow Sleuthsayers Rob Lopresti and Steve Liskow, on their own experiences with writing the novella (Read that one here). I intend to dig deeper with both Rob and Steve, but before doing so I wanted to add an old friend and recent Anthony nominee (for, what else? A novella!), Steve Lauden, to the mix.

S. W. Lauden

So, here's a bit about Steve, and then on to the interview:

S.W. Lauden is the author of the Greg Salem punk rock P.I. series including Bad Citizen Corporation and Grizzly Season (Rare Bird Books). His Tommy & Shayna Crime Capers include the Anthony Award-nominated novella, Crosswise, and its sequel, Crossed Bones (Down & Out Books). He is also the co-host of the Writer Types podcast. Steve lives in Los Angeles.

First off, congratulations on that Anthony nomination!

Thank you! Happy to be back at SleuthSayers, Brian. I dug your last post about novellas.

Which begs the question: why a novella?

Like many crime and mystery readers, I appreciate a fast-paced page turner. A lot of things demand my attention daily, so when I carve out time to read I like stories that grab me by the throat and don’t let go.


As a writer, I enjoy the challenge of trying to write those kinds of stories for my readers. I also think the shorter form gives writers a chance to spread their wings a little. At least it did in my case.

Did you initially set to write a novella full-on, or did you decide to expand a short?

My first novella, Crosswise, started out as a short story I wrote while on vacation in Florida. Something about the white sand beaches and crystal clear water screamed out for a series of murders. The bones of the novella were all there—the crossword puzzle theme, the star-crossed love affair between Tommy and Shayna, and the retirement home full of wisecracking New Yorkers—but not fully formed. Expanding to novella length allowed me to do that and more.

So what was it about the short story you eventually expanded into a novella that made you think: “This needs to be longer”?

Crosswise was a complete 5,000-word story when I got home from vacation, but the few people I showed it to encouraged me to keep going. I took their advice and got to about 30,000 words before deciding it was done. My editor, Elaine Ash, eventually recommended it to Eric Campbell at Down & Out Books who published it about a year later.

In retrospect, which do you think is more work: starting a novella from scratch, or expanding a shorter piece into novella length? 

I was convinced that Crosswise was a short story, so it was pretty exciting to realize I might have something bigger. That said, expanding a piece that already had a compact and well-defined story arc was daunting. It can be tricky to maintain a consistent voice and rhythm while expanding the plot. Those challenges contributed to the quirky tone and characters in “Crosswise,” so I’m actually pretty happy about it in the end.

The sequel, Crossed Bones, came out in May. For that one, I sketched an outline and sat down to write a 30,000-word novella from the start. I also knew the main characters a lot better by then. So, in my my personal experience, writing a novella from scratch is probably easier.

*           *          *           *          *

Check back in two weeks when I conduct a group interview of these three terrific authors to wrap up my series of novella-related posts. See you in two weeks!

Old Dogs

Even before Rob Lopresti mentioned it last week - is there a rule about blondes? - I'd been watching the Brit cop show New Tricks, starting at the beginning of the series and working my way forward. I remember catching some episodes when they were broadcast on A&E or maybe Mystery, but I wasn't a regular. Just like discovering a new writer when they're already established (picking up a book from the middle of their catalog, and then going back to read all of their books in order of appearance), you get a stronger sense of brand loyalty, not to mention story dynamic and character, when you watch a series from the start. You see them correct the seasoning, too, and find the right beat. Riker is better with a beard. Barney Miller doesn't need a home life.

New Tricks was camera-ready pretty much right out of the box. They established a framework, furnished it with familiar devices, and peopled it with a comfortably solid crew. And something unpredictable happened. The show got legs, yes, but the anarchic energies of the game team, or whatever was in the water, made for an eccentric orbit. This is immediately obvious in the chemistry between the four character leads, and the writing plays off this as the series builds on itself. It's a symbiotic process.

