Today in Mystery History: April 2

 

Time for the 14th stop on our tour of the genre's past.

April 2, 1879. Hulbert Footner was born in Ontario.  He explored the northern part of the province (Lake Footner is named in his honor) and then became an actor, traveling across North America in a play called Sherlock Holmes.  He wrote adventure stories and more than 30 detective tales about Madame Rozika Storey who solved crimes with her less-brilliant assistant.  Some of his other crime novels were made into movies.

April 2, 1914.  Alec Guinness was born in London.  He starred in some wonderful films in our genre (Kind Hearts and Coronets, Our Man in Havana, The Lavender Hill Mob) but to me he is immortal for the greatest performance of John LeCarre's master spy, George Smiley, in TV's Tinker Tailor Soldier Spy and Smiley's People.

 

April 2, 1920. Jack Webb was born in Santa Monica, CA.  In 1949 he starred as an unlicensed private eye in the radio show Pat Novak, For Hire. In 1950 he performed in  two classic genre movies: Sunset Boulevard and Dark City. But you know darned well what he is remembered for: he created and starred in the radio show Dragnet (1952-1957) which also played on TV from 1952-1959.  Yes, he played Sgt. Joe Friday on radio and TV at the same time.  He brought the show back to TV from 1967 to 1970.  The highly-stylized police procedural was much quoted, copied, and mocked.

 

 April 2, 1931. The birth date of another Ontario mystery writer.  Howard Engel wrote sixteen novels about Toronto private eye Benny Cooperman. In Memory Book the detective suffers a blow to his head (as have how many other fictional sleuths?) but this one resulted in his inability to read.  This was based on the results of an actual stroke Engel suffered.

 

April 2, 1950. This Week Magazine featured Ellery Queen's short story "The Sound of Murder."

 

April 2, 1974. The Sting won the Oscar for Best picture.  Can you hear "The Entertainer?"

 

April 2, 1980. The Long Good Friday was released.  The wonderful Bob Hoskins as a gang boss  under attack.  "You don't crucify people! Not on Good Friday!" 

April 2, 199?. On this date Detective Mike Hoolihan tells us about the case she can't let go of.  Thus begins Kingsley Amis' novel Night Train.

 

April 2, 1999. Robert Altman's Cookie's Fortune  was released.  Glenn Close and Julianne Moore starred in a movie about the results of an old woman's death on a small town.  It was nominated for an Edgar.

 

April 2, 2002. Henry Slesar died in New York City, where he was born.  In between he wrote  mysteries and science fiction, but is best remembered for the adaptation of his work to Alfred Hitchcock Presents and The Twilight Zone.  His first novel, The Gray Flannel Shroud, won the Edgar Award. He also won an Emmy as head writer for the only crime-focused soap opera, The Edge of Night.

 

April 2, 2012.  On this day New Jersey mobster Sal Caetano told a gang of Mafiosi that he wanted a screw-up killed.  Thus begins Greenfellas, written by somebody named Lopresti.

And there we draw the veil.

 

BSP

Honest truth. With no horse-trading or calendar engineering whatsoever, my turn to blog falls on the day Severn River Publishing releases my debut novel, The Devil's Kitchen. Stop now if you don't want to read about my unsuppressed joy. 

The road to publication began in 2015. In December, my wife called my bluff. A new district attorney had just been elected in my county. I left the DA's Office without a real plan for what might happen next. On that day, my wife also became a former assistant district attorney. She challenged me to pursue my writing dream. Always the braver and smarter of the two of us, she quickly found traditional employment, the kind that doles out regular paychecks and benefits. 

I started writing short stories. Some of them found homes. (I thank Linda Landrigan, Michael Bracken, Barb Goffman, and others for always making me sound more dexterous in my native tongue than I actually am.) Meanwhile, I began scribbling away at novels. The first didn't sell. Neither did the second nor the third, nor the...You may see a pattern here. 

It was important to me to keep trying. I love writing short stories, and I'm still thrilled when an email arrives informing me that one has been accepted for publication. But to achieve my goals as a writer, I wanted to succeed in both short and long forms. 

Somewhere in this process, I too stumbled back into traditional employment. The regular hours of my magistrate gig were far more conducive to writing than working as an assistant district attorney. I still got to dabble in criminal law without the burden of disrupting and time-consuming trials. 

The new job's schedule allowed me to attend a few mystery conferences. I made friends and learned more about the craft of writing. I'm grateful for the opportunities these gatherings have provided me. 

