Hit List

I like to hear about favorites, of any kind: novels, stories, authors, movies, TV shows, restaurants, cities, vacation spots. Discussions like that can not only tell you a bit about the person naming the favorites, they can also provide recommendations for your later enjoyment. One of our best family trips —two weeks in DC, with stops at Mount Vernon, Williamsburg, Jamestown, etc. —happened because we had talked with a neighbor who'd been there and done that and said it was her favorite vacation.

That certainly applies to reading material. I like to find out what books my friends have enjoyed the most. That's the way I discovered Harlan Coben's Tell No One, Grisham's A Time to Kill, Follett's Eye of the Needle. And one of the guys in our writing group made what I thought was an interesting observation the other day: he said that your favorite books —not always, but often —are those you occasionally like to re-read. That's especially easy to do with favorite short stories (because, well, they're short).

The same can be true of movies. I have hundreds of DVDs stacked up in my little home office —I absolutely LOVE movies —and there are some that I find myself plugging in every now and then and watching again. I suppose those qualify as my favorites.
Given the theme of this blog (we're all mystery lovers), and the fact that I needed to come up with a topic for today's column, and the fact that my film preferences seem to have a history of violence, I decided to make a list of my most-often-watched mystery/crime/suspense movies. On the off chance that anyone might be remotely interested, here are thirty of them, in no particular order:




Double Indemnity — film noir at its best

Body Heat — neo-noir at its best
The Silence of the Lambs — rookie FBI agent vs. serial killer
Die Hard — New York cop vs. L.A. bad guys
The Thomas Crown Affair (1968 version) — Boston bank heist
Crash — different stories that converge and "teach a lesson"
No Country for Old Men — best villain since Lecter (maybe best villain ever)
Dirty Harry — did he shoot six guys, or only five?

Bullitt — best car chase, best McQueen role
Once Upon a Time in America — Sergio's gangster epic
Blood Simple — the first Coen Brothers film
In Bruge — brooding bad boys in Belgium
Reservoir Dogs — colorful characters: Mr. Pink, Mr. Brown, etc.
Death Wish — the only really good vigilante movie
Witness — a Philly cop among the Amish
Psycho — don't take a shower if the desk clerk's named Norman
Pulp Fiction — overblown and complex, but great fun
To Kill a Mockingbird — the education of Scout Finch
Wait Until Dark — blind lady vs. drug smugglers

L.A. Confidential — LAPD in the 30s
Rear Window — a peeping Jimmy in the neighborhood
The Spanish Prisoner — great puzzle, with Steve Martin as a bad guy
Fargo — kidnapping and woodchipping in the Far North
The Godfather — this is business, not personal
Out of Sight — best Elmore Leonard adaptation
The Shawshank Redemption — best Stephen King adaptation
A History of Violence — Viggo without Frodo (the first hour is especially good)
Twelve Angry Men — best courtroom (actually jury room) movie ever
Lethal Weapon — the Mel man goes postal
The Usual Suspects — great ending, another great villain

Remember, these are personal favorites; they are not necessarily the best of the best. Titles like Chinatown, The Big Sleep, Mystic River, The French Connection, North By Northwest, The Maltese Falcon, Goodfellas, The Untouchables, etc., belong on every list of "best" crime/suspense films, and I liked them too. But what can I say? —this is an opinion column, and the thirty movies listed above are the ones I most enjoy watching again and again.
At least for now. Last year my list might've been different, and next year it probably will be different.
Isn't that part of the fun?