The premise is reasonably straightforward. A fast-track Detective Superintendent is given the job of recruiting a cold case squad for the Met. She lines up three retired cops, each with particular strengths and weaknesses. They are, in fact, past their sell-by date, and the tensions between the three older guys and their younger, ambitious boss are about gender, and generations, and not a little about style. Which makes for easy targets, on the one hand, but some quieter subtext, on the other. The show can be surprisingly dark, comic relief a way to depressurize. The pilot for New Tricks came on in 2003, the same year as the American series Cold Case. Cold Case, though, was pretty relentlessly grim. Also the American show used flashbacks as a regular feature, reconstructing what might have happened.  New Tricks takes place entirely in the here and now, using only the POV of the detectives.

What makes it effective? The casting. This is as true of Jim Garner in Rockford as it is of Angela Lansbury in Murder, She Wrote. In this this case, it's the ensemble, and the way they rub off on one another (or rub each other the wrong way). Four old pros, basically. Alun Armstrong is one of those English supporting actors you recognize immediately, without remembering quite where it was you saw him last. Something of Dickens, maybe? You look him up, it's amazing, the range of stuff he's been in. James Bolam runs a close second. (It surprised me to see he once even did Andy Capp, the working-class comic strip character.) Amanda Redman has done Diana Dors, she was Ray Winstone's wife in Sexy Beast, and she's got a long line of British TV credits. Lastly, there's Dennis Waterman, with a career going back to the 1960's. Waterman was the second-billed lead (after John Thaw) in The Sweeney, a cop show that overturned convention, at least in the UK. Up until then, the idea that a cop would bend the law to put a villain away wouldn't have been spoken above a whisper. It's hard to overstate its influence. As big as Miami Vice here in the States, ten years later? Let's just say it's a name cast, so far as British viewers go. (Nor to scant the wonderful Susan Jameson, either, who plays Alun Armstrong's better half, and is married to James Bolam, in life.)

And part of the fun, on either side of the Pond, is the list of guest shots. Ooh, look, there's Patrick Malahide  (Inspector Alleyn, Balon Greyjoy), or Clare Holman, from Morse, and Lewis, and Lewis himself, Kevin Whately, playing against type as a rather dodgy school headmaster. Jon Finch, Rupert Graves, Phyllida Law, Claire Bloom, Peter Davison, Anthony Head. Cherie Lunghi, Jane Asher, Victor Spinetti, Art Malik, Honor Blackman, Camille Coduri, Rita Tushingham, Sylvia Syms, Jenny Agutter, James Fox, Nicholas Farrell, John McEnery, Roy Marsden. Sheesh.

The scripts are very canny, and consistent. They have the satisfaction of good joinery, tightly fit and pleasingly shaped. The usual red herrings, and the least likely, but the stories play fair. The procedural and the personal are interleaved, and they inform each other. The funny stuff surfaces in unlikely places, too, catching you with your guard down. Dennis Waterman's Jerry, who fancies himself something of a ladies' man: "I used to have a thing for older women." Amanda Redman's Sandra: "And now there aren't any." (The exchanges between the two of them given a slight extra edge by our behind-the-scenes knowledge that they were briefly an item themselves, back in the day.)

The show ran its course. At mid-point, it was one of the most-watched series in the UK. But after eight seasons, James Bolam left, and Alun Armstrong and Amanda Redman hung up their spurs after season ten. Dennis Waterman lasted into the opening episodes of season twelve, and then he too turned in his badge. New Tricks folded.

The lesson here isn't about losing stamina or overstaying your welcome. The lesson is about how they got it right in the first place. We know it's not as easy as it looks. Part of it's luck, part of it's having good material, part of it's showing up on time. The writers, the cast, the production values. They knew they were onto something, and it shows. What it is, is heart. They delivered.

True Political Animals

So much about politics divides our nation these days, but here is something I think we all can agree on: the death last week of the mayor of Talkeetna, Alaska, is a loss to us all.
You see, Talkeetna (two hours north of Anchorage, population less than 900) has for twenty years had the same mayor: Stubbs the orange tabby. Stubbs supposedly began his political career as a write-in candidate who garnered more votes than any of the humans on the ballot. He thereafter won several uncontested elections over the years. He even survived what's been billed an assassination attempt by a stray dog in 2013. (There's a newspaper in Alaska that claims Stubbs never was elected and his political career is effectively an urban legend, but I like what everyone else is reporting about Stubbs, so screw 'em.)