One of the books I wrote involved a pair of National Park Service investigators who found a dead body at Yellowstone. Clues gleaned from the investigation hinted at a historic conspiracy involving an ancient relic secreted out of France by royalists during the French Revolution. I titled it The Devil's Kitchen. The dual timeline mystery was fun to write, and it allowed me to draw upon hikes I taken visiting Yellowstone with my family. 

Last year, I was sitting on the beach in Galveston, burning some vacation, when my agent emailed me to say that Severn River wanted to talk about the novel. "When could I set that up?" she asked. 

"I'm on vacation," I told her. "I'm available twenty-four hours a day, seven days a week. But that may sound desperate. Tell them that as a magistrate I can move things around and likely be available at their convenience." 

The last few months have been another fabulous adventure. Like Michael and Barb before her, Kate Schomaker has continued to find gentle ways to point out my deviations from the Chicago Manual of Style. I have loved getting emails with possible cover designs and being asked to comment on the options I prefer. (In truth, all I see is my name printed across the bottom.)

And I really, really like the emails where we talk about the next book. Our heroes travel to the Everglades. 

The last decade has been a great journey, one that has only gotten better over the last few months. I'm grateful to many people along the way, especially my family, friends, and fellow writers, who have continued to say, "You can." I hope that I have the opportunity to thank each of you personally. 

I'll see some of you at Malice Domestic in a few weeks. You'll be able to recognize me. I'll be the smiling guy holding the book with the new and shiny cover. 

Until next time. 

What Makes An Anthology The Best?

The SleuthSayers anthology, Murder, Neat, edited by our own Michael Bracken and Barb Goffman, has had the distinction of being named one of the finalists for the inaugural Derringer Award for Best Anthology in an impressive field of 2024 short crime fiction anthologies.

I've edited two anthologies and contributed stories to almost a dozen including my own. I've also had a story included as an "Other Distinguished Story" in a volume of Best American Mystery Stories—an honor that means the notoriously critical series editor picked it as one of fifty out of a field of several thousand, but that year's guest editor failed to select it as one of the twenty to include in the anthology.

So I feel qualified at what seems a good moment to talk about some of the elements of excellence in an anthology.

Any anthology needs focus. This may be provided by a theme, restriction of the setting or authorship to a certain region, or limitation of submissions to a particular group or organization. All the contributors to Murder, Neat are current or former SleuthSayers. The theme, some aspect of alcohol, bars, and drinking, was chosen after much lively discussion among the blogfellas.

 The highly regarded Noir anthology series from Akashic Books was fresh when it began with Brooklyn Noir. It now runs to more than a hundred books. I've heard that the publisher is deeply committed to publishing stories on a variety of aspects of the chosen location as well as a genuine noir flavor. On the other hand, the concept of the "anthology noir" has been a runaway success far beyond the original publisher's series. I wrote a story for Jewish Noir II (2022). The stories ranged from Biblical to paranormal to historical to modern, the genres from noir to comic to speculative, the settings spanned the globe. Submissions were by invitation only, but not all of the contributors were Jewish.

Some editors choose to engage potential readers through a mix of beloved authors and fresh voices. Those are the anthologies in which half the stories are by invitation, the other half by open call. I've never made it into one of those. I tried to seed my own anthology, Me Too Short Stories, with a few well-known authors along with open submissions in hopes of attracting a better publishing contract. As it happened, a political issue was raging at the time, and the more courted authors were the first to abandon ship. I persisted and ended up with a book of wonderful stories that failed to get the attention it deserved.

Apart from market considerations, the best anthology is one in which every story is a winner. I got that in the end with Me Too Short Stories. All the stories adhered to the theme, but each of them did it in a different way. None of the writers was famous, but all were terrific at working cooperatively and appreciated a strong editor. Even when fifteen or twenty or two dozen stories are all about bars or all about Jewishness or all about crimes against women, they can be as different as each writer's voice and way of building a unique structure on the three-cornered foundation of plot, character, and writing or storytelling.

Once the editor or editors have selected the stories, they must put them in the best possible order. This is a creative act, akin to putting together a single-author collection of short stories or poetry, and I assure you it produces endorphins. A well arranged anthology starts with a pie in the face—a first story that grabs the your attention (especially in the library or bookstore or in the Amazon sample) and makes you want to read on. The second and third stories must also make you want to read on, and they must be entirely different from the first and from each other—dark and light, tragedy and humor, horror and cozy, snappy dialogue and brooding narrative. And one of the very best must be saved for last, so you close the book with a smile or a sigh of satisfaction.

