23 June 2015

Scoundrel


William Augustus Bowles

He's a handsome devil, isn't he?  I encountered this gentleman in Mobile, Alabama during a very engaging tour of the historic Conde-Charlotte House.  Dashing Billy's portrait hung on the wall of the second floor  hallway.  My brother, Danny, and I were spending a few days in this beautiful old city that began life as a French fort and trading post, and were taking in a few of the sights.  Our guide, a lovely lady who treated us as welcomed guests, escorted us from room to room explaining the various periods illustrated by the furniture, paintings, silverware, and creature comforts, each room representing a particular period in the long history of the city.  Though Mobile had begun life as a French enclave (and retains much of that flavor to this day), it would, in turn, become an English possession, a Spanish conquest, part of the fledgling nation of the United States; secede with the state of Alabama to join the Confederacy, and finally, return to the fold at the close of the Civil War.
As it happened, we were just finishing our tour and preparing to go back downstairs when the painting caught my eye.  It had not been remarked upon prior.  "Who's this?" I asked, genuinely intrigued by the striking subject in the Native American turban.  Our guide grew instantly more animated, raising an eyebrow and saying, "Mostly it's the ladies who notice Mr. Bowles."  I quickly assured her that it was my interest in Native American history that drew him to my attention.  Brother Danny snorted.  "Well," she went on to explain with a smile, "Mr. Bowles was not an Indian, but he was quite a rogue, and at one time, declared himself chief of the Lower Creeks." 

Declared himself...?  I was hooked...and I think you will be, too. 

What follows is the very large story of William Bowles condensed for the sake of narrative brevity.  There is much left unreported and I beg your understanding.  My thanks to Rhen Druhan at the Conde-Charlotte Museum for her invaluable aid.  Much of the information here was drawn from a wonderful piece on his life in issue 103 of Alabama Heritage Magazine, as well as other sources.


The word scoundrel has many permutations in the English language: When speaking of corrupt politicians we generally intend it as a pejorative.  But there's another category of scoundrel that when we apply the word to them, it's always accompanied by a slight, involuntary smile.  Yes, we know that they're not very good people, maybe even pretty awful ones, yet...we find them charming, entertaining, larger than life, living more fully than we dare, taking risks that most of us never would.  These are the same folks we also use the word roguish to describe, or perhaps, adventurer.  We often write about such people and it's easy to think that they're mostly fictional characters.  Mostly they are.  Then there's William Augustus Bowles.

William began life in 1763 as the sixth child of an English family making its home in the colony of Maryland.  He was remarkable from the start.  Described as an aggressive, vigorous boy with an olive complexion, he excelled at many pursuits.  He leaned to speak French, play the flute and violin, painted, was well-versed in mathematics, history, and literature; was, in fact, an avid reader.  Besides these artistic and academic qualities, he was a good horseman and all-round outdoorsman.  In short, he was gifted with good looks, health, intelligence, and sensitivity.  He was also very headstrong as events would prove.

His family being fervent Tories during the Revolutionary War convinced young William to join the cause of Britain at sixteen years of age.  But after being garrisoned in Philadelphia he found himself cooling his heels for the next several years growing ever more impatient to see action.  Hearing that a military ship was looking for volunteers for duty in Jamaica and Florida, William hastened to join.  He was commissioned as an ensign and set sail.  What happened once the crew went ashore in Florida remains unclear.  What is clear, however, is that young William deserted the ranks (he described it as resigning his commission) and made good his escape in the vicinity of Pensacola.  Think of it, dear reader, our young hero afoot in the palmetto jungle and swamplands of northern Florida; hundreds of miles from home.  He can neither return to Maryland nor go back to Pensacola.  He would surely swing either way. 

But as often seems the case in the life of the daring, the unexpected happens--a party of Creek warriors come upon him and, like many that would follow, are impressed.  So impressed by his personality and verve that rather than harm him, they take him along to their village.
Chief Tomochichi and Nephew

Within a short while he is adopted into the tribe, a tribe that holds sway over much of Alabama, Georgia, and northern Florida, becomes fluent in the Muscogee language of the Creeks, and takes a wife.  Always one to live large, William also manages to wed a second lass, a Cherokee, thus uniting two peoples often at odds with one another.  Presumably, being William, he also learns the Iroquoian tongue spoken by his second bride.  Retaining considerable energies, even with two young wives in his household, he begins his first grand adventure.  Learning that the Spanish are attacking British forts along the Gulf Coast, he convinces a number of Creek warriors to join him in the defense of Pensacola.  It is certainly a measure of his remarkable character that he is able to lead braves into battle after having lived amongst them for so short a while.  In any event, the garrison is lost when a Spanish shell blows up the powder magazine and the fort along with it.  Ever a survivor, William flees into the forest with his adopted tribesmen and makes good his escape--a talent of his that would be utilized many more times during his life.