Anyway, it might seem silly to be sad over a deceased feline I never met--and it might seem sillier that said feline ran a town in Alaska for twenty years--but this cat did something few political candidates seem able to do these days. He brought his town together. Once he was elected, no one ran against him. His constituents actually liked him, and not for what he could do for them. They liked him just for himself. Isn't that refreshing?

Rest in peace, Stubbs.

That's not to say Stubbs accomplished nothing while in office. I understand he helped increase tourism because people wanted to meet him. And I daresay he promoted the idea that you don't have to look--or be--like everyone else in order to succeed, in politics as well as in life. Granted, Stubbs's job was apparently more symbolic than functional, but that makes Stubbs's accomplishments no less valid. So I salute you, Stubbs, for all your success. Thank you for your years of service. And may you rest in peace.

There's more where Stubbs came from

Stubbs was not the first animal elected to office in this country. Here are a few others. (Note: This information was gathered from multiple sources on the Internet. I haven't gone to each town to confirm, but why would anyone make this stuff up?)

In 1981, Bosco, a lab-rottweiler mix, was elected mayor of Sunol, California. He served for thirteen years, dying in office in 1994. His job was described as purely ceremonial, but he still got to be called mayor.

This isn't any of the Henry Clays,
but you get the idea.

In 1986, a political dynasty began in Lajitas, Texas, when Henry Clay, a billy goat, was elected as mayor. Since then Henry Clay Jr. and Henry Clay III have served in the same position.

In 1998, voters in the small town of Rabbit Hash, Kentucky, elected Goofy, a German shepherd, mayor. Goofy was eventually succeeded by Junior, a black lab, who was succeeded by Lucy Lou, a border collie, who remains in office today. Goofy's election stemmed from a fundraiser for a local church. People paid $1 to cast each vote.

In 2011, a cow named April was elected mayor of Eastsound, Washington. After not running for re-election, April was succeeded the next year by Murphy, a Portuguese water dog (like Stubbs, Murphy was a write-in candidate). Other animal mayors of this town have been Granny, a whale; Jack, a golden retriever; and their current mayor, Lewis, a dog (breed unclear). As with other towns with animal mayors, the job in Eastsound is ceremonial, and the voting each year is designed to raise money for charity, but the effect of teaching respect for animals is certainly real.

This isn't Duke, but it looks like him.

And last, but certainly not least, there is Duke, a great Pyrenees, who was elected mayor of Cormorant, Minnesota, in 2014. He has won re-election annually since then, and he continues to serve today.

So, readers, would any of your furry friends make good politicians? Please share. I'm particularly interested in what qualities they have that we all could benefit from. (And no comments, please, about how any animal is better than the politicians we have today. All of these animals have been elected in good-natured environments, and I'd like this blog to remain just as positive.)

And so we don't stray too far from the topic of writing, if you know of any crime short stories or novels involving the election of an animal or an animal serving in office, please share those too.

Withnail & I

Picture this: A large, empty, cavernous movie theater auditorium in the depths of winter. I'm in a jacket and scarf, and my breath is visible. It's a matinee screening and no one else came. The lights go down and the ruby red curtains part. A soulful saxophone echoes: a four a.m. version of Procol Harum's A Whiter Shade of Pale. Up on the screen, a man sits in profile in a darkened sitting room and smokes a cigarette. He's contemplating the universe, or he's about to face a firing squad.
This is a memory burnt into my mind. And I am lately reminded that it happened thirty years ago.

Thirty years ago, Kevin called me up on the telephone. "You should go see it," he said. He'd called to tell me about a movie that had opened a couple of days earlier. I don't remember his exact words, but I remember his enthusiasm, and the movie was Withnail and I.

"What's it about?"