Rat Paradise

You’ve heard and read a lot of doom and gloom asserting the population is declining thus leading to social and economic collapse. This is a follow-up to Eve’s article earlier this month, ‘What Nature Does Best’.

Growth is good, proselytizes the Chamber of Commerce. Growth is great, sayeth city fathers. No such thing as too much, blabs Peter Thiel, who likes to think he’s scary smart and who advocates for a global population of 1 trillion, a staggering 12,077% jump from 8.212 billion.

A surprising number of people don’t realize population isn’t declining but rather its rate of growth is leveling off. In other words, we’re easing off the accelerator but the bus is still picking up speed (differential calculus to you readers who snack on maths before breakfast). Even Elon Musk got it wrong in possibly a careless slip of the tongue.

Sexology 101

That’s subject to change about fifty years from now when predicted growth trends whisper to a halt and theoretically may start to rewind. Blame men. Worldwide male fertility has declined for decades. Researchers are convinced chemical air and water pollution is affecting male hormones.

In a climate change world of microplastics where wildlife and plant varieties are disappearing, that is worrisome. For the past three-quarters of a century, America’s Breadbasket, its farms and fields and groves, have been replanted with condos and strip malls. Our oceans are slowly turning to waste. A series of aerial photographs over Caracas illustrate the great jungles drying and dying.

Observers muse the planet is fighting back. Is Earth exerting a form of human pest control?

Inevitably, a question arises of men shunning sex: self-described incels, male separatist MGTOW, and that ilk, a phenomenon observed in many developed countries. I had surmised they represent an insignificant (apologies for the unfortunate word choice) percentage of the population, but I was wrong. Researcher Miriam Lindner estimates 39% of men choose to be single or celibate. However, she claims a staggering 62% of women are eschewing relationships with men. Can we spell WGTOW?

Sociology 201

As mentioned above, city fathers and urban mothers have long and loudly claimed ‘Growth is Good’ when promoting pet projects, which have a peculiar way of enriching those urban mothers and fathers. A balance can be good too, a robust, inflation-free economy can be a very good thing, especially when linked to discovery, technology development, and innovation. Those economic ideals are rare because of population growth. As we hatch new people, we need resources to feed them and places to put them.

Sections of New York University’s ‘soft science’ courses dealt with over-population, and a significant portion of related sociology and psychology delved into ‘prisonization’, the socialization process that occurs when individuals mold to the culture of the prison environment. Prison is an extremely hazardous and unnatural environment, a world of fear, a population of discards, an environment without the opposite sex, a large population day after day, decade after decade jammed within cold concrete walls with little mental stimulation. Professionals draw parallels with population imbalances in our world, where too many people who crunch into tight quarters exhibit extreme behaviors– psychological disorders, rape, loneliness, death, fear, disproportionate homosexuality, hopelessness, and in some jails, vile, moldy food despite federal requirements for nutrition and prohibitions against using food or lack thereof as punishment.

I can report on this only through study and research. Our true first-line heroine and expert is Eve Fisher, who lives and observes firsthand what I can only write about. The main point is that prisons offer a peek into ‘Stand of Zanzibar’ effects of overpopulation.

Rat Paradise 25.0

Eve’s description of John Calhoun’s work slightly differs in details from my long-ago reading, likely because Calhoun’s lab ran numerous population experiments with rats and mice. Mostly I refer to Universe 25, forty to fifty-some rodents in a 4⅓×3m enclosure. The gist remains the same: a rodent utopia in which creatures are provided with every conceivable comfort and protection. They were given a predator-free, temperature controlled enclosures with nesting a cornucopia of materials, nourishing foods, optional treats, and willing, fecund sex partners.

In this abundant environment, the critters fornicated like bunnies, gorged on food, and relished their perpetual vacation. As the population grew, aberrant behaviors broke out– violence, rape (eventually including same-sex assault), lack of mothering, signs of mental instability. At some point, rat residents lost interest in sex, socializing, even eating. They isolated until the colony died out. Poof! Gone, incels in the end.

A number of conclusions might be drawn beyond overpopulation. One might consider human’s need adversity to survive, goals to strive for. Progressives and conservatives (not necessarily left and right) might both be right in different ways, we need to advance but we need roots. We require wholesome, challenging work for our own well-being.