Spanish Troops Capture Pensacola--U.S. Military Museum
In a sudden reversal of fortune, the British army restores him to the rank of ensign as a reward for his service and valor at Pensacola, and William joins a regiment in New York.  Then, in a move that remains unclear, bonny William appears in the Bahamas where he whiles away the balmy days as a portraitist and comedian!  It appears his talents know no bounds, though what brings about this sudden change of career, like the move to Nassau itself, is obscure.  However, duty calls him yet again; this time in the august personage of the governor of the Bahamas, Lord Dunmore.  Having learned of his reputation among the savage races of the Americas, he dispatches William back to the Creek Nation to establish a trading post.  Returning to his, no doubt, pining wives, he swiftly sets up shop proclaiming himself Director-General of the Muscogee Nation!  Perhaps a bit overblown, but young William is never one for half-measures.  There are obstacles.

The Spanish, having taken advantage of Britain's long war with its colonies, now controls Florida and the Gulf coast, and with it the trade monopoly with the Creeks and Seminoles.  The Director-General, undaunted, meets the challenge with vigor--he declares war on Spain!  His Creek allies are somewhat divided on this issue.  They have grown comfortable with Panton, Leslie, and Company, the firm that the Spanish have commissioned as their trade emissaries.  Besides, the British are losing the American war and their defeat is imminent.  Details!  Young William decides that Panton and friends must go.

Again using his powers of persuasion, he is able to convince the more brash among the young men to support him in a strategy of intimidation and violence against his competitors.  Within a short while he has succeeded in making himself the target of His Most Catholic Majesty's ire.  In order to bolster his position, William ups the ante once more, telling the Creeks that if they would only recognize him as Chief of All the Creeks, he would see to it that the British Crown recognize them as a legitimate nation and establish an exclusive trade agreement.  The people, uneasy with Bounding Billy's vaulting ambition, grow ever more divided and fractious.  Yet, he has his supporters; the idea of a separate Indian Nation appeals to many and William's daring is infectious.  Traveling to England he makes his bold claims.  But for all his trouble and bluster, the government remains unimpressed.  There will be no treaty and no recognition of the, so-called, State of Muscogee.  He may, however, act as their sole trade representative to the natives.  Something he is already doing.  This is not what William relates to the people upon his return.

Declaring the negotiations a triumph on all fronts, the leader of the mythical State of Muscogee sets in motion the full machinery of war.  The Director-General proceeds to outfit two schooners as his navy and organize an army of four hundred Creeks warriors, frontiersmen, and former slaves as his soldiers and sailors.  In short order he begins to stock the coffers with the plundered riches and goods of Spain.  The store is now open and the British once again competitors in the contested region.  The year is 1800.
Charles IV of Spain by Goya

Branding the young upstart a pirate, Spain places a huge bounty on his head and it is not long before he is captured and transported to Spain to face justice.  As seems ever the case, the Spanish find William as irresistible as all before them and Charles IV himself(!) attempts to win him over to the Spanish cause.  Our Billy's not having it.  Whatever he may be--scoundrel, liar, pirate, con-man, adventurer--he is English, by God!  Disappointed, no doubt, the emperor has him shut away in prison.  By now you must know what happens next--he makes good another escape, commandeers a ship, probably in much the same manner as hailing a taxi, and returns to Florida. 