A couple of days later, I sat alone in that aforementioned empty movie theater: The Embassy; a cold, uninspiring Art Deco building of creams and off whites. It used to stand on the corner of Lorne and Wellesley Streets in Auckland City, and it was a proper movie palace: wide, a couple of levels, big fat chocolate leather seats (and not a darkened shoe box like most cinemas today).

"What the hell was that about?" Francine asked, two weeks later, when I suggested we go see it (me for the second time), and we did, and we sat in a café afterwards.

The movie is set in England in 1969 and it's about a lot of different things, and to describe any one of them would do disservice to the others. To my mind, it's about as close to a book as any movie has ever gotten. When I close a good book, I'm left first with a mood, a feeling; it's taken me somewhere emotionally. Remembering scenes and moments (and the plot) comes later.

Essentially, Withnail is the story of two actors. They've graduated from drama school and are looking for work. They're unemployed and the world owes them no favors. In fact, the world seems to offer no hope whatsoever. The world is crumbling.

This can be read as a metaphor, and it's the key to the movie's popularity (it flopped when it was first released, but it's since become a perennial favorite; a cult classic). We've all been there. The waiting. The what next? The what do I do now?

It doesn't matter the career or chosen path, be it actor, writer, musician, or ________ (fill in the blank). Most of us have found ourselves, at some point, standing at the crossroads wondering what the hell do we do next?

Do I wait for the phone to ring? Do I go out and hustle? How does this thing work?

And there is no right answer. And Withnail doesn't provide one.

That's the trouble with most movies today. There's always a right answer: it's provided for you, usually in triplicate, and underlined. You can watch and "understand" most movies today without almost any assistance from your brain.

I'm not arguing that Withnail & I is the greatest movie ever made, but it takes you somewhere, if you want it to. And I will argue that it's one of the more sharply written and better acted.

Withnail ends in Regent's Park, London. It's raining. It's a miserable day. One of the actors has left to catch a train; he has secured a job. The other is left drunk at the bars of the wolf enclosure, his future uncertain. He recites the what a piece of work is man? monologue from Hamlet. The wolves are uninterested.

Again, a metaphor.

Withnail & I is about whatever you want to find in it.

Withnail & I (at the IMDB)

www.StephenRoss.net

Florida News, Moral Retardation

Florida madness waits for no one. The Sunshine State exists merely to make other states feel better. Usually I adopt a mocking stance, but sometimes the subjects are too dark, too sick for levity. Two of the most disturbing stories– one about a truly sick honeymooning couple– I’ve removed from today’s lineup. At least we finish with a warming palate cleanser. Let the revue begin.

Water Hazard

Tampa, FL.  Golf courses once employed kids to retrieve wayward balls from ponds, lakes, and water hazards. In Florida, courses can get a bit rough. Ask Scott Lahodik. He’s worked as a golf ball search-and-rescue professional for nearly three decades. Recently a Charlotte alligator violently objected to Lahodik disturbing his collection. Lahodik thinks it might be time to retire.

Cutting the Cord

Deland, FL.  A professional skydiver chose to die doing what he loved. This might have been easier to take if it weren’t for people who loved him.

How Bow Dah

Boynton Beach, FL.  Without adding to her publicity/notoriety, a 13-year-old girl has become (in)famous for bad behavior and poor enunciation. Violent and apparently proud of bottomless ignorance, she appeared on Dr. Phil where she told him he wasn’t nothin’ until she graced his show. She’s also shown up in music videos, television shows, and courtrooms. Our home-grown (sort of) girl is an experience… and not a good one.

Wired

Boynton Beach, FL.  That teen girl isn’t the only bad actor from Boynton Beach. Police arrested a man with an electronic devices wired to his penis. Prosecutors will no doubt file a, er, battery of, um, charges. Wouldn’t it be ironic if the ‘electronic device’ was a GPS? That would be embarrassing.

Jacksonville, FL.  We’re not done with penises yet, but a Duval County man nearly was. He managed to shoot himself in one of the worst places he could shoot himself. This is reminiscent of the Florida woman who was, well, caught pleasuring herself with a loaded pistol. Some people like to live dangerously.