Am I suggesting a link between male and female incels, and a wind-down of population growth? No. Yes. Perhaps. Maybe. I don’t know. But I wouldn’t rule it out.

Wall-E © Disney

Behavioral Sink

The opening minutes of Disney’s 2008 Wall-E suggest Earth was devastated by an environmental disaster. However, as the movie transitions, the rest of the story reveals the underlying crisis, a storybook depiction of Calhoun’s mouse utopia.

Seriously? A couple of friends believe adult animation is intellectually demeaning for grownups, but I love a good story in any form. Apparently viewers and critics agree with a 95% approval. I highly recommend Wall-E for thought-provoking exercise and entertainment, with or without nourishing popcorn.

---

Inspired by Barry and Stephen

 

We've talked before about the fact that more short-story anthologies seem to be published these days than in the past. Especially short mystery/crime anthologies and--again especially--crime anthologies based on singers and songs.

Two of these music-themed anthologies were published since I last posted here, two weeks ago, and I was fortunate enough to have stories in them.

A Fanilow of Manilow

The first of those was A Killing at the Copa: Crime Fiction Inspired by the Music of Barry Manilow. Published by White City Press and edited by old friend Jay Hartman, this anthology contains thirteen stories and was released on March 18. My story there is called "Lonely Together," which is also the title of the song that inspired it, from the 1980 Manilow album Barry. (I suspect the reason I'm a fanilow is that so many of his songs bring back good memories.)

My story involves a man and woman who meet by chance at the bar of a Moscow nightclub. One is American and one's Russian and both are single, a situation that seemed to me to fit both the title while offering lots of chances for mystery and deceit and a twisty plot--in fact, there are several complete reversals in the storyline during the course of the tale. The whole thing is written almost entirely in dialogue between these two people, and since I love writing dialogue, that made it even more fun for me. At 2000 words it's fairly short, and includes only two scenes.

A Funny Thing Happened on the Way to the Computer

The second music-themed anthology was Every Day a Little Death: Crime Fiction Inspired by the Songs of Stephen Sondheim, published by Level Short and edited by writer/editor/globetrotter Josh Pachter. (This is the fifth of Josh's music-based anthology projects that I've been involved with--each one has been great fun and interesting, and I think I'm more excited about this particular story of mine than I've been about any of the others.) Every Day a Little Death features twenty writers, many of whom (except me) were chosen because they're extremely familiar with, and active in, the world of the theatre. It was released on March 22.

My anthology story, "I Love to Travel," is once again based on a song with the same title, this one from the Sondheim musical Frogs. This wasn't my favorite of his songs (my faves are probably "Send in the Clowns" and some of the tunes from A Funny Thing Happened on the Way to the Forum), but this one was fun to spin a story around. My story, about 3800 words, includes two hicks from the South Louisiana swamps who decide to rob the eccentric CEO of a chain of Walmart-like retail stores. These idiots put together a gang of misfits who travel to Florida to pull the heist, which--surprise, surprise!--doesn't go as planned. Now that I think of it, this probably was a case of sending in the clowns . . .

Questions

How do you, as a writer and/or a reader, feel about these "inspired-by-the-music-of" anthologies? Do you find them enjoyable to write stories for? To read? How does that compare to other themes? Do you tend to play the song that's represented by a certain story while you're writing it?--I know some folks do. Does it have to be music by an artist you like, for you to enjoy the anthology? Does it make no difference, so long as the stories are good? Which one(s) of these projects--there have been many--have you most enjoyed? Which have you contributed a story to? Do you have any suggestions for music on which future themed-anthologies should be based? NOTE: I'll be traveling today and might not be able to reply right away, but your thoughts and comments are always appreciated.

In closing, I hope that, wherever you are, spring has sprung. (Begone from me, coats, gloves, and longjohns.) Dust off the pollen, keep reading those anthology stories, and keep writing!

How Do You Prepare to Write?

Last year, I had a difficult time writing. Even the stuck list I discussed in a previous guest post wasn’t working for me. With deadlines approaching and no creative gas in the tank, I started to worry and reached out to a friend. 

She asked me a simple question. “How do you prepare to write?”

I told her about my perfectly fine-tuned scheduled, how I juggled writing between other commitments and my lengthy to-do list. When I had a window of time, I sat behind my desktop, laptop, cellphone (whatever electronic device I had at my disposal), and that’s when I would write.

She laughed (in a kind way) and said, “Maybe that's your problem.” 

