After a very long absence from the Blogosphere, it's good to be back among friends especially on a Friday, my original day on Criminal Brief.
There's been a game of tag circulating among author blogs. Variously titled: What I'm Working On or My Writing Process, a blogger answers four questions about current projects and writing process, and then tags another author to answer the same questions.
If that isn't enough, she teaches Yoga and has two small kids. Her latest novel is Terminally Ill, and she's finishing up The Goa Yoga School Murders. Her story 'Om' is slated to appear in an upcoming issue of Ellery Queen's Mystery Magazine. You can read her blog here.
When Melissa tagged me, I thought, How fun! Then I thought, But I don't have a blog! And I don't write fiction. My old blog, The Vorpal Blade, began collecting cobwebs in 2007 when we launched Criminal Brief. In 2011, I began my regular column in Ellery Queen's Mystery Magazine. Then a few months later Criminal Brief disbanded and I saw it as a chance to take a break from blogtivity.
And speaking of Sleuthsayers, I hereby tag my friend and the newest member of the Sleuthsayers team, Melodie Campbell, to pick up with her own answers.
On to the questions…
What Am I Working On?
Like I said a few paragraphs up, I'm not a fiction writer. My last published fiction was a story in EQMM about five years ago. But right now I have a lot of different irons in the fire. My column in EQMM has me reviewing around ten books a month. I teach Jewish studies courses, and I'm a contributing editor at AudioFile Magazine, for which I also write reviews, interviews, and occasional feature stories.
Earlier this month McFarland Books published a volume of essays about detective fiction in honor of Douglas Greene's 70th birthday, for which I wrote the foreword and one of the chapters. (For those who don't know him, Doug is a retired English history professor, the owner/creator of Crippen and Landru Publishers, and an authority on John Dickson Carr, locked-room mysteries, and everything else in classical detective fiction). I've also put together a collection of Edward D. Hoch's non-mystery short stories (mostly horror, science fiction, and alternative history) which will be published by Wildside Press.
Two years ago, I finished a novel featuring a young New England rabbi and his bad-ass outlaw side-kick/guardian. I plan to do some more editing on it, as well as playing around with follow-up story lines for a sequel. I also have some ideas floating around for a series of short stories featuring a First Century BCE Pharisaic sleuth.
How Does My Work Differ From Others In The Same Genre?
The Judaic content. In the 1960s Harry Kemelman wrote a popular series featuring a rural New England rabbi as his sleuth. They''re good books, but few people read them today. I think it's in part because the hero, Rabbi Small, isn't all that endearing to modern sensibilities. With my hero, Rabbi Jake Lurie, I've tried to create a fully three-dimensional character. He's self-conscious and idealistic. He wrestles with religion, morality, and politics. He falls in love every time he turns around. His best friend and self-appointed guardian is a gruff, bad-ass outlaw. Lou Santelli is to Jake what Hawk is to Spenser, what Pike is to Elvis Cole, and what Falstaff is to Prince Hal. He's bawdy, vengeful, and dangerous. And he's taken the young rabbi under his wings.
Why Do I Write What I Do?
It comes down to those two tired adages: write what you know, and write what you like to read. I used to be a Jewish educator. No matter how hard I've tried to leave it for a life a crime, I still am. I know the ins and outs, the good, the bad, and the ugly of synagogue life. I enjoy good plots and interesting, believable and complex characters. That's why I write what I do.
How Does My Writing Process Work?
I have a process? I'm not self-disciplined and I have a non-linear brain. In order for me to get anything done, I have to have a loose plot and a deadline.
I use a ton of note cards, whether I'm planning a story, a non-fiction article, or even a classroom lesson. I put a stack of blank cards in front of me and I write down ideas, one per card. These can include characters, themes and motifs, scenes or images, problems the characters may face, locations, whatever. Once there are a couple dozen of these cards, I can toss them in the air and see where they land. I can pick two at random and come up with a scene that combines them. I can spread them out like Tarot cards.
The more I look at them and play around with them, the story takes hold and details start taking shape. In the end, I end up with something like directions and landmarks on a road trip. I don't have to follow the directions, but whenever I'm writing and am stuck with what to do next, looking at this map helps.
Not long ago I had a group of characters and a setting, but no story. I enlisted my characters for help. I began writing a scene in which my two main characters were sitting in a café having a conversation about me and the story I was trying to write. These two guys who I thought I'd invented are tossing around story ideas, debating the merits of each. They came up with things I wouldn't have thought of. Did it help my story? No. Not directly. But it got me writing and kept my characters alive.
That's my story and I'm sticking to it.
Welcome back, Steve. Good to know whatt you are up to ( especially since you are in my neck of the woods these days). As for having characters and setting but no story, man, that is my lfe...
ReplyDeleteSteve, it's great to see you back here, old friend, and to find out what you're working on. I look forward to more looks inside that mysterious mind of yours.
ReplyDeleteSteve, I think you spent more time talking about other people than you did about yourself and your own writing. Unnecessarily modest of you, but thank you. Best of luck with your writing and Jewish education!
ReplyDeleteAnd Robert, some people think that character and setting are more important than plot, for mysteries, so you and Steve are 2/3 of the way there!
ReplyDeleteWelcome aboard - I love your last paragraph. What a great way of kick-starting the work!
ReplyDeleteSteve! It's great to see you on-line again! Welcome back.
ReplyDeleteOh Lordy, Steve - if my characters were sitting around in a cafe talking about me, they'd probably be planning murder! (I force them into circumstances they aren't always happy with, alas...)
ReplyDeleteAs usual, you are remarkably generous in your mention of other authors in this post. And I am officially 'tagged'! Guess I'm 'it.' Does that make me an "It Girl?" (In my dreams...:)
Steve!!! Yay!!!
ReplyDeleteDoing the happy dance--so good to see you and read one of your always interesting blog posts!
Well you certainly are busy. I love the note card toss as process idea. Sounds like something that would do me good.
Hugs, T
Great post, Steve, and we all need to hear your voice more! Your generous spirit is legend, man. And I can totally picture the quizzical smile you must wear as you toss the cards in the air and stoop to examine what lands where. Terrific image!
ReplyDeleteTerrific post Steve!!! I thoroughly enjoyed reading this!
ReplyDeleteHi Steve! It's excellent to see you again!
ReplyDeleteWonderful to have you back for a Friday, Steve!
ReplyDeletesteve, it was such a pleasure to meet you and your charming sons tonight. happy to have you as a neighbor larry
ReplyDelete