Armed and, well, Armed

Deltona, FL.  A Volusia County man shot himself in the arm. This is the USA– people shoot themselves all the time. However, this man didn’t realize it until he changed his shirt… three… days… hence. (Shh! I always wanted to use that word.)

Listen folks, this is Florida. It’s freaking hot here. People sweat. God knows how many days he’d already been wearing that garment. We should change shirts three times a day instead of every three days. I know it’s difficult to detect one’s own body odor, but how bad do you have to stink when even a bullet hole under your arm goes numb?

Voter Fraudster, Oh Yeah

Sarasota, FL.  You know who Steve Bannon is, icon of alt-right rags and radio, and a fixture in the White House. You know about the desperate quest to prove some kind– any kind– of voter fraud. The committee need look no further than Florida.

Not only did Stephen Kevin Bannon register to vote in New York, he also registered to vote in Florida. For a home address, he listed a vacant house he never lived in and scheduled to be torn down.

That’s one. Now the fraud committee has another 199,999,999 voters to check out.

Aramis Ayala

Orlando, FL.  The Supreme Court has forced Florida to back down on a number of legal issues. In its excitement to execute, SCOTUS has required capital cases to be reviewed, which resulted in instances of actual innocence. The Court also directed Florida to stop incarcerating children for life. Florida judges made paltry efforts to see that children convicted of crimes less than murder have a chance, however slim, of seeing the outside world again before they die.

Orange and Osceola Counties recently elected a black prosecutor, a major step for Florida. However, our governor (you already know my criticisms about Rick Scott) virtually stripped her of prosecutorial powers and reassigned cases to other state attorneys. To rephrase, Governor Rick Scott has removed State Attorney Aramis Ayala from major cases, nullifying our election of this woman.

Setting aside racist overtones, the crux of the matter centers around the governor’s lust for capital punishment while Attorney Aramis Ayala has expressed doubts about the morality and effectiveness of the death penalty. No doubt Scott has his Attorney General pin-up babe Pam Bondi trying to figure out a legal justification for his actions.

My opinion? Governor, WE elected her as OUR state attorney, not yours. Screw up the rest of the state and leave us alone.

Shoot First… The rules are different here.

Tallahassee, FL.  Florida proudly originated the Shoot First / Stand Your Ground law detested by police and despised by prosecutors. It’s thought to thwart prosecution of approximately one hundred homicides a year (including children), triple the average. Now Florida has introduced a new and improved SF/SYG law designed to make it even more difficult to prosecute killers in a state already in love with death.

Miami-Dade Circuit Judge Milton Hirsch has ruined the party by declaring the amended law unconstitutional. Governor Scott suffered the vapors at the news and waved his blonde bombshell Attorney General Pam Bondi into action. Miss Bondage is presently trying to find a legal argument to shut down the judge’s ruling.

He Who Laughs Last…

Cocoa, FL.  No doubt you’ve heard the news that four Florida ƒ-tards stood around joking, recording, deriding and reviling a man as he drowned instead of saving him. For once, I suffer a paucity of adjectives.

The question has been raised, why do we rush to implement Shoot First / Stand Your Ground laws but don’t have a Good Samaritan law? Folks, this is Florida.

And also, why should a civilized society require laws to do the right thing? Oh yes, this is Florida. But the final story might make you feel better.

Stone the Samaritans

Lakeland, FL.  Our hysterical society has developed such a fear of men with children, it’s become dangerous for both. A Polk County man attending a softball game noticed a lost child wandering around. He tried to help her find her wayward family.

When one of her parents finally bothered to notice the little girl was missing, he ran down the man he spotted with his daughter and, attacking him from behind, badly beat him. Police tried to tell the foolish father the stranger was trying to help, but the man refused to accept that possibility. Maybe the family felt a little guilt itself, but they took to Facebook to falsely deride the man who helped and demand police arrest and prosecute the helper as a sexual predator.