 But several years have gone by and William finds much changed in his absence: His rivals once more hold sway and British influence has all but vanished.  Worse yet, important leaders among the Creek peoples have closed their hearts to him, fearing both his ambitions and judgment.  Hearing of an important meeting between both Upper and Lower Creeks William decides to go all in.  Gathering his dwindling supporters around him, he crashes the party and does what Brash Billy does best, demands that he be recognized as "Chief of all Indians present"!  His enemies, knowing William as they did, are prepared for such a move and promptly take him prisoner, handing him over to the Spanish once again.  The Spanish having also taken the measure of our hero, on this occasion transport him to the infamous Moro Castle in Cuba to languish.  This time, however, there is no escape.  Whether he is mistreated, poisoned, or simply dies of neglect we shall never know, but by 1805 Dashing William is seen no more.  He is 42 at the time of his death, having spent 26 years living on the edge; his dream of an independent country for his adopted Creeks dying with him.  I hope that his two wives, at least, mourned his absence, but history remains silent on this question.  Having dared much, he lost it all in the end, and though there is much to be complained of in William Augustus Bowles' character, certainly two things can be said in his defense: He remained loyal to Britain until the end, and he certainly did not lack courage.  Loyalty and Valor do not a bad epitaph make.

The Capture Of Havana (Moro Castle)





                   





     

       

11 comments:

  1. Another truly interesting, but unknown (to me anyway) story, David. And I couldn't agree more: Loyalty and Valor do not a bad epitaph make.

    ReplyDelete
  2. What a character!
    He belongs in a novel.

    ReplyDelete
  3. There were some people whose lives were wildly improbable - and happened anyway. What a character! Love it!

    ReplyDelete
  4. David, it often seems that the successes of a scoundrel can rehabilitate his reputation over time. Joseph Kennedy and his smuggling for instance. You just have to be bold enough and get away with it, and commit no heinous crimes while appearing suave and dashing to your public.
    Nice article.

    ReplyDelete
  5. Thanks, everyone. I thought you might enjoy meeting William Augustus.

    ReplyDelete
  6. A fantastic story! And a striking figure, I must say. Thanks, David.

    --Dixon

    ReplyDelete
  7. Great story, David. My questions: Who painted the portrait, how did it survive 200+ years, and, how did it end up in this Mobile house museum? http://porterbriggs.com/painter-pirate-and-president-the-artful-william-augustus-bowles/ ...is this a self-portrait by Bowles, himself?
    "It was not a life of military service or even cultural occupation that Bowles found in the Bahamas, but something surprisingly disparate; the captivating young man instead pursued a life of the arts, working as a comedian, actor, and portrait painter. His charm once again wooed his company, this time Lord Dunmore, the governor of the Bahamas. Impressed by his wit and proficiency with the Creek language and customs, Lord Dunmore assigned Bowles the responsibility of establishing a trading post with the Creeks along the Chattahoochee River—a post in direct competition with French companies along the same route..."

    ReplyDelete
  8. Anonymous, your questions are good ones, and for the first I have an answer: The multi-talented Billy painted it himself! As you may recall he was a gifted painter and had actually made a living at it in Nassau. As to how it came to the particular house-museum where it is now held, I do not know. I ask that very question of our guide. She was unsure and offered that it might not be the original. Interestingly, other than many of the major episodes of William's life having occurred in the general vicinity (though none actually in Mobile) the portrait had no direct connection to the museum.

    ReplyDelete
  9. Hi, I'm an American living in England and came across this portrait 10 years ago - the original was painted by Thomas Hardy (not the author!). The original hangs in Upton House, a National Trust property just outside of Banbury. It was painted in 1790 or 1791 when Bowles was in London (petitioning the king to go to war against Spain). I don't know where it was from that time, but it was purchased at an auction in 1946 on behalf of Lord Bearsted of Upton House.

    I've spent the past 10 years dabbling in research about Bowles - it's amazing what you can uncover but knowing how much still remains uncovered.

    Carole Manship

    ReplyDelete
  10. Carole, thanks for the info on the actual painter of the Bowles portrait. It would appear my sources were incorrect on that point and I bow to your scholarship. He is a fascinating character, isn't he? I can certainly understand your interest in him and wish you luck in your research into his life. If you discover anything further, please let us know.

    ReplyDelete

Welcome. Please feel free to comment.

Our corporate secretary is notoriously lax when it comes to comments trapped in the spam folder. It may take Velma a few days to notice, usually after digging in a bottom drawer for a packet of seamed hose, a .38, her flask, or a cigarette.

She’s also sarcastically flip-lipped, but where else can a P.I. find a gal who can wield a candlestick phone, a typewriter, and a gat all at the same time? So bear with us, we value your comment. Once she finishes her Fatima Long Gold.

You can format HTML codes of <b>bold</b>, <i>italics</i>, and links: <a href="https://about.me/SleuthSayers">SleuthSayers</a>