She suggested I try meditation. It was my turn to laugh. I had tried meditation and thoughts bounced around my head like Tigger in the Hundred Acre Wood. She suggested journaling. (I didn’t laugh this time because it would have been rude.) I never liked journaling. It felt like an excuse not to put “real words” on the page. I thanked her, filed her recommendations away, and returned to my Barnum and Bailey’s approach to life, determined to do “all the things,” without success. Until one blessed morning I had a mental break through. 

Maybe it happened because it was still early. Maybe it happened because I was in the shower, and it was quiet. I was standing under the water, going through my mental checklist for the day (maximizing my time, and winning, right?), when it hit me, the note behind my friend’s advice. My problem was mental clutter.

Mental Clutter

I love the way Amarie writes about this idea in her article on Medium: “Imagine the mind is like a web browser. Each thought, task, and worry is an open tab screaming for your attention. Some tabs may be for work, others for personal stuff, and others may be random anxieties. When too many tabs are open, everything slows down, and it’s hard to get anything done.” 

My friend was right. My perfectly optimized schedule wasn’t optimized at all. My life had turned into a game of whack-a-mole. The fifteen minute windows I had taken so much pride in leveraging were opening more tabs, draining my focus, and slowing me down. More than that, it was suffocating my creativity because I didn’t have space to think, imagine, or let my mind wander.

I talked to Michael Bracken about the challenges I’d been experiencing, and he pointed me to Cal Newport’s book Deep Work: Rules for Focused Success in a Distracted World.

Deep Work

Cal Newport defines deep work as “focusing without distraction on a cognitively demanding task.” Context shifts (interruptions, checking email, social media) degrade your cognitive effectiveness. He explains that deep work is important because deep efforts are what move the needle, especially in knowledge work like creative writing. 

To perform at an optimal level, he recommends the following: engage in deep work, embrace boredom, abandon social media, and eliminate unnecessary tasks. (He talks about this more on his YouTube Channel.) Armed with Cal Newport’s insights and recommendations from my friend, I decided my approach to writing in 2025 would be different. 

Time Blocking

In the evenings I mapped out my schedule for the following day, rearranging tasks, creating longer blocks of time to write, taking a mindful approach to deep work tasks and measuring their outcome. I discovered this focused approach helped reduce the chaos I felt in the past and helped me focus during writing windows. 

Strategically Check Email, Social Media, & the News

I also blocked time in my schedule for checking email, social media, and reading the news—trying my best to do these activities after deep work sessions knowing they would trigger “open tab, open tab moments” and weigh me down. I also blocked email and social media during writing windows and left my phone on a table outside my office door, close enough to hear if the school called but far enough away so I couldn’t reach for it reflexively.

Know My Why

Roni Loren, an amazing performance coach, reminded me that when I say “yes” to something, I say “no” to my writing. It was sobering, and it has stayed with me. I have tried to look at new opportunities and consider them with this outcome in mind.

Prepare to Write

In order to take advantage of deep work blocks of time, I started journaling—morning pages to clear away the noise. I will start a bigger project soon. As an experiment, I have decided to try evening pages—brainstorming scenes I intend to write the following morning to prepare. I also made reading a priority again. It had fallen to the wayside when things were soul-crushingly busy, and I needed to read in order to write. I tried meditation again, two minutes each morning before I started writing. I focused on my breathing, and the difference it made was remarkable.

White Space

I started prioritizing white space on my calendar. I took the dog for a walk in the woods, no headphones, no recording device. I went for a run. Some of the best ideas I’ve had this year came during moments when I left my productivity expectations behind.

How do you prepare to write? Have you tried deep work? What productivity tips do you have for writers? 

***

My story “Mary Poppins Didn’t Have Tattoos” is now featured on Rabia Chaudry's acclaimed podcast, The Mystery Hour. At the end of the reading, Rabia skillfully connects elements of the story to real-life true crime events. I'm delighted with the final result. I hope you feel the same. Check it out on your favorite podcast app.

Crime Scene Comix Case 2024-03-028, Control Top Cop

Once again we highlight our criminally favorite cartoonist, Future Thought channel of YouTube. We love the sausage-shaped Shifty, a Minion gone bad.

Yikes! In this Crime Time episode, only one outcome is possible.

 

 

 

 

© www.FutureThought.tv

 

That’s today’s crime cinema. Hope you enjoyed the show. Be sure to visit Future Thought YouTube channel.