He Who Writes Last…

Panama City, FL.  A family– nine people in all– found themselves in trouble and unable to swim back to shore. Good Samaritans organized a sort of bucket brigade, a chain of 30 to 50 possibly up to 80 heroes and heroines extending far into the rip tide to save the family.

Kudos and congratulations. Sometimes Floridians get it right.

Why Being a Writer is the Best Excuse Ever

(bad girl, back to her silly self)

There are all sorts of reasons for being a writer.  (Money isn’t one of them, in case you were wondering.  Unless, of course, you are a masochist.  Then again, many writers are.  We’d have to be, to put up with this biz.  But I digress.)

Many of us write because we can’t help it.  All sorts of demented characters have taken over our loopy minds.  If we don’t let them out to live their own lives on paper, all sorts of bad things will happen.  For instance, they may induce us writers to perform their fantasies in reality, on behalf of their little selves.  This might be fun if you are writing erotica.  Not so great, if you’re a crime writer, like me.

That aside, there are many reasons that being a writer can be great fun.  You get to kill people on paper.  (Okay, I’m just now realizing how twisted that sounds.) 

Moving on, being a writer gives you all sorts of excuses for bizarre and socially-inept behavior.  In social situations, friends can look over at you, shake their heads, and say confidentially to others, “It’s okay, really.  She’s a writer.”  Sort of how being an Australian explains things.

Here are some things that can really work to your advantage (reword: you can work to your advantage.)

The Research:  writing a book gives one all sorts of excuses to do research.  This can be as innocent as merely looking up things on the internet (exactly what is the distinction between hot romance and porn? Checking Yutube…hey, every writer knows Show Not Tell is best.)

The Bar:  all writers meet in bars, right?  Certainly all agents and editors do.  Especially those from out of town who don’t have offices in the vicinity.  “I have to meet my editor at The Drake,” you call out to all concerned.  And then you gather up your laptop, notebooks and cell phone.  The hard part is, you must remember to bring all those things back from the bar after your ‘meeting’. 

The Deadline:  your major excuse for getting out of any dull social obligations, including ant-infested picnics and relative-infested gatherings.  “I’m on deadline!” you cry frantically, even if your deadline is nine months from now.  (Nine months…nice metaphor.  Probably, I came up with it while in The Zone.  See below.)

In case you are still not convinced that being a writer is the best excuse ever, let me introduce you to The Zone.  This is the place your writer-mind travels to when it really doesn’t want to be where your body is. You can zone out at any time, in any social situation. 

Enjoy this.  Milk this.  Smile and look distracted .  Your boss, inlaws or editor will nod knowingly, as if they are a party to a big secret.  They will look upon you sympathetically and say to each other, “Oh.  He’s planning his next book.” 

Which can be really useful if what you are really planning is how to do away with your boss, inlaws, or editor.

A Change of Place

I first encountered Thomas Pluck in 2011 when I read  a remarkable tale in A Twist of Noir called "The Uncleared."  You can read it here.  When I reviewed it at Little Big Crimes I wrote that "I can easily see this story as the outline for one of those looong broody tales that EQMM loves so much. Instead he fit it on a postcard, and did it with no sense of cramming or shorthand.  Quite remarkable."  It is that.
Thomas's most recent book is BAD BOY BOOGIE, a Jay Desmarteaux crime thriller.  Ken Bruen called it a "must re-read novel."  And like me, he is a New Jersey boy.  What else do you need to know?  

He made a guest appearance here in March, which should have warned him off, but apparently he is a slow learner and agreed to take a permanent seat at our table.  This is his first shot as a regular.  I'm sure you will enjoy it. Please make him welcome, and remind him to cut the cards.   - Robert Lopresti

Hello, everybody. I'm honored to join the crew here at SleuthSayers, and I hope you'll enjoy my triweekly musings here. And thank you for the kind words, Robert. I keep going back to "The Uncleared" and there's a novel waiting to come out, once I visit Alaska... which brings me to the subject of today's post. But first, let me say how I came to be here.

I've been a fan of the crime and mystery genre since grade school, when I cut my teeth on Agatha Christie and Encyclopedia Brown. Later came the Fletch series, Ian Fleming, and Hammett brought me into hardboiled. For a good while my trinity was Lawrence Block, James Lee Burke, and the pet shop cozies of Barbara Block (no relation) and now I read everyone from Hilary Davidson and Tana French to Joe Lansdale and Laura Lippman and Walter Mosley, and I have a soft spot for Liza Cody's Bucket Nut wrestler tales with Eva Wylie, and Christa Faust's Angel Dare series. I read outside the genre a lot as well. Stewart O'Nan, Victor LaValle, Laird Barron, Joyce Carol Oates (though she does write suspense as well), Roxane Gay. To get an idea of the range, I recommend Protectors 2: Heroes, the anthology I edited to benefit The National Association to Protect Children, which has a solid core of mystery with fantasy, horror, lit, SF, and poetry mixed in.

But enough about me, we're here to talk writing. I recently returned from a two week tour of central Europe by car, where my wife Sarah, and my best friend Johnny and I toured seven countries in 3800 kilometers, having adventures and seeing both expected and uncommon sights. And of course, it inspired several story ideas. I've always felt envious of writers who can master a sense of place without having physically visited it. Lawrence Block for one, has written several stories about countries and cities he's never been to--despite being an accomplished world traveler--and the level of verisimilitude he manages never makes you question whether he's been there.

I don't always visit areas I want to write about, or write about places I've been, but some can't help but inspire a good story. In Munich, we stayed in an area where there was a high refugee population, which gave me a good view of the stark differences; the heart of an old city blocks away from a modern one. In the space of twenty minutes we walked from a tight neighborhood of buildings hundreds of years old celebrating Charlemagne, through a tony open mall where opera was performed, to a grimier urban red light district reminiscent of old Times Square.

In Amsterdam, the streets were clogged with bicycles. And our canal boat guide joked that the canals were filled with them, too. It didn't take much to make me wonder how easy it would be to chain someone to their bike with a few cinder blocks and chuck them into the water. (I might have even thought it a fitting end for a couple of cyclists who blew through pedestrian walkways while looking at their phones.) That's not so different from New Amsterdam, New York, these days with cars parking in the bike lanes and bicyclists veering onto the sidewalks and phone-addled pedestrians walking wherever they please, but there was no electricity in the air in the older city; everyone was relaxed, perhaps due to the easy access to the demon weed. (The one place they weren't relaxed was in the supermarket, the munchies, I suppose).

The story that relied on my travels the most was Blade of Dishonor, which I based on my trip to Japan to see my oldest friend compete in his first martial arts competition, train at his teacher's school, and galavant throughout Tokyo and Niigata with a bunch of rowdy fighters. That was such a culture shock that I knew I'd write about it someday, and was glad David Cranmer gave me the excuse, when he approached me to write a story about a fighter who comes into possession of a stolen sword.

Some writers draw inspiration from familiarity. The same routine, the comfortable writing room, or spot--I have a nook in the parlor with a view of Manhattan in winter, and trees the rest of the year--but others need a jolt, and some of us benefit from both. I couldn't visit the Talheim Death Pit in Germany before I wrote "Truth Coming Out of Her Well to Shame Mankind" for Lawrence Block's upcoming art-themed anthology Alive in Shape and Color. But I visited the area last week, and saw similar remains in the Neues Museum in Berlin, just in time for final edits. But the odd thing was, I changed nothing. What I'd come up with in my imagination felt true enough. There's one scene in a quaint Medieval village that drew on a real visit, but nothing I couldn't have gotten from a trip through Google Maps and Street View, and perusing the Medieval Justice and Torture Museum website.

So maybe you can write stories without ever leaving your chair. That's where the work gets done. And I'm glad I got back to it last night, savoring a dram of peaty scotch and writing a safecracking scene in the basement of a colonial-era tavern that never existed, based on several that are now lost to history. That's a place I like to visit in my head, and I hope it will be as enjoyable for readers to join me there on the page.

What works for you? Are your best vacations in your head, or do you draw from the real ones for inspiration?